5 years ago, when this blog was in its infancy, we posted 2 songs and several crummy gifs (now revamped) from the film. We also asked if anyone knew where we could find the rest of this bizarre music. Of course no one did, because no one knew and no one reads this blog.
However, Death Waltz Records apparently heard our Christmas prayers.
A few years back, they released a double-album featuring not only the unreleased soundtrack by Morgan Ames but also the erratic and beautifully atonal synth score from Perry Botkin. Double bonus.
We thought, it being Christmas and all, that this was a perfect time to roll out a second Super Soundtrack, and give the entire OST and score a little extra Shindig magic.
This Super Soundtrack comes complete with all the original Morgan Ames tracks from the film (plus a bonus track!) and the majority of the Perry Botkin score, all arranged chronologically with tons of great samples to wrap it up in a naughty Christmas bow. We hope you enjoy this gift as much as we do.
Click Silent Night, Deadly Night Super Soundtrack to download a zip file containing all the songs, the artwork and an iTunes playlist file!
Or you can stream it directly below!
A few notes here on this amazing album:
This soundtrack is nuts.
What I imagine happened was that either the producers didn’t have the budget to shell out for actual Christmas music or no one was willing to give them the rights to use that music in such a context. Or the 3rd option that they just wanted to have an amazing soundtrack filled with new and interesting Christmas music.
Whatever the reason, what emerged was an absolute gem of an album, both as a Soundtrack and just a good-ole-fashioned Christmas album. Some of these tracks sound so legit you’d almost believe they were actual, pre-existing Christmas songs: specifically, the festive carol Christmas Fever and the subtly unnerving Santa’s Watching, a tune which characters even reference during the movie, adding to its legitimacy.
The original title for Silent Night, Deadly Night was Slayride, which is a pretty outstanding title on its own. It was pitched, backed, filmed and even edited with this title, only changing in the last minute for reasons unbeknownst to this blog.
As such, Morgan Ames whipped up one hell of an (almost) Title Track for that movie which, unfortunately, is not featured in the final cut, despite being listed in the credits. For years this drove me nuts. “Slayrider? What fucking song is that?! I need to hear this song immediately! What is this nonsense!?”
The silver lining, of course, is that it exists, someone found it and then decided it was a good idea to finally release it. They were right, because it’s an awesome song. A song I wish was actually featured in the movie, however out of place it may have been there.
Also, the official Death Waltz release contains 2 other songs that I decided to omit from the Super Soundtrack, I Want To Sing You a Love Song and Christmas Party.
These songs aren’t particularly memorable nor are they featured in the film (or even listed in the credits) and so are extraneous in my estimation. I apologize if you really like them. My guess is, you won’t lose any sleep over it.
In closing, I’d just like to say that I really can’t properly express how stoked I was when this album was released. I honestly never thought it would happen. And not just to finally have access to full versions of Christmas Flu or It Must Be Christmas, or to finally hear (and be overcome with Christmas joy over) Slayrider, but because Perry Botkin’s score is absolutely bonkers. It really is as unsettled and layered as Billy’s psyche and works perfectly to express that unbalanced nature.
I love it, and I hope you will love this blending of the many sounds of Silent Night, Deadly Night.