Oh yeah? Big Eric, huh? So, what’s this guy’s deal?
Well, let’s start with that name. “Big Eric “ appears to be a one-off pseudonym used by German artist Eric Billinghurst specifically for this track.
But Eric Billinghurst is better know throughout Germany as Bill Hurst, a standard issue AOR style rocker who produced 2 albums including the (apparently quite rare) 1982 release, Ice Cold Calculation. That fucker’s going for over 200 buck right now on Discogs. This is a shame because it contains a track called Horror that I’d love to investigate. Is it a different take on this song? Is it some other referential rock rarity? Who knows? Not us. Well, at least not yet anyway. That’s fuck off dollars from something I ain’t heard before. I’m hesitant to buy the Critters LPs that are goin for half that much, and the playlist needs a cleaner copy of that song pronto. But Ice Cold Calculation is in our sights, so we’ll keep you posted.
Until then, we can satisfy our Bill Hurst fix with Horror Ball, a peculiar Discoish tune that doubles as a fun play on words.
This one’s a bit silly, but that’s never been a problem around here, and it’s got a good groove, which is always a plus.
On top of that, it’s giving you what you need. All the Monsters you want getting shouted out to an infection disco beat.
And look at the cover to this thing! That’s just plain old fashion monster awesome.
So let’s get some horror going with Big Eric, shall we?
Now here’s a song that we’ve been putting off since jump.
Yep, this one’s been in the bullpen forever.
So long in fact, it was on pre-internet versions of the playlist that were played and distributed. But it’s high time to kick it on out, if only so I can stop thinking about it anymore.
I don’t imagine any playlist featuring as much novelty music as The Shindig would be complete if it didn’t feature at least one tune from The Godfather of Novelty songs himself, Mr. Spike Jones.
In the days before Rock ‘N Roll ruined everything, Spike and his City Slickers reigned supreme. He was the Weird Al of his era, though I’m not sure if that reference even holds much weight here in 2023. But he was a songsman and comedian in equal order, and having your popular tune get “spiked” was a sign you had made it big.
Though WW2 era songs about Hitler and All I Want for Christmas is My Two Front Teeth are all well and good, they’re certainly not Shindigable. However, like any novelty man worth his weight in buffalo nickels, Spike released a Horror record. 1959’s Spike Jones in Hi-Fi featured a ghastly cover with Spike as a Teenage Brain Surgeon surrounded by monsters. The album had lots of horror goings-one including a reference to Plan 9 featuring Vampira herself, Ms. Malia Nurmi. Even legendary singer and voice actor Thurl Ravenscroft, most notable for being Tony The Tiger and singing You’re a Mean One, Mr. Grinch, makes an appearance.
But for our part, it is track 6 which concerns us, a monster of a referential monster party tune, and one of the older Monster Songs on the playlist.
Spike details the gathering of Monsters big and small at his Monster Movie Ball, and as we’ve said several times around here, a full 3 years before Boris Pickett and his Cryptkickers.
But Spike’s song isn’t simply a Monster Song, featuring generic avatars of the Big 5. Nay! Monster Movie Ball, as its name suggests, is a bonafide referential hitter. In addition to name dropping all the classics, Spike finds time to reference House of Wax and The Mole People and actual creep Peter Lorre.
But he even mentions real-world singing fiends like Vampira, Zacherlee, Dave Savile’s Witch Doctor, and makes Dracula do the Cha Cha Cha à la Bruno Martino. Not too shabby.
So Spike, my apologies. Though you’ve been with us for 20 years and have been passed over, time and time again for 10, today is your day. Welcome aboard, buddy!
Living After Death by Al Festa & Maurizio Cerantola
Since we’re talking about the Zombie series, let’s jump to this “Almost a Title Track” from Claudio Fragasso’s Zombie 4: After Death.
Claudio’s directorial effort never quite hits those moments of gonzo joy on display in Zombie 3, but it’s certainly not the worst thing to carry the “Zombie” moniker. And it does have it’s predecessor licked in one very important department; and that’s the opening credit number.
If you thought Clue in the Crew were 80’s up wait til you get a load of Metropole keyboardist Al Festa and singer Maurizio Cerantola’s Living After Death.
IMDb, surprisingly, has a fair amount of information about Signore Cerantola. Seems he was in a Led Zeppelin tribute band called Custard Pie. Then after that, he fronted 2 separate Whitesnake cover bands, one of which was fantastically named Cover-Dale.
Well he’s got the pipes, that’s for sure, as he belts it out here on the kind of song you just wish was a true Title Track. All the hallmarks of the finest are on display. It’s was right there fellas, starrin’ ya in the gullet, all you had to do was grab it.
But alas, their synthy banger will need to be relegated to an Almost Title Tracks episode of Shindig Radio in the future.
As for Zombie 4…that 2nd “Hey, let’s just take a movie that’s not really a sequel to Zombie and call it one anyway” installment…what’s the old chestnut? Zombie 4 makes Zombie 3 look like Zombie 2? Perhaps that’s applicable.
Not that there’s anything wrong with that.
Blue Heart sets ‘em up and the Shindig knocks ‘em down.
Here’s the somehow even more 80’s rocker Living After Death.
Let’s keep the Italian horror train rolling along with this little number, straight off of Blue Heart’s turntable, Clue in the Crew’s rocking Zombie-Bird Winnebago Attack/Sweet Song, The Sound of Fear.
The Lucio Fulci/Bruno Mattei/Claudio Fragasso mega-team up Zombie 3 delivers just about everything you’d expect outta that unholy and contentious alliance: Italian weirdness, synthy goodness, nonsensical plotting , machete-wielding, decapitated-head-flying zombie madness and generous amounts flagrant intellectual theft.
I mean, let’s start with that poster art alone. It’s straight up the Force: Five fist mixed with Freddy’s eyes from Dream Warriors and the lady’s face from the Absurd poster. If Stay The Night didn’t indicate the kind of shameless theft that’s rampant in Italian cinema, or just what kind is in store from Zombie 3, then this pilfery collage passed off as “promotional material” ought to give you an idea.
What was marketed as the second sequel to Romero’s Dawn of the Dead actually plays out more like Italy’s answer to Return of the Living Dead and I honestly don’t have 1 single problem with that.
You throw in radio DJ Blue Heart, straight rockin’ the Jose Canseco shades, pushing his ecological agenda alongside the hottest Phillipino tunes 1988 had to offer, and the Shindig is in Paradiso.
Here’s Clue in the Crew’s referentially inclusive, 80’ser-than-shit hit, The Sound of Fear.
For our final spin with the crew from Deep 13, we have a fun song featured during an episode from the Sci-Fi channel years.
Notorious beach-party turkey The Horror of Party Beach provides us with this tune called Zombie Stomp by The Del Aires.
The Del Aires appear as themselves in the movie, playing this tune. And yeah, it might be weird that a movie about radioactive sea monsters features a song about zombies, but let’s not overthink this thing, especially since they perform an unprecedented 6 tunes in total during the films runtime. But, ya know, this one’s zombie-themed, making it the clear choice for the playlist.
So, before we say goodbye to Mike, Tom Servo, Crow, Gypsy, Cambot, Joel, Dr. Forrester, TV’s Frank, Pearl and the rest of the gang on Mystery Science Theater 3000, let’s have a little fun with this grooving beach tune.
(It’s A) Monsters’ Holidayby Buck Owens and The Buckaroos
On Oct. 30th 1973, Hee-Haw co-host and future Country Hall of Fame inductee Buck Owens entered his Bakersfield California studio with his Buckaroos to record this shit-kickin’ country creep-out.
Released the following summer, just ahead of Halloween 1974, (It’s A) Monsters’ Holiday reached #6 on the Billboard Country Charts. Not bad for a silly monster song.
And boy howdy, is this one silly.
Rattling off all kinds of monsters – Frankenstein, The Wolfman, Dracula, The Hunchback, Gremlins, Goblins, Mummies and Zombies – Buck Owens gives shout outs all around in this goofy and upbeat tune.
Now, why all of these Monsters inexplicably appearing in Buck’s bedroom constitutes a “holiday” I couldn’t well say. To me, it just sounds like more work.
Cause for Monsters, scaring people is their job, right? At least, you could say it’s not below their pay-grade. So, if they’re just doing their job, than it sounds like they’re at work. Not much of a holiday, just doing what you do for a living.
Now, if they were hanging out by the pool, hittin’ the slopes, or yuckin it up down at the local Monster VFW, I could see considering this a nice little reprieve from their everyday responsibilities; a true holiday.
As it stands, this doesn’t sound like much of a vacation to me. But it does sound like one down home, country-fried Shindiggin’ Halloween hoedown if I’ve ever heard one.
My personal pick for Favorite Addition to the Playlist: 2019 has got to go to Philip J. Settle’s rockin’ 80’s, four-to-the-floor Title Track, Dead Heat.
Shindig Radio personality and Showdown Shogun himself Graham C. Schofield brought this glaring omission to my attention just before the season started. And I couldn’t believe I had totally forgotten about this track.
How had this track, this Title Track of all things – particularly one as awesome as this – to a movie I thoroughly enjoy – eluded The Shindig for so long? I love Dead Heat, but I must admit, it’s been some years since I’ve just sat down and watched in it’s entirety…
And this track isn’t just a Title Track, it’s also a Sweet Song, so you gotta stick it through to the end credits to be treated to this dozy, which I definitely would have loved to have taken a go at on any one of our Title Tracks episodes of the Podcast.
All good things eventually reveal themselves to The Shindig and we can thank a dutiful rewatch from Graham for bringing this champion of Title Tracks home, where it belongs.
Playlist fans can now rock out to this tune, which is kind of an Indirect Title Track; one of those song where they definitely say the name of the movie incessantly, but aren’t quite talking about the movie at all really.
Playing off the films double-entendre, Philip J. Settle settles for steering this hot rod of the track toward the racing side of a dead heat, and it works out just fine.
If you’ve never seen this Treat Williams/Joe Piscapo/Kolchak The Night Stalker/Vincent Price zombie-gore bonanza, I say correct that as soon as possible.
With out of control FX from Steve Johnson’s XFX team and additional work from the likes of Todd Masters and Rick Lazzarini, Dead Heat is an 80’s gore/make-up/creature tour de force.
I first saw Dead Heat after my first day of work at an old video store called “Mike’s Movies” in Boston. I had just been introduced to a co-worker (and eventual good friend) named Malachi (I know, right?) and was tasked with assisting him in creating a small shelf of Halloween recommendations to be placed near the entrance for October. What a first day, huh?
We each split up grabbed a handful of titles from the impressive selection that store had to offer. He came back with some selections you might imagine, probably along with some foreign shit (he loved weird old foreign shit.) But it was one cover in particular (and the only one I 100% remember) that caught my attention.
“Piscopo? An Uzi? What the fuck is this?” I asked “This is a horror movie?”
“No.” He replied. “It’s so much more. You gotta see this.”
So we proceeded to get higher than shit that night, and became fast friends while watching his hero, Treat Williams, become the Dead Heat. And Malachi was right. Cause you gotta see this.
So, it seems only fitting then, that 2 days before Halloween, from a small Halloween shelf on the other side of the country, Dead Heat joins the ranks of Halloween Shindig. This one’s for you Malachi!
Born from the same scuzzy streets, Foodland chipped ham and shitty, 3-story apartment building in “downtown” Monessen, Pennsylvania that also gave birth to Halloween Shindig, The Krypt-Keeper 5 and this playlist go together like apples and caramel.
A band of bored FX students joined forces in the winter of 2005 to cut a Christmas album. Deck My Balls: Seasons Beatings from The Krypt-Keeper 5 was a substantial, 28-track package of punk covers, originals, re-workings and Christmas classics.
Featuring the vocal stylings and ivory work of a man you may be familiar with; sculptor, mask-dork, punch-technician and friend of The Shindig, Mikey Rotella.
Rhythming it up behind him were bassist and 4th Keeper Chuck Hendershot (aka Klaus Satan Von Chudberg), Timmy “Tiny Timminy Grinch” Estes slinging a six-string, and Todd Russell Parker McCulloch filling in with drum fills, guitar licks and just about anything else required.
They even played a couple of shows which, for any of the poor souls trapped in the Monongahela Valley, was probably the freshest air they’d ever breathed. Unfortunately, The Shindig never got to see them perform live, as it had moved on to the good life out in California’s beautiful San Fernando Valley by 2005. However, we can all pretend like we were there thanks to the miracle of modern video.
Yeah, that’s great an all, but the last time I checked this was Halloween Shindig. Why the fuck are we sitting here, 3 days before Halloween, talking about a goddamn Christmas album?
Well, that’s because buried deep within this seasonal offering is another kind of festive shanty, and it’s the 5’s take on a Halloween Classic, The Monster Mash.
And when Monessen’s own sons, The Krypt-Keeper 5, take on All-Star Boris Pickett’s seminal Halloween hit, there’s nothing but room for them on Halloween Shindig.
So, c’mon Weeners! Join Dracula, his son….and the wolfmaaan…for this take on the timeless graveyard smash.
There’s a lot of reasons why everyone loves Return Of The Living Dead. There’s its great special FX, its endlessly quotable script, its moments of genuine fright, its fantastic soundtrack…
and then there’s Trash.
In the role that turned Linnea Quigley into a horror icon, Trash is the terminally insouciant, death-obsessed, gutter-punk exhibitionist who just can’t seem to keep her clothes on.
She also can’t seem to talk about anything but death, but I doubt there was one straight male horror fan in 1985 between the ages of 12 to Dead who gave one damn.
I love Linnea Quigley. She stars in one of my favorite Halloween movies of all time and appears in my favorite Christmas movie of all time. I love to see her in anything and I’ve sat through quite a bit of garbage (Deadly Embrace, I’m looking in your direction) simply because she makes an appearance.
You may not always get a Trash or a Suzanne (Night of the Demons) or a Spider (Slimeball Bowl-O-Rama) but you’ll always get Linnea. And whether she’s being cute and bubbly, or morose and sassy, she will always be refreshing compared to her surroundings.
This track from SSQ will forever remind me (and I’m sure countless others) of both Trash and Linnea and my first experience with the horror vixen, who takes almost as close a place in my heart as The Mistress of the Dark herself.
So, let’s get some light over here, Trash is taking off her clothes again.
Return of the Living Dead Part II gets a bad rap. Granted, it’s pretty well deserved, but it gets a bad rap all the same.
Honestly though, in its defense, it had a full count walking to the plate: take one of the most beloved, successful and awesome zombie horror/comedies ever, which wraps itself up pretty fucking tightly and expand on it. Go!
Yeah it strikes out, but that was to be expected. At least it doesn’t get caught looking. It goes down swinging.
It’s never very dark or scary or serious (as the trailer led people to believe) nor is it ever terribly funny. Comedy is tricky and when it face-plants, it does so hard and loudly. It’s not quite as cringe inducing as its equally I’ll-advised contemporary, C.H.U.D. 2, but unlike its counter part you at least feel like your watching an honest to god sequel, despite how shitty that sequel may be.
One thing Return of the Living Dead Part II gets sort of right is the music. While nowhere near the iconic status of its predecessor’s, there’s some good tunes to be had on this soundtrack. Whether it’s Anthrax or Leatherwolf or this turn from Joe Lamont.
Being that this really the only thing the Shindig ultimately concerns itself with, Return of The Living Dead Part II gets its day.
The Ramones (b) + Horror Title Track (htt) = Shinding Gold (sg).
And I don’t care what hardcore Ramones fans thought or what The Golden Raspberry Committee had to say on the matter, my equation is airtight.
And just like any good equation you could substitute a lot of bands for that b variable and still get the same value or greater.
Dokken? Check.
45 Grave? Check Plus.
J Geils Band? Double Plus Good.
It’s math. It just works. Numbers don’t lie. And when Joey, Dee Dee, Johnny and Marky set their sights on Stephen King, the result was a horror hit for the ages. Haters be damned!
Stephen King likes to name drop songs in his novels, particularly Ramones songs and Pet Sematary is no different, as Blitzkreg Bop plays heavily into the story.
I believe the story goes that the boys were approached by the producers for the inclusion of Sheena Is A Punk Rocker in the movie. Such fans of the novel were they that The Ramones simply offered to cut an original track just for the film. And not only that, but a Title Track to boot. Don’t know where I heard that, can’t confirm it but it’s in my head and why would I just make that up? Gotta be at least a partly true, right?
It’s one of the greatest Horror Title Tracks of all time performed by one of the greatest Rock ‘N Roll bands ever. The simplicity and raw power of The Ramones lends itself to perhaps the most cartoonishly straight forward song to ever accompany a horror film, or maybe any film for that matter. Though, there is Hard Ticket To Hawaii and The Stabilizer and thems some ridiculous ass Title Tracks.
So blow a raspberry at those Golden Raspberry farts and follow Victor to the sacred place.
So what do hot rods, racing, surfing and zombies all have in common?
Beats the hell outta me but they all come together in one helluva hammer droppin’, high-rev haulin’, outta sight asphalt eater from Ohio creepsters and Shindig All-Stars The Cramps.
Perhaps their most gracious addition to horror-rockdom, The Surfin’ Dead is prominently featured in Dan O’Bannon’s awesome 80’s zombie send-up The Return of The Living Dead.
While no slouch in the soundtrack department, I have to admit this is easily my favorite track off the album, no question. But I love me some Cramps so maybe I’m just a tad bit biased. Or maybe it’s just a great song.
Either way, it belongs on a Halloween playlist. Even a short one.
And just for good measure, Lux tosses in 2 shout outs to Cleveland’s pride and Cramps hoedad, Ghoulardi.
Cause your A-bone’s busted and you’re through the door, so do the dead
Is there any song that says “zombie” quite like Herbert Chappell’s strange tromboner The Gonk? Ok, maybe Thriller, but you know what I mean.
George A. Romero’s bizarre choice for musical zombie accompaniment has gone on to exemplify human stupidity, mass consumerism and well, the two combined together in the form of zombification.
More recently, the song got a well heard revamp from Robot Chicken’s clucking outro, further stapling this catchy tune onto the brains of pop culture.
Rounding out the 80’s and wrapping up our little zombie interlude, it’s The Gonk, on KZMB, all-zombie radio!
Ah, Night of the Living Dead. A true classic by any definition. Romero’s Dead opener redefined horror, the zombie, claustrophobia and human villainy. And everyone’s been apin’ it since.
At the impressionable age of 12, it began a love affair with horror films that only gets stronger every year. It was the first one to really knock me on my ass:
“Holy shit?! Movies can end like that?!”
I shout to no one, in my Massachusetts bedroom late one Halloween night.
I respond 20 years later through a Halloween blog,
“They sure can kid, but most of em won’t, so don’t get too comfortable.”
It’s a film I love, no asterisk.
However, when it comes to a Halloween playlist, there ain’t much there to spin for your guest. No worries cause The Misfits have us all covered.
This ain’t no love-in, this ain’t no happenin’, it’s a goddamn Halloween party, so stumble in somnambulance!They’re coming to get you, Barbara…
I Walked With A Zombie by Roky Erickson & The Aliens
Roky Erickson’s a pretty far-out cat. So literally far-out in fact, that he once claimed he was an alien.
He was also admitted to a psychiatric hospital for the criminally insane where he underwent shock treatments, but that’s neither here nor there. Though the latter did occur before the former, I don’t mean to suggest that this clearly means he’s not actually an alien. Just saying…that happened too. It’s all pretty far out.
Originally the front man for psychedelia pioneers The 13th Floor Elevators, Roky embarked on a solo career after being released from the hospital in ‘74. What resulted was an altogether different experience in the form of Roky Erickson & the Alien’s The Evil One.
The Evil One is a pretty great album featuring all kinds of groovy monster tunes that could easily find a home on the Shindig. Particularly, I Walked With A Zombie, which has been a standing member of the playlist for some time.
There’s not much to it, honestly. It’s just the title, repeated over and over again, with the addition of the words “last night” attached to every 3rd go ‘round.
However, I like this song. Its got a cool and catchy, almost 50’s sound to it that I can’t help but sing along to. Maybe you’ll find yourself doing the same.
Included are some samples from the songs namesake, 1943’s I Walked With A Zombie. Here’s Roky & The Aliens kicking off a little zombie block here on the Shindig!
It seems as though I’ve been ignoring my Horror Themes category. Better sock one in here before the playlist ends up with a giant lyric-less cluster somewhere in the middle.
And if you need a go-to Horror Theme, then Francis Haines’ Return of the Living Dead Main Title Theme will do just fine.
Perfectly creepy, perfectly Halloweeny, The Trioxin Theme is just the break we need from the rock to bring a little ambiance back into the mix.
As soundtracks go (official, purchasable albums that is) The Return of the Living Dead is a great one. Not only is the music awesome, but it chock full of so many great samples from the movie I don’t even need to bust out my DVD to lead them in. Just grab 2 tracks, splice ’em a little and we’re good to go.
From one of the greatest zombie movies ever made, here’s the synthy and spooky Trioxin Theme from The Return of the Living Dead.
Now it’s party time, literally. We’ve established it’s Halloween, now commence the rocking.
Fourth in line is the first of many selections from possibly the finest horror movie soundtrack ever – Return of the Living Dead.
Apparently the original version of this song was actually about a 5 year old whom is raped and abused by her family. Now, I don’t know if that’s more Halloweeny, but it’s definitely more horrific, that’s for sure.
Needless to say, the producers asked Dinah Cancer if she could rewrite the lyrics to make it a bit more relevant to the film, and a bit less, well, rapey.
The result? Our first official crossover song, and one of the most ass-kicking tracks from a kick-ass soundtrack.
So, do you wanna party? It’s not a bad question, Burt.
