Metallus’ bitter comeuppance
We Live To Rock by Thor and The Tritonz
The best song (and maybe even scene) from The Edge of Hell is also perhaps Thor’s greatest song altogether, We Live To Rock.
Perfectly summarizing Thor’s rock-philosophy in a 4 word chorus, We Live To Rock is a metal anthem for the ages.
It hails from a time in metal when the greatest source of inspiration was one’s own devotion to, and level of – rocking. These were the good ole days; the days when all you had to do was talk about how much you rocked, the manner in which you rocked and that you fully intended to continue rocking, to make a great song.
And a great song it is.
The end sample is from John Cody Fasano’s Thor: The Rock Opera. Taking place after the events of Edge of Hell’s sequel The Intercessor, the final installment in the Rock ‘N Roll Nightmare Trilogy finds Thor battling the evil snake god Jörmungandr and his evil karaoke henchman Metallus.
Standby for a GIF-rally from John Cody’s Rock Opera, starring my good pal Matt Mastrella.
Until then, let them know…
Wild Life by Thor and The Tritonz
The Edge of Hell; a movie so badass it finds its main character (legendary rocker Jon-Mikl Thor) tricking the Devil himself.
Essentially, Jon and his band of cliched rock ‘n roll cut-outs named The Trintonz, take up lodging in a old barn to cut a new record. Only problem is Beelzebub and his minions have already taken up residence, and slowly begin possessing the band.
The real problem is, all these cliched characters are just that, characters Jon pulled from horror movies to entertain the Devil’s minions. “Shadows” he tells the Devil, fresh souls to lure the Devil out of hiding.
And it worked.
See, Jon is the Intercessor, the Archangel Triton, set to do battle with the Devil whenever he crosses over into the world of the living. And boy does he ever battle.
After dodging some star fish and grappling with the beast for about 10 minutes, Jon trips the Devil, forcing the old scratch to concede. The day is won.
Though the soundtrack is composed entirely of Thor songs, we’ve taken 2 of the best tracks and featured them back-to-back for your enjoyment.
First up is the first cut from the film. A track which, under any normal circumstance would be the title track. However, it’s not. It’s just called Wild Life, which is weird, because if it weren’t for Thor simply shouting “Wild Life” repeatedly during the last 30 seconds, the phrase “The Edge of Hell” would appear more times the the title of the damn song.
So, what’s the deal then? Is it a Title Track?
Naw, not officially. Which is kinda lame, ‘cause we really want it to be, and it kinda almost is.
So, we’ll file it under the category anyway for fun, with the hashtag addendum that it’s not really a title track.