Audio

Fast As a Shark

TRACK #127:

Fast As a Shark by Accept

I wanted to keep the Demons train rolling and mash-up Boddy Rhodes’ Hank from Demons 2 but that soundtrack kinda sucks. Save for Rain by the Cult and some fun score music, it’s a pretty lame horror soundtrack and is almost completely useless to The Shindig.

“Take this! I’ll hang onto this!”

They opted to go all new wave gothy with the sequel and while I love The Cult (perhaps the only rock outfit on there), I tried it out and Rain just isn’t ballsy enough for all of Bobby’s shouting.

You know what is?

Accept.

They got their balls to the wall, as it happens. So I decided to cheat a little.

Bobby Rhodes is just too good to leave in the lurch because of an inferior soundtrack and the original Demons has too good of a soundtrack not to double dip.

So we’re gonna bust out a Demons double shot for ya. Here’s Accept’s Fast As a Shark from Demons 1 sampled out with tons of from shit from Hank in Demons 2.

Horseshoes and hand-grenades as far as The Shindig is concerned.

Perhaps better suited to a giallo than a supernatural tale of possession, Fast As a Shark is still a pretty awesome track for any horror movie, full stop. Delivering its somewhat moot warning while letting you know just how royally fucked you are. Holy shit.

And to cap it all off they’re just putting you on blast:

“Now it’s your time.

A loser will die.”

Gee, thanks for the vote of confidence Accept.

As for Demons 2, it’s pretty much the same damn movie, only everyone’s stuck in an apartment complex and the creatures emerge from a TV broadcast instead of a film.

There’s more characters, spreading around the action a little more but dragging the pace down a bit. Obviously, Bobby Rhodes is back, this time in the form of physical trainer Hank. He’s a more stand-up cat and a much better leader, otherwise he might as well just be Tony The Pimp in sweatpants.

There’s even another group of time-sensitive teens driving around trying to get to the main location. Yeah, it’s pretty much the same movie. Except, ya know, for its shittier, non-metal soundtrack.

It’s also little sillier around the edges with a few children, including a very young Asia Argento. One of these little fuckers actually turns into a demon, which itself is pretty cool. That is until this winged gremlin-like ghoulie-thing tears out of his stomach. Again, kinda cool when it happens, but then it starts chasing the pregnant woman all around. That gets a bit clowny.

The additional characters make the chaos a bit little less focused. There’s the couple stuck in the elevator, the lady with her demon dog, Sally and her birthday partiers all dealing with different levels of demonoid phenomenon.

Meanwhile, Hank and some of his gym-short meat-heads are holding it down in the parking garage, flipping cars, tossin’ molotovs, busting up demons with axes and gunning down possessed fools left and right.

As horror sequels go, it’s not bad. It sticks to the formula pretty stringently, offering up the same basic premise while upping the ante just enough. And like most sequels, it fails to outdo its predecessor. But honestly, if they keep calling forth demons and letting Bobby Rhodes miraculous return to battle ’em back, The Shindig it’d be all over it. Unfortunately the  Demons saga gets all fuckered after part 2.

Lamberto directed The Ogre in 1988, which was widely released as Dèmoni 3. It is not. Similarly, Umberto Lenzi directed Dèmoni 3 (aka Black Demons) in ’91. This is also not Demons 3.

Officially, Demons 3 is Michele Soavi’s 1989 movie The Church (aka Cathedral of Demons or Demon Cathedral) which, while pretty badass, doesn’t necessarily feel like a Demons movie either. Though after a sinister crypt it opened, the titular church does seal itself shut much like in the earlier Demons outings.

But, we fans still get all the Bobby Rhodes-Demon-action we can from the original double-header. So come on Weeners, MOVE IT! MOVE IT!

 

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