Referential hits, spooky themes and inclusive Rock ‘N Roll are all well and good, but nothing really captures the spirit of The Shindig quite like a straight up Halloween jam.
And psychobilly spooksters Nekromantix (a name which itself is referential) have just the jam the mad doctor ordered.
Trick Or Treat is the kind of no frills Halloween gem that’s just kinda toss onto an innocuous album because well, that’s just how they roll. “Halloween? Sure, we gotta Halloween song. Here ya go”
Full of nostalgia and rubber remembrance for the Halloweens of our youth, this tune is essentially all about the costumes; picking out the right one and having a great time doing it, all in the spirit of trick or treating. And just like any good Halloweeners, they’ll even catalog passed costumes and the myriad of ideas they have for upcoming costumes as well.
So come on Weeners, whadda you gonna be this year?
Shindig All-Stars Blitzkid are back and whaddya know, they’re singing about an 80’s horror movie.
This time Hellraiser is their pleasure (sir) and we’ve spiced it up with a hefty dose of Pinhead’s verbose bullshit to really make it feel at home.
So come on, solve the easiest puzzle box/portal to ungodly horrors that ever existed. Seriously, they couldn’t have made that fucker a little trickier to crack? Nothing that contains that much crazy shit should be that easy to just accidentally open by rubbing your thumb across. Jeez guys.
Great Pumpkins are few and far between, so to stick two so close together is indicative of the kind of block where in here toward the center of our hallowed playlist.
At last count there were four total; two tried and true Halloween Pumpkins, one Monster Song Pumpkin and another by way of Devilish Track. That’s the bases covered, doubly so in that The Monster Squad is also a Monster Rap.
This one though, this one is the gold standard. This is the one which inspired the category. This is the one by which all the others are measured, and even they fall short of the Shindiggery on display here. If the playlist had its own theme, it would probably be this song.
It’s not necessarily may favorite song on the Shindig (though it would definitely be up there), nor do I mean to suggest it is the best, but it’s so exemplary of what this playlist is all about that it beggars belief. Horror Movies, the music from them, the referential Rock ‘N Roll about them and of course Halloween, all succinctly served in a 4 minute sonic stew.
Is it any surprise that such a song should come from 45 Grave? Not to this guy it doesn’t, and when i first heard it back in 2010 my jaw dropped and I immediately shouted “Holy shit does this song need to be on the playlist.”
But because nothing could be that perfect, naturally, there’s a catch. In this case (and it’s perhaps a bit of my own prejudice rising to the surface) it is the caveat that the song is that comes from the the Night of the Demons remake. Which is a solid soundtrack, to be sure, but a terrible remake. Moreover, it was a terrible movie in its own right. However. as a remake to one of my favorite Halloween movies of all time, it’s even worse.
So, to balance out that factor, I’ve book-ended it with samples from the original, because, how could I not? This song could have been on the original soundtrack. It should have been. So let’s just pretend it was.
And with that, 45 Grave and I invite you to drink, get stoned and party all night, for the demons come alive on Halloween.
One of my favorite horror movies of all time is The Wicker Man. It’s awesome. If you’ve never seen The Wicker Man, it comes highly recommended from Halloween Shindig.
Being part of what was referred to in the 70’s as Folk Horror, The Wicker Man follows Police Sargent Neil Howie as he investigates an anonymous tip of a missing girl on Summerilse, a secluded island off the coast of Scotland.
There, a small but jovial group of Celtic pagans are free to practice their religion unfettered by the prying eyes of a judgmental society. That is until devout Christian Sargent Howie starts poking his disapproving nose around.
It is slow burn horror at its finest with an unsettling sense of dread which mounts to one of the great reveals in horror history.
With effective turns from horror vet Christopher Lee as Lord Summerisle, Edward Woodward as Sargent Howie, plus a cast of creepsters as wide as the island, The Wicker Man isn’t your typical horror movie. Lacking gore, trite frights or largely any of the overt trapping of the genre, The Wicker Man‘s true horror is a psychological and social one that is both subtle and unnerving, and lingers long after the embers of its titular effigy fade.
It would double feature nicely with Dead and Buried, another creepfest about a small town of weirdos doing weird shit.
All that said, one of my favorite bands of all time is Iron Maiden. With Steve Harris’ unstoppable bass, the dueling harmonies of Adrian Smith and Dave Murray, Niko McBain’s thunderous percussion and Bruce Dickenson’s stainless steel vocals, they’re a heavy metal force for the ages.
So when these guys decided to cut a track about The Wicker Man, you know it’s a guaranteed Shindigger.
And though I like the studio version, it can’t hold a candle to the intensity of this opener from their Rock In Rio live album. Plus, it’s got that epic instrumental introduction, just perfect for overlaying this equally perfect sample.
So, come Weeners, it is time to keep your appointment with The Wicker Man.
Show business can be a bitch. One day you’re a hit, the next day you can’t find work as extra in a community theater production of Our Town. What’s an actor to do?
Well, it’s even worse if you’re a child star. Not every Richie Cunningham can turn lemons into an Academy Award.
So, what’s Butch Patrick left with? Well, when your 1983 hit “Whatever Happened to Eddie” fails to make enough waves to buoy your career, I guess you take another stab at referentially cashing in on your former success.
In 2007, Butch cut the seasonal track It’s Only Halloween, where he does his best Shanter impersonation over a requisite Halloween beat.
Say what you want about this song, but I like it and given it’s a Halloween song recorded by Butch Fucking Patrick, I can’t think of a more fitting place for it than right here, with every other spooky, bizarre and otherwise unwise track on Halloween Shindig!
Perennial spooksters and Shindig all-stars Blitzkid are back at #77 with their ode to Mary Shelley’s classic tale of science gone wrong.
Sympathetically written from the Monster’s perspective, the song actually has a bit more in common with the source material than the 1931 film used to lead the track in. But a clip that perfect can’t be ignored, not by The Shindig at least.
For fans of the Shindig favorite Blitzkid, it probably seems fitting to have this song come straight in at #49 following Helen’s Theme. I always thought so anyway.
Pretty straight forward Blitzkid offering here, as they detail the plot of the 1992 Tony Todd creep-fest Candyman, a film which still manages to give me the willies at times just thinking about it.
That shit-smeared bathroom reading “Sweets to the Sweet.” That graffiti style Candyman face Virginia Madsen climbs through. Her waking up in a pool of dog-blood next to a severed head having no idea what has happened while a woman screams bloody murder from the other room. Candyman flying backwards through a window. Creepy stuff. Effective.
“I hear you’re looking for Candyman, bitch.”
Well, just turn the lights down low and say it five times…
Well, Lords of Salem was released this past weekend, much to chagrin of critics and the Internet as a whole, it seems. Tumblr especially appears to be awash was some pretty negative reactions.
So, now seemed as good a time as any to drop in this previously unfeatured addition to the Shindig.
Why previously unfeatured? Well, at the risk of posting negative ideas, and alienating some followers, my love for Rob Zombie extends from about White Zombie to well,…White Zombie. Of Rob’s solo and film career, I can not say I am a huge fan.
So why add it at all? Well, its a Title Track and that’s a little hard to just straight-up ignore. Plus, of all his movie this is probably the one I enjoyed the most. And this song is cool enough and certainly Halloweeny enough to enjoy a position on the playlist.
And hell, I like Rob Zombie. He taught me how awesome samples are in metal songs and pointed me toward a lot of really great movies. What I think of his ability to remake them, or steal ideas from them, is neither here nor there.
So go support Lords of Salem. I haven’t yet, but that shouldn’t stop you. It may be derivative but at least it’s not another goddamn remake.