Audio

It’s Halloween (Stop Look and Listen)

TRACK #329: 

It’s Halloween (Stop Look and Listen) by Pete Antell

Since everyone’s all Myersed-up right now from Halloween Ends and Fallacy and since over here (a year behind) we’re still yakin’ about Halloween Kills, we thought it’d be a perfect time to drop this addition.

One of the few moments of genuine interest I experienced while watching Halloween Kills last year was the introduction of Big John. A curious tune began to play during the establishing shots of the Myers house. A tune I was unfamiliar with. Even as it played, I couldn’t quite tell if it was a bonafide Halloween oldie I had just never heard before or some new song made to sound old.

I stayed through the whole credits of that dumb movie just to find out the name of that song.

Turns out it was It’s Halloween (Stop Look, and Listen) by Pete Antell, and the answer to that question, evidently, is somewhere right in the middle.

The song was apparently written by musician and band leader Raymond “Dutch” Wolff way back in 1952. According to his daughter, Melora (who provides several bits of interesting history via the YouTube listing where this song debuted) it was a tune he used to sing to the children when they were all young.

However, the song was never actually recorded. At least it hadn’t been until Wolff’s friend, a musician/singer/songwriter and producer named Pete Antell urged him to lay down the track.

So, they all set about recording it, getting the old band back together as it were, with Pete on vocals and Ray himself firing up the sax. They then released the track in 2012 on YouTube, where it stayed, mostly under the radar, for almost 10 years until it magically appeared in David Gordon Green’s Halloween Kills.

Then, it blew up. Thousands upon thousands of views and hundreds upon hundreds of comments demanding the song be released later, Pete and company dropped a digital single onto streaming platforms within a couple of weeks.

Curiously though, they changed the name of the song to Stop Look and Listen, It’s Halloween for its official release. I’m not sure why exactly, and I rather prefer it’s original title, but hey, it’s their tune.

Pete is kind enough to pop into his own YouTube comments thread at times, but most of his responses are terse and lack elaboration. Trust me, I read through all 800 and whatever of them just to try to dig up information on this track.

And though I’m sure you’re aware, I’d just like to say here, a YouTube comments section is an awful place to spend any amount of time.

Pro-tip for young YouTubers reading: no one gives a shit why you’re there watching a video, or even that you are. Please refrain from wasting peoples time and bandwidth with the unnecessary and tiresome “Here cause of Halloween Kills.” Yeah, no shit.

Oh, and I’d like to double that sentiment for the even more annoying “POV” prefaced “no one was watching this video until Halloween Kills.” Again, no shit, jackass. And that includes you, nimrod. Just watch the video, thumb it up and move the fuck along. Yikes.

My apologies. I just felt particularly stupefied after wading through that insipid thread for nuggets of information that were few and far between. Back to the tune!

So, though it was recorded only 10 years ago, this number has all the Hallmarks of a jazzy tune written in 1952. It’s a little piece of nostalgia that taps right into the heart of an old time Halloween, cause that’s where it originated. And I doubt I’m in the minority when I say that this, not even this scene, but exclusively this song, is the best thing Halloween Kills has to offer.

So we’ve peppered it with some H43 samples and used the original title here, as it is listed in the film, cause old or not, you got a bonafide inclusive Halloween track on your hands now.

Lead in by hometown hero Willy the Kid, on WURG, Haddonfield’s home for rock, which makes a sneeze and you’d miss it appearance there in Kills. You can expect to hear a little more Willy next year, cause you know there’s nothing we like more around here than Horror movie DJs. And Halloween Ends put Willie right in the drivers seat, as he opened up that whole shitshow with the Halloween monster party playlist staple and Shindig bullpenner Midnight Monster Hop by Jack and Jim. Which, true to the precedent set by its predecessor, is the single best part of that whole movie.

We got kind of a Halloween thing happening here right now, so we’ll just have to leave that ditty in the pen for one more year.

Until then, stop look and listen…it’s almost Halloween!

 

Audio

How Much Can You Take?

TRACK #315:

How Much Can You Take? by M.C. A.D.E.

The real question is how much can you take of M.C. A.D.E. More specifically, his grating vocoder rapping.

Well, Adrian Does Everything (or Anus Do Exterminate, whichever you prefer) is challenging us to find out, with his tune that inexplicably uses John Carpenter’s classic Halloween Theme.

And to good effect, as this  beat is pretty awesome. Unfortunately, that fat shit A.D.E. comes in with his monotonous vocoder sound and we quite literally begin asking ourselves “How man can we take?”

I get it. I know. But hear me out.

We gave A.D.E. a pretty hard time on the Freddy Raps episode, and we didn’t really redeem ourselves on Halloween H40 either, and I feel bad.

Dude essentially invented Miami Bass, used the Halloween theme, produced gnarly, trunk thundering bass and he made a Freddy Rap. C’mon, that’s worth some respect, no? And I know his Freddy Rap is pretty irritating, and we definitely took a firm stance on no Nightmare on ADE Street on the playlist, but we gotta throw him a bone, right? Just for being so shitty to a pioneer?

And this song is better! Isn’t it? I mean, I know it’s not much better, but it’s better, right? Plus, he uses the Halloween Theme to craft a great beat for crying out loud. And hell, I’d put money on him being one of the first guys, if not the first guy sample this theme.

But I’m really just guessin’ here. I don’t have that kinda info on hand. In fact, I wanna double check this claim. Gimme a sec.

Ok. So Jaybok the City Ace seems to be the first guy to do this, on 1987’s Hip Hop Phenomenal, followed closely thereafter by Slick Master Rick on his tune Brothers and Sisters House on 13th Street in 1988.

But then, 1989 rolls around with Esham, The Beat Pirates and M.C. A.D.E. all sampling this theme.

Slick Master Rick and The Beat Pirates both made clubby electronic dance tunes with no rapping, and The Beat Pirates are sampling what sounds to me like the Part 2 theme, not that that matters really.

Esham is definitely using the tune, but it doesn’t sound sampled to me. And the part he uses is kind of a pushed-to-the-back-of-the-mix flourish that decorates a beat that isn’t really built on Michael’s theme. I will say his song is much better all around than A.D.E.’s though. So there’s that.

But then there’s Jaybok. Unfortunately, The City Ace has A.D.E. dead to rights. Hip Hop Phenomenal was released 2 years earlier, and it slaps. The beat is on point and his rapping isn’t all annoying like A.D.E.’s. And not for nothing, but Jaybok’s flow is smooth. Smooth like “is this really from 1987?” smooth.

However, I can’t say for sure, but I might argue that Jaybok isn’t sampling the song either. It sound different, like it’s just played in another synth. It could be a pitched sample, for sure, but it doesn’t sound like a straight sample the way A.D.E’s does.

So, he’s probably at least the 2nd, but at the most generous, I’d stand by my statement and say A.D.E. was the first cat to really use the sample in this manner, for a rap song that relies heavily on Carpenter’s theme as the beat. You could argue against that effectively though.

Either way, that’s not bad, particularly considering how much it’s been used since, and whom by.

Ice T, Afrika Bambaataa, Dr. Dre, Snoop Dogg, Biggie, Soulja Boy, Juciy J and even (unsurprisingly) The Insane Clown Posse, have all had producers that dipped their MPCs into this classic piece of horror scoring.

But here we are, with our friend A.D.E., the man who makes me reconsider my love of the Vocoder. It’s like Adrian, I know it’s a dope tool, but you can’t rap the whole song through it like that bud, you just can’t. And what Vocoder are you using, cause it doesn’t sound that great. Is it even a real vocoder, or an FX pedal? Whodini had it right. You gotta get that VP330 Whodini had if you go hard like that. I know that fucker was pricey (still is!) and Whodini was Whodini, but there had to be someone around the studio with something close.

But I digress.

I’m sort of in a conundrum over this song. I’d like to include it, but frankly, it doesn’t really nest into any of The Shindig’s categories. It’s not Referential (unfortunately) and it doesn’t appear in any film (that I’m aware of anyway) and it’s certainly not about monsters or Halloween. But it is using the Halloween Theme, right?

But if I went around just adding every song that used this theme (Blood for Blood’s Spit My Last Breath comes to mind) we’d be here till Thanksgiving.

So, technically, it shouldn’t even be here. But we played it on Shindig Radio Ep. 20 and I’d like to commemorate that moment on the playlist and reproduce some of that Halloween Kills vibe here, and maybe assuage some of this guilt I’m feeling over giving A.D.E. so much grief.

So, if you’ll all indulge me for a moment, I’ll just chalk this one up as a Horror Theme and  give M.C. A.D.E. his day on The Shindig, lord knows he’s earned it.

How Much Can You Take?

 

Audio

Episode 20: Halloween H40 II: H43: Halloween Dies Tonight

The Shindig Radio team returns to the scene of their original crime: Haddonfield!

3 years ago, Shindig Radio first exposed themselves to the world while jack-jawing about Halloween H40. So, you knew that when the sequel to that requel finally rolled around, we were gonna be right there weighing in.

Only that didn’t happen, did it?

Well, not as far as you’re concerned anyway, because a crippling technical difficulty prevented you from hearing that episode when it was originally intended to air.

Now, through the magic of modern audio technology and a little bit of patience, this once thought “lost forever” episode returns to life – a year late and totally irrelevant because a new Halloween has already come out.

STOP! wondering if evil is going to die tonight!

LOOK! at you’re phone or computer while 4 aging assholes complain about a thing not necessarily intended for them!

LISTEN! to Mikey blow the lid off of Tommy Lee Wallace’s 40-year-long mask deception!

it’s…

Halloween H40 II: H43 Halloween Dies Tonight