Month: January 2013

Audio

Shocker

TRACK #16:

Shocker by The Dudes of Wrath

Once in a while a song is not only about a horror movie, or just featured in that horror movie but it’s named after the goddamn thing too. It’s the trifecta, the hat trick, the triple threat – it’s the Title Track, and little else ever competes.

Regretfully, Title Tracks mostly appear to be a thing of the past. Maybe they seem too corny or passe to modern filmmakers. However, dig around through the 80’s and early 90’s and these fuckers are everywhere, probably more out of some ridiculous sense of cross media marketing than any real attempt to make something awesome,…unless your talking about today’s Title Track, Shocker.

Whatever your opinion of Shocker (its definitely not Craven’s finest hour and a half) its soundtrack is out of control.

A supergroup like Voltron assembles from nowhere to rock your pumpkins off.

Paul Stanley, Desmond Child and Alice Cooper show up to sing.

Vivian Campbell and Guy Mann-Dude from Def Leppard stop by to shred.

Whitesnake’s Rudy Sarzo picks up the bass and Mötley Crüe hammer Tommy Lee keeps the beat.

Add in some backing vocals by Van Halen’s Michael Anthony and Cooper guitarist Kane Roberts and you got yourself a genuine fuckin’ supergroup to end all supergroups.

What’s more, these guys got together specifically for this soundtrack and never again. To top it all off they called themselves The Dudes of Wrath, a pun I’m not sure makes any goddamn sense, but is still pretty awesome none-the-less.

So bang your head for the dearly departed Horace Pinker, nobody may ever see him again.

 

Audio

I Was A Teenage Werewolf

TRACK #15:

I Was a Teenage Werewolf by The Cramps

I love The Cramps, so you can believe there’s as many Cramps songs on The Shindig as I can justify within my categorization. At present, I believe that number is 5.

First one from Lux and Co. is I Was a Teenage Werewolf, a groovy garage tune with plenty of monstrous overtones.

Lead in with claw-ripping attack by a clip from the trailer to I Was a Teenage Werewolf.

Nothing you’ve ever conceived packs such a spine-tingling jolt!

 

Audio

Werewolf Bar Mitzvah

TRACK #14:

Werewolf Bar Mitzvah by Tracy Jordan

Since the song The Wolfman’s Wedding Reception by the Goofy Toons doesn’t actually exist, I figured this was the next best thing to follow such an introduction.

From the always ridiculous brain of 30 Rock’s Tracy Jordan comes this monster novelty throwback spoof, to which Jordan received a Gold Record.

It may be a sweaty premise, but i think it sustains itself just fine.

 

Audio

Halloween Shindig

TRACK #13:

Halloween Shindig by Ed Twilley and the Creepers

13’s a pretty horrific number. You got 13 Ghosts, 13 floors, 13 turns in a hangman’s noose, that hockey masked guy, the Knights Templar and all sorts of Lunar and Witchcraft associations. It’s also a prime number and appears in Fibonacci’s Sequence. Hell, it even has it’s own phobia – Triskaidekaphobia.

So, it was a nice coincidence to see this song pull into the 13 spot after some sample/track merging (the playlist originally had separate tracks for all the lead-ins.)

From one of my favorites sketches from one of my favorite sketch comedy shows of all time, Mr. Show with Bob and David, comes the namesake of the entire playlist, Halloween Shindig.

It’s a spot-on spoof of paranormal phenomenon shows like Sightings entitled Probings, and it poses one of the greatest questions of our times..

Do Monster Parties really exists?

 

Audio

Frankenstein

TRACK #12:

Frankenstein by The Edgar Winter Group

Now that we’ve all had a chance to gawk at Elvira (some 1000+ times) lets keep the tunes going.

You mighta heard this one on classic rock radio and not thought much of it. Hell, why would you? Damn thing don’t even got no lyrics.

Despite being largely unrelated to the actual Frankenstein , or anything horrific for that matter, it finds itself on the Shindig, and just about every other Halloween collection or list, for the same reason – It’s called fuckin’ Frankenstein.

So naturally, it tends to get a bit more airplay around Halloween. At least that’s when I remember hearing for the first time anyway. In my Dad’s car, probably 17 years ago, driving around Massachusetts on a Sunday morning, getting coffee or donuts or newspapers or something morningy and its all red, and orange and brown all over everything and this song is playing in the cold air. So now, Its just guilty by association.

But why Frankenstein? Well, to quote Wikipedia:

“The song’s title, coined by the band’s drummer Chuck Ruff, derives from the fact that the original recording of the song was much longer than the final version, as the band would often deviate from the arrangement into less structured jams. The track required numerous edits to shorten it. The end result was pieced together from many different sections of recording tape using a razor blade and splicing tape.”

Sounds legit. And as a guy cutting sounds together, especially about monsters, I like that kinda thing. Sure, I do it digitally and it’s been years since I held (let alone cut) a piece of tape or film – but the image of a mangled, spliced together, Frankenstein-ass looking piece of tape is awesome, Halloweeny, and right up the Shindig’s alley.

So let the Monster Squad test you, and get down to this stitched-up instrumental.

 

Monster Talk: Monster Rap?

At some point during the early 80’s rap started coming into its own as a musical genre, at least in terms of pop culture. However, any amount of popularity eventually begets bastardization.

So, some yahoos thought it’d be a swell idea if everyone, and everything, began rapping. And for about 15 years or so, they did. Now, while musically and tastefully that was probably the whackest decision possible, in terms of Halloween Shindig, it’s meant gold. Solid gold.

The first Shindig incarnation had 3 rap songs on it. Not a bad showing for only 700 megs. Over the years however, that amount has more than quadrupled. Hell, you could make a whole CD of just these monster raps (note to self: make monster rap mix CD for car.)

Everything it seems was fair game for the money mill; The Ghostbuster’s are coming hard with 3 entries, Haunted Houses seem equitable and the Universal Monsters are heavily represented.

Even the fiends themselves started grabbing mics; Dracula has rapped; Elvira, The Crypt Keeper and Frankenstein’s Monster, all spittin’ lyrics. Hell, Freddy’s rapped twice, and one of those times was actually Robert England.

Now, these songs may seem corny, ridiculously conceived, goofy as fuck, or just plain terrible, and who knows, maybe they are. But, while they may not be well respected or liked amongst the general population, much love and respect is given to them from the Shindig, where they will always have a non-ironic home.

Audio

Monsta’ Rap

TRACK #11:

Monsta’ Rap by Elvira

Coming up next on the ‘dig is a ghoul after my own heart – Elvira.

“Every tricker’s treat” has been making Halloween playlists (or more appropriately, Hallowween albums) since I was knee high to a Gremlin. In total, she has 4 different Halloween albums, and they’re all chock full of great songs, Elvira halloweeniness, and even original cuts from the Mistress herself. And number 11 is just such a track.

Not to be out-done (in any respect), Elvira comes correct with her own brand of referential novelty in Monsta’ Rap, featuring so many shout outs, its hard to imagine fitting them all into only 4 minutes. Seriously, everything from The Thing to Rodan and everyone from Christopher Lee to Barbara Steele gets put on blast here, creating possibly the most referential song on the list. And if that wasn’t enough, Elvira’s rapping it all together.

Merged here with her own introduction for some Halloweeny atmosphere. Enjoy.