The Devil’s Men by Paul Williams
While fairly understated and never quite as rousing as it seems like it should be, The Devil’s Men is a somewhat worthwhile endeavor, if only to see card-carrying good guy Peter Cushing all cloaked out and evil, raising a 10 foot, fire-breathing Minotaur statue he calls “lord.” Oh yeah, and all the creepy robed Minotaur worshippers. Oh yeah and them all exploding at that end. That shit is pretty awesome.
But it’s mostly worth seeing for the grooviest title track this side of Scream and Sceam Again, which incidentally, Cushing also appears.
Paul Williams, whom many of you may know well from his performance in and musical contributions to, Brian DePalma’s Phantom Of The Paradise, wrote and produced this shindigger. And props all around, cause it’s a doozy.
However, much like the last 2 cuts in this True Title Track block, someone had it out for The Devil’s Men, someone who sucked at their job.
They took it and retitled it Land Of The Minotaur. Which (while in and of itself isn’t such a bad title) seems pretty unnecessary, particularly during the 70’s satanic panic where one would imagine a film called The Devil’s Men might play just fine.
They also saw fit to removed a bunch of violence and all the nudity. Seriously? What’s next? Did they cut out an awesome Title Track too?
Yes! That’s exactly what they did, and they should be tried and hung for the successive severity of their crimes.
So, if your gonna watch The Devil’s Men, make sure you watch The Devil’s Men, and not Land of the Minotaur, cause it doesn’t have a lot going for it to begin with, and the censored version removes just about every reason there is to watch it at all. For shame.
Here, now returned to its former glory, it’s Paul Williams with The Devil’s Men!