Audio

Fright Night

TRACK #106:

Fright Night by The J. Geils Band

Good evening, horror fans. Did you know that all Title Tracks were not created equal?

The J. Geils Band did.

Let’s face it, while all Title Tracks are great, some (Attack of the Killer Tomatoes, Don’t Go Into The Woods…Alone) are less awesome than others (The Devil’s Men, Leatherface.)

Hell, there’s even a hierarchy of applicability. The Maniac Cop Rap is less a Title Track than say Scream and Scream Again. Shocker is  a truer Title Track than a by-liner like Dream Warriors. And then some Title Tracks simply define the category. Fright Night is just that type of Title Track.

A popular band of the time, almost inexplicably tapped by the producers to cut a song so unlike the rest of their catalog you wonder just how the hell it even works. But work it does. Fuck, it works a 70 hour week…taxed…with no overtime.

It works on Labor Day.

Or more appropriately, and perhaps more criminally,…

It works on Halloween.

And thank God for that, cause your Halloween playlist needs it. You’re Halloween needs in. Hell, your life needs It. Listen to it now, and then go watch Fright Night. I just did. It was a great decision.

From that 80’s realm of self-aware horror (somewhere between The Monster Squad and The Lost Boys) where characters versed in fictionalized horror find themselves face to face with that horror in the real world, Fright Night follows horror nerd Charlie Brewster as he attempts to prove his new next door neighbor is actually a terrifying creature of the night.

You got Chris (Prince Humperdink) Sarandon creepin’ up the joint as 80’s vampire benchmark Jerry Dandrige, Steven Geoffreys being his typical spazzy self as (you’re so cool) Brewster’s pal Evil, and Roddy McDowell just knocking it outta the park as the Cushing-modeled celluloid vampire hunter/ TV horror host, Peter Vincent.

Add to that a fantastic script which balances tone so effortlessly, plus some truly memorable visuals from The Entertainment Effects Group. Fresh off their stint on Ghostbusters, these guys provide another barrage of makeup and creature FX wizardry, not the least of which is one hell of a harrowing reverse werewolf transformation.

It all adds up to a genuine high point in 80’s horror that no fan should miss. A loving nod to the horror of yesteryear and that old Hammer feeling right in the midst of the 80’s slasher onslaught. Whats more? It resonated, made a shit ton of money and has endured immensely to this very day.

And the kicker? This awesome Title Track. So perfectly 80’s, so perfectly referential and so perfectly fitting. You can not fuck with this song.

Wel-come…to….Frigh-t…Nigh-t.

 

Monster Talk: Horror Hosts

The Horror Host has been a beloved fixture of the genre for almost 60 years now. So ingrained are they in horror culture that even their parodies have slipped into iconography.

From a time when TV had no guide, DVRs and streaming video weren’t even the stuff of the B-grade sci-fi these horror hosts peddled. TV was a living thing, existing with or without your manifesting gaze. It was there, happening somewhere behind all the black. You needed only to turn it on an tune in to whatever it was offering, lest you miss out entirely.

So you waited.

Originally, Universal Studios offered a package of horror classics and worn out titles called Shock Theater to local TV stations for broadcast. The stations had weathermen, announcers and news anchors doubling as any number of ghoulish characters to present these frightening films of yesteryear.

The movies were often the subject of ridicule, and the focus became rather on the hosts themselves, their outlandishness and their skits. These shows found almost instant success, and America of the late 50’s, 60’s and 70’s loved these local fixtures. Many spawned several incarnations and are still remembered with great fondness in their hometowns.

As the Shindig enters its 2nd quarter, we’ll take a beat or two to pay tribute to those horror hosts immortalized in song.

Watch horror movies.

Keep America strong.

Stay sick

and Goodnight, whatever you are….

Pleasant nightmares and unpleasant dreams.