Making sure we remain Hard Til Halloween is Texas thrashers Juggernaut with All Hallow’s Eve from their 1986 debut album, Baptism Under Fire.
Despite releasing 2 full studio albums back-to-back on Metal Blade Records, opening some shows for King Diamond and having the kind of talent that would later go on to outfit acts like Machine Head, Spastic Ink, S.A. Slayer, Halford, Fates Warning and Sacred Reich, Juggernaut itself never really found its groove and disbanded within 7 years of their debut release.
Which is a shame, cause this kind of mid-80’s speed metal really warms a certain corner of my heart. It’s what I think metal sounds like when I imagine it, and as such, it’s what I want metal to sound like when I hear it.
Thankfully for us, like any metal band at the height of the Satanic Panic, they delivered a face melter all about the Eve of All Hallows. In fact, they went so far as to call it All Hallows Eve.
Unless, that is, you’re looking at the center label for Baptism Under Fire. That one simply lists the song as All Hallows. The back says Eve, and the record even has a pull out sleeve with lyrics, and that says Eve too. So I’m not really sure what the deal is there. Maybe just a misprint?
What I do know is that this song rules and I was glad to dig up yet another 80’s metal All Hallows, Eve or not.
The main bumpers here are courtesy of the Tales From the Darkside installment Cutty Black Sow, a particularly ruthless Halloween episode that happens to feature a couple of cool Halloween masks, including this shot of our favorite Helloween evoking Be Something Studio’s all-star, Fang Face.
Turns out, if you gotta song called Trick or Treat, there’s like a 60% chance that shit’s got nothing to do with Halloween. And those are Shindig numbers. You take that game over to Apple Music or Spotify and you’re probably lookin at closer to 80%. Pretty damning numbers.
I’m not sure what it is about Trick or Treating that inspired so much non-festive music, but here we are. I guess it’s just a phonetically pleasing phrase that’s helpful in any number of non-holiday related situations. It does the heavy lift for you and conjures up all kinds of imagery on its own. Now, I’d argue that that imagery is exclusively Halloween based, but apparently it can mean a lot of different shit a number of (and specifically sexy) contexts.
Even King Diamond, Mr. Halloween himself, wrote a song called Trick or Treat that is not only not about the holiday, but doesn’t even reference Trick or Trreating beyond the use of the iconic phrase.
Should we be surprised then that Diamond Head, the band that asked the world if they were, in fact, evil, has a song called Trick or Treat that’s basically “women be shoppin” ?I’m not, I can tell you that much.
But of course, like Witchfynde, Fastway or even the Actual King of Rock ‘N Roll himself, Mr. Chuck Berry, the song still rocks the house. And for a band like Diamond Head, exceptions can and will be made.
Besides, sometimes just saying Trick or Treat is enough, even if you aren’t evil. But if you are? Well, that kinda changes everything.
On several occasions now I have spoken about a hard to find or incomplete song, and that has somehow seemed to simply manifest that song into availability.
The first instance was with the woefully truncated Title Track to Aerobicide. This one took years, but was finally uncovered and restored to its full glory by Giles Nuytens. Thank him. Hit like and subscribe and all of that. He’s out there in these streets doin’ the Lord’s work.
The second instance wasBit Bizzare’s Freddy Krueger rap Freddie’s Groove, a rare Hip-Hop single which also existed in an incomplete form on YouTube and was hard come by on vinyl. Shortly after our Freddy’s Rap episode and posting it to the Freddy’s Raps playlists, two different copies of the 45 suddenly presented themselves. One of these now has a permanent residence in the Halloween Hole and has thusly been uploaded to YouTube and the Freddy Raps playlist.
Similarly, the 3rd occurrence was with another Freddy Rap entitled He’s Back from LA’s own Triple Scoop. Shortly after expressing my disappointment about not being able to include that song on the same playlist, a copy not only appeared on Discogs, but some kind soul uploaded it to Youtube as well. Thank the maker.
So now, rather than avoiding tonight’s song again for yet another year, I’m just gonna let her rip, in hopes that whatever synchronistic hoodoo is going on around here can maybe work it’s magic once again.
Because for many, many years now, this song has been the Holy Grail of Halloween Shindig.
Freaky Halloween? An Electro Rap tune from 1987 specifically about Halloween? Are you kidding me? Any rap song specifically about Halloween is rare enough, but something of this nature, from this era? It had to be great.
But alas, years and years passed and I had yet to come across a single copy for sale. Only 2 registered users on Discog even owned it. 42 other users wanted it, and yet not 1 has ever sold on the platform in its 22 years of existence.
It is a song so elusive, I didn’t even know what it sounded like…
See, this guy not only recorded it through what sounded like the microphone on his cellphone, but he only uploaded a minute’s worth of the song! What kind of sick joke is this, sir?! You have, in your possession one of the rarest Halloween songs known to man, and a YouTube channel, and the wherewithal to upload the track, and this is the treatment you afford it?
I suppose we should be grateful that we have it at all. And I am, please don’t misunderstand me. But, in a way, it’s almost worse now. See, when I didn’t know what it sounded like, it was still a mystery. It still had the chance to be whack. But it’s not whack! It’s fantastic! And now curious desire has been replaced with desperate need. Desperate need that can not be satiated.
And look, I begged him. He’s in Brazil, I believe. I used multiple accounts to request he upload the full song. I even pleaded with him in Portuguese to give this song to the world, fully. But at present, he has not acquiesced.
This playlist will never be complete in my eyes without this song. This full song.
If anyone reading this post has this 45, I will pay handsomely for it. If you can not part with it, I completely understand. But could you please make a decent rip of this song and send it to The Shindig. I’d pay just as handsomely for that. Even if you don’t own it and just have access to it – please! Access it for the team, champ!
The Shindig needs this song. You need this song. The World needs this song.
Please help Halloween Shindig make this and all future Halloweens, freaky.
Until then, let us bask in what little exists of Ernest Jordan’s electro-rap masterpiece Freaky Halloween.
Now, this is all you would have read and heard, had I posted this last year when it was supposed to post. Indeed, it’s all you would have read if I had posted this 3 weeks ago…
Because that is when the hoodoo apparently worked it’s magic yet again. Just sitting in the draft folder for almost 3 years, this post stirred the spirits. And like some summoned Halloween miracle, the very same guy on YouTube, DJTuta from Brazil, posted his 45 for sale on Discogs. Get right outta town.
Of course, he posted it for an absolutely unconscionable amount of money. Well, at least for a price that was completely unjustifiable to me. The dream was shattered.
So I began to soothe myself, “C’mon. No one is gonna pay that much for Freaky Halloween. It’ll sit there unsold, he’ll eventually mark it down, and then you can rush in! It’s yours, just be patient.”
But what if it didn’t just sit there unsold? Was that a risk I was willing to take?
After a few days went by with no one purchasing the record, I was feeling reassured. But I started getting paranoid, too. I had been down this road before with other rare items. If something, even something rare, is available and every time you check on it it’s still available, you can become complacent and you drag your feet. But then bam! All of a sudden and before you know it, it’s gone. You have to just accept you had a chance and you squandered it and now you’re waiting again. What if that happened here?
Only 47 (apparently 5 more people had expressed interest in the last 2 years) other people “wanted” it on Discogs, and that’s not that many. But it was still 46 chances for someone to swoop in and scoop it up. What if this was our only chance? What if it got purchased and hoarded again and we never got to even really hear it?! What if someone else out there decided they needed Freaky Halloween more than Halloween Shindig needed Freaky Halloween?!!
Well, fuck all that business. No one needs Freaky Halloween more than Halloween Shindig, goddamn it! And The Shindig will democratize its availability and make sure that the whole world receives it, uncut and clear! This was what this site was made for, and this is what needed to be done.
But that price. That goddamn price. We simply couldn’t pay it. It was just completely unjustifiable.
But…
There’s always another “but.” We wouldn’t be talking about this still if there wasn’t another “but,” right?
Because that’s when I remembered – The Shindig coffers! Of course!!
See, there’s a specific PayPal account where all the Redbubble, TeePublic, Zazzle, Ko-Fi and Shindig Shop sales just deposit to, and it’s not my main PayPal account. It’s an account I hadn’t actually looked at in almost 4 years. And holy shit. It was possible.
Why, if not for this very reason, was there even an account? Why, if not for this express purpose, had people ever supported this foolish endeavor of ours? Why, if not to make that which is unobtainable to one, accessible to all through the power of many?
If you have ever purchased a die-cut, a sticker, a Title Tracks T-Shirt, a Shindig Radio dog blanket, a throw pillow with Kyle’s face on it, or simply given us a few buck just for the fuck of it – then this is for you. This super rare and almost unobtainium piece of Halloween music exists on this website, in its complete form and for the entire world to enjoy, because of you. All of you.
My endless gratitude goes out to each and every person who has ever contributed anything to this fund. You have made this Halloween aspiration – an aspiration you were not even aware existed – come to fruition, in the clutch, when it was absolutely needed the most. And for that, I thank you.
And you should thank each other. Because of you all, this Halloween, and every Halloween hereafter, will be a Freaky Halloween.
PS: Oh, and the song? C’mon, that synth bass? That chorus? This horn bag slangin’ it to this chick on Halloween? It’s a straight up Halloween sex song, and it’s incredible. Count Dracula, who sucked me dry? Get the fuck outta here. I love this shit. It’s so much more than I could have hoped.
Hard ‘Til Halloween. Hashtag it. It can be a thing. People can take that in any direction they want, too. Let’s put some creative shit on that tag. I don’t wanna see a bunch of boners either. A few is fine, it’s unavoidable. But let’s not have another #erectfest incident, ok? Cool.
So yeah, Heavy Metal Halloween. It’s a phrase we’ved use a lot around Halloween Shindig. Hell, our Halloween episode of Shindig Radio in 2019 was literally called A Heavy Metal Halloween.
That episode featured songs exclusively called Halloween performed exclusively by 80’s Metal bands. In fact, our last track was very much one of them. There was enough of those bastards to populate an entire episode, and we still found even more after the fact! There’s a couple in the Bullpen even, if you’ll believe that. Hell, there’s another on coming in like 10 days. It’s crazy.
So, I was pumped to stumble across this song literally called Heavy Metal Halloween. I wish it had been featured on that episode, but hey, we can’t have it all. But we can have it ring the bell for our Hard ‘Til Halloween countdown.
There is some solace in the fact that I found this after 2019 though, and that’s that despite being called Heavy Metal Halloween, this song isn’t exactly the most Metally, nor Heaviest, song we’ve ever featured. And it’s certainly not played by an aging 80’s metal band from Europe either. I think these guys are from Rhode Island in the 90’s, so it’s really just as well that it wasn’t featured.
It is performed by Great Whyte Lyin’ Snake, which, if you’re a keen-eared Metal fan, will song like a fun portmanteau of Great White, White Lion and White Snake.
The band seems to be the jokey product of performers from a variety of punk bands including Sleigher, Vague Perception, Beer and Suckface.
Oddly, the song hails from their album Great Whyte Christmas, which features a lot of fun and silly tracks including the Misfits Last Caress turned into LastChristmas. It honestly sounds a bit like Deck My Balls to me and if I didn’t know any better I’d accuse Mikey and the Crypt Keeper Five of lifting this entire concept wholesale from The Snake. This is such a weird and rare little album though, I seriously doubt that’s the case.
I might end up posting the whole thing up on YouTube, as I had to grab a hard copy to ad this song, but I’m not sure. Until then, let’s kick out this block and get Hard ‘Til Halloween with Great Whyte Lyin’ Snake’s Heavy Metal Halloween!
2022 saw no shortage of Heavy Metal tunes. I think there were 8, by my count. Not a bad showing.
But in 2023, we completely ignored metal altogether. I’m not entirely sure if that was intentional on my part. I have a sort of master list that ebbs and flows and sometimes that doesn’t always jibe with how the seasons break out. Either way, 2023 was metal-free. What a Samhain bummer.
So, for the 2024 season we’re bringing it back. We’re goin Hard ‘Til Halloween. We got Heavy Metal Halloweeners, Referential Metal and Inclusive Metal all on the docket and we’re gonna keep your head bangin’ til the costumes are hangin. And if it ain’t quite Metal, it’ll still be hard, guaranteed.
Setting off this block is a dusty old fucker you might be familiar with. See, we featured this tune on Shindig Radio’s Heavy Metal Halloween back in 2019, and I could have sworn it was already on the playlist. But it was not! So, we’re gonna set the record straight and get this straggler on the roster tonight. It’s none other than Halloweenby Avenger.
The German Power Metal Band Rage was known, for a very brief period of their prolific career, as Avenger. Seems there was a British band by that name as well, so they went ahead and changed their name to Rage.
But not before they released their first album, which incidentally includes tonight’s Shindigger, predictably called Halloween.
Like their German brethren Helloween, Avenger takes a few minutes to wail away for us about the Eve of All Hallows, taking the stance that the night is inherently evil and linked to Satan.
For the record, I’d just like to state, I am not a Devil worshipper. Nor am I a Satanist, Luciferian or otherwise. I pledge no specific allegiance to Satan, Bel, Baal, Baphomet, Set, or any creepy fuckin’ Owl gods. I’m not entirely sure a being of such report exists, nor do I think any of us are. At least, I’d like to hope none of us are aware anyway.
But assuming a sentient being representing all evil with whatever powers, attributes, motivations and intent the old books of lore (or berobed weirdos in the woods of Mendecino County) have assigned upon it does actually exist, I wish not to align myself with them.
Now, the pious might argue that by simply having a blog and a room dedicated to a day not set aside for the Lord All Mighty, I am implicitly doing exactly that. Or that in creating an entire playlist of songs that not only fail to glorify Jesus, but it most cases represent a direct affront to him, that anything else I might say on that matter would be complete and utter horseshit. Hell, they might even be right. I’m not really sure how all of that works.
But if an all-powerful and omnipotent being stands as the antithesis to such an evil being, I imagine it knows full well about my post here and is hopefully noting my rejection of any and all actual creatures it stands in opposition against. But again, probably not how all that really works. At least, not if these righteous folks are to be believed anyway.
Look, I just like the color orange and think spooky monster stuff is pretty neat. I enjoy detailed and cartoonish representations of those monsters. In particular, I love old Halloween decorations. I like hazy blow-molded lights and creased cardboard die-cuts and honey-combed tissue paper shaped like bats. I like plastic Jack O’Lanterns and Ben Cooper masks and whatever the hell that stuff is they make stretchy cobwebs out of.
I like it when the leaves turn and crunch under the feet. I like the sharp sensation of breathing a lungful of cool autumn air. I like harvest foods like apples and corn and man, pumpkins with faces carved into them sure look cool.
I like the smell of latex masks and that shitty colored hair spray. I like candy and the communal spirit of the night. I like that it is a neighborhood-centered holiday rather than a family-centered one. I have fond memories of Halloweens past, trick or treating in the crisp air and watching Halloween TV shows and scary movies after.
Perhaps I am naive. Perhaps I’m unwittingly praying to Satan everyday through these activities. I’d sure hope not, and would like to go on record as such not being my intention. And that’s because that’s just not what Halloween means to me. It means the acknowledgment and honoring of death as one season of life gives way to another. This is not evil. Nature doesn’t understand that concept. Nature just is.
But maybe that’s that naïveté. Maybe it’s not about what it means to me, or what I ignorantly think it means. Maybe there’s something entirely more sinister at play here. But I dunno. That sounds like a whole lot of self righteous, puritanical Christian bullshit to me. But maybe that’s just the devil hard at work again, manipulating me with lies.
Now, should you go the other way with this concept and think that yes, Halloween is inherently evil and fuck yeah that’s exactly why you like it and my declaration of non-allegiance to Satan seriously offends you as a reader, cause man doesn’t it seem like some pussy ass shit over here at Halloween Shindig right now, I thought they were down – then shit, I dunno.
I’m not sure what to tell you, in that case. If that’s the sort of thing that you and your Master do not particularly appreciate, then I guess I’d apologize. But what do you need that for? You’re all fuckin evil and shit, right? What do you care what I say or think? Shut the fuck up, be fuckin evil and get the fuck down on this Hard ‘Til Halloween shit, will ya?!
Our next Frankenstein adjacent track is the best kind of track; an 80’s Monster Rap.
This is a pretty rare tune it seems, and I had to ante up to catch this one. It wasn’t terribly expensive, but did take some waiting. Why this song isn’t in heavier rotation or found in more places online is beyond me.
So, we posted it up onto our YouTube channel DigTV a couple years back, as we wanted to get a clean copy out into the world asap.
But those things are fragile. Anything can get taken off YouTube at a moment’s notice and Lord knows I’m just waiting for Shindig Radio to get slapped with a cease and desist. So, we’re finally committing this one to the playlist, where it can hopefully have a second and long digital life, cause awesome vintage Monster Rap like Igor At Midnight, needs preserving.
This super referential and festive Electro Rap drops the names of everyone you’d expect, makes a reference to Halloween, and even includes a shout out to Thriller, a clear inspiration here for Cagé. I dunno bout that Darth Vader reference though, that one’s a little weird and random, but we’ll take it.
Once again, a huge shout out goes Werner Von Wallenrod and his Humble Little Hip Hop Vids for hipping me to this tune and sending me on the hunt.
From 1987, here’s the only release from Cagé (Drac. E. “D”), the extra halloweeny Igor At Midnight.
Look, I know this album cover over here ain’t exactly selling the sizzle or the steak, but the 2006 CD Bomp in the Night is actually a pretty solid Halloween compilation.
It’s a 30-track packed offering of, mostly old (but trusty) Halloween staples. Bert Convy, Danny Hutton, Jack and Jim, Lee Ross and Mann Drake all appear on this comp. It even features a rare cover of Spooky Movies by Ron Barrett. Nice!
Now, this sort of thing is completely irrelevant these days, given that most of the songs here are readily available, if not on music streaming services, then most certainly YouTube. And that affords you all the ability to take or leave as many of these songs as you’d like in the building of your own personal Halloween playlist.
Most of them.
There are a few rare and unique tracks here that might cause a guy like me, in a year like 2020, to actually seek out this album, including the song I fully purchased this album to hear, The Mysterial’sHalloween (It’s Your Big Scene).
This tune is only available either here, or (I think anyway) on their 2008 release Theatre of the Seasons under the title Halloween (The Story of Linus). I assume this is the same song, but I ain’t in no rush to confirm that shit, because I don’t really like this song. It’s definitely not making the playlist, either way. Such is life. So it goes. Thanks for playing.
It’s a throwbacky Doo-Wop snoozer about Linus waiting for the Great Pumpkin, which might sound great, but it doesn’t actually sound great, so here it ain’t.
I will make it available on DigTV however, so that any potential diggers out there can spare themselves any serious scouring or dollars and decide for themselves if they want to hear it a 2nd time.
Ok, then why the fuck are we even talking about this damn CD then?
Well, I mention it because it’s also the only place I’ve ever seen where you can hear tonight’s track, outside of finding it’s original 45 anyway. And it’s The Halloween Song by The Four Downs.
Of course, I found that 45 before I found this CD, but I enjoy having the 45, and it certainly didn’t cost much, so either way.
However, that 45 contained some sort of scratch or imperfection that made it so I couldn’t actually rip a clean copy from the vinyl, even after hours of cleaning, brushing, replaying and trying again.
So, in went the CD. But, ah-ha! This CD apparently contained its own imperfection, as it would only rip to track 25 before promptly ejecting the fuckin’ thing over and over and over. What is this, some sick joke? It played fine in my car, so what gives?
I ended up having to drag my DVD player out to the Halloween Hole and hook it up to my inputs and manually record the output of the CD to get this digital copy. Holy shit.
But after all of that, I can confidentially state that this tune was actually saved from Halloween obscurity by Bomp in the Night. Big ups.
And now my frustration is the world’s gain as in addition to this song now being featured on the playlist, I will post it on YouTube for Halloween hungry hermits the world over. No longer need The Halloween Song by The Four Downs be hard to come across, scratched and digitally corrupted. Nay!
Because this is exactly the sort of thing we wanna have cap off our Referential Monster jam mega block. This mellow tune (which sounds suspiciously similar to Ob-La-Di, Ob-La-Da) is possibly the most Referential Halloween Monster Song this side of Vanilla Ice’s Born on Halloween.
V. Ice probably still holds the crown, based on sheer volume, but for the quality over quantity crowd, The Four Downs have got you covered. The record itself is even dedicated to George Romero and Billy Cardille. Nice!
The song details some martial strife that plagues a Pittsburgh couple (newlywed on Halloween, no less) after they festively ring in the occasion with a little Chiller Theatre marathon. After their night of Chilly Billy and chill, the husband starts acting a little peculiar.
Gorgo, Dr. X, Rodan, Willard, The Crawling Hand, Day of the Triffidsy? Even The Tingler gets a shout in their rapid-fire referential litany. Not necessarily deep cuts in ‘79, but it’s a refreshing and old school hit list in 2023.
What’s more? It’s yet another instance of The Mysterioso Pizzicato. What is it with that lick? People composing Halloween Songs love that shit.
And a plus 1 here to Baader-Meinhof, because ever since putting those 2 songs next to each other last year and talking about The Mysterioso Pizzicato, I have run across no less than 5 additional songs incorporating that tune. That’s almost as many as were on the playlist already! I’d call it synchronicity, but it’s really not at all important. Either way, you know a playlist is eminent.
For now, kick back with Dave Goodrich and Julie Holzen as they work through some monster inspired trouble in paradise with The Halloween Song.
Though largely unheralded, The Bitter Blood Street Theatre might just be some of the earliest Shock Rockers in the game.
Formed in 1969 by a crew of Cincinnati University kids, the Thearte sported masks, capes and S&M gear for their stage shows which took on the form of a kind of Freakshow meets Vaudeville-Gone-Berserk.
Unfortunately, no footage of those shows is known to exist. Indeed, their only albums were cobbled together in the late 70’s from whatever demos existed by band captain Tom Owen. What we do know is that they opened for Alice Cooper, and it is said that Alice may have cribbed a couple of tricks from The Theatre for his own stage show. No more Mr. Nice Guy, indeed.
Not only did they open for Cooper, but the MC5, Joe Cocker, Mountain and Dr. John as well. Apparently they were pretty big locally, but never made any waves outside of Ohio.
A version of the band reformed in the 80’s as Blacklight Braille, where they continued to evolve their unique sound. Exotic instrumentation mixed with sometimes unusual arrangements performed in kinetic fashion mark the band’s overall vibe. You’d call it Rock ‘N Roll, I suppose, but there’s definitely something else going on. Something a little more theatrical.
And hey, wouldn’t you know it, they recorded a Halloween Song! Well, something of a Halloween song at any rate, with Halloween Ball.
A celebration of the Halloween’s of Old, this ball, with all sorts of Pagan overtones.
So now it’s finally Halloween, but we’ve definitely already blown our Hall-load for the year and we’re 2 songs outside of a 10-slot for the big day. Where does that leave us?
Well, there’s always that old fallback, the Halloween Date Track. First and last seen on Halloween of 2018, when Acid Witches’ sinister October 31st took the holiday position.
This one reminds me of Kaye Lande’s Halloween, in that it’s set to a piece of classical music. In fact, all the Songs For Little Folks are, that was the whole point, I guess.
For Kay Lande it wasCharles-Camille Saint-SaënsDanse Macbre.
In the case of Bob Hannon, it’s Evard Grieg’s In The Hall of the Mountain King, which is no stranger to being used and abused.
As far back as Fritz Lang’s M and further, and as recently as this years ad for the Bob’s Burgers movie, and countless commercials, trailers, video games, cartoons and TV shows in between, In The Hall of the Mountain King has been ringing in your ears your whole life. You know the tune.
The song is even said to have inspired the Inspecter Gadget theme, which – now that they mention it – yeah, fuckin-a it did!
But what is it?
Well, it was a piece of incidental scoring from the 1867 Henrik Ibsen play, Peer Gynt. The play is all about trolls or whatever and this dude named Peer enters their mountain abode with the Mountain King’s daughter or something. The King wants them to bang I think, which is weird, and that act will turn Peer into a Troll, which is good for the King somehow. I dunno, it was in Norwegian, Mac, I didn’t understand.
At any rate, for our final song of Halloween 2022, here’s On October 31 (Halloween Song)by Bob Hannon.
Thanks for tuning in, everybody! We’ll see ya soon with some new additions to the site, some rare finds and some new episodes of Shindig Radio!
I often see people lament, upon hearing a new Halloween Song, that there just isn’t enough Halloween music in the world.
This is understandable. It’s definitely not as ubiquitous as Christmas music, cause radio stations and stores aren’t exactly blasting that shit the minute the autumnal equinox hits. And there’s certainly not nearly as much of it, but it’s out there. You’d never know it, cause no one plays it, but it’s around. And there’s a decent amount of it too.
I mean, we literally just cleared 330 tracks on The Shindig here. Now granted, the lion’s share of those songs are not specifically Halloween songs. However, thanks to my handy category search it’s easy to determine (unless, of course, I forgot to tag something properly and you‘re nice and patient) that a good 64 of those songs are specifically Halloween songs, give or take a couple that aren’t really talking about Halloween. But they probably say it, and hey that’s worth something, right?
And I know, that’s really a drop in the pumpkin compared to Christmas songs, and there certainly isn’t enough, I’ll agree with that. But that’s more than those people probably think there are, and there’s plenty, and I mean plenty, more Halloween songs I have yet to, or will ever, include on this playlist.
What I mean to say, which I already sort of said before I said all that other stuff I probably didn’t even need to say, is that they’re out there, you just gotta look. Or, just get on over to Halloween Shindig, cause we do the lookin’ for ya.
Take tonight’s song for example. Here we have the best of both worlds and there’s a good chance you’re not familiar with this tune. I wasn’t for many years and I run a damn Halloween music blog. It’s shameful probably, but I eventually found it, stuck it in the old bullpen, and tonight is it’s night to shine!
Because well, it’s the night before Halloween! Ya know, Cabbage Night…
or Devil’s Night, Mischief Night, Corn Night, Gate Night, Goosey Night, Beggar’s Night or whatever the hell goofball, homespun regional nonsense the town you grew up in decided to call the night before the alreadythe night before an actual holiday.
What’s that business all about? Seriously, how far back does this shit stretch? Does the 29th get its own fuckin’ name? Is that Grabber’s Night? Or is that too close to Goosey Night? What about the 28th? Can’t it be a night too? How bout Tugger’s Night? Where does this shit end?
Whatever it is you call this night, which for some reason has it own goddamn name too, here’s a song all about it. It’s a play on the old Night Before Christmas poem, with a Halloween twist, from singer/songwriter Bill Buchanan.
Bill is probably best known for his break-in style novelty record team-ups with none other than Halloween compilation staple Dickie Goodman. We’ve yet to feature any Dickie Goodman on the playlist, but he’s actually got a song slated for somewhere in the 330’s, so we’ll be hearing from him real soon. At least in Playlist time, anyway.
This tune came before Bill ever hooked up with Dickie though, way back in 1962. The B-side to this 45 was a song called Beware, and it’s a pretty boppin’ Vampire-Halloweener in its own right.
For now though, we’re gonna keep it timely, and wish you all a Happy Whatever the Fuck Night with The Night Before Halloween.
So, we’ve reached a true 10-slot on this “Halloweens-til-Halloween” run, but what’s a Halloween playlist to do? We’ve just spent the last 11 days burning out potential 10-slot candidates (and some good ones too) on this ill-advised-if-I-wanna-keep-having-actual-Halloween-songs-to-write about Halloween celebration. So, what do you do, I ask?
Well, you drop the best damn Halloween song you’ve dug up all year, that’s what you do.
And that’s what we did. And this is a true new-find for 2022. This didn’t have to wait in the bullpen for even a season.
And after this many years, and this many songs, the fact that there’s still Halloween songs out there to find – and true Halloween Songs at that – and even true Halloween Songs that are this fun – is pretty crazy.
Though I will admit, after this year’s exhaustive digging, I’m pretty sure that’s coming to an end. With the exception of 2 very specific hold-outs I have yet to be able to hear, if there’s a Halloween song out there that isn’t already on this playlist, it’s probably in the bullpen at this point, or has been permanently benched.
And I know what you’re thinking, there’s no chance this is a good song. Ole Chef’s Salad up there ain’t instilling a whole lot of confidence in ya. I get it. Cause what the fuck is that, right? Fuckin’ Chef’s Salad? That’s about as Halloweeny as an Easter basket.
I mean, I guess the orange and green is sort of Halloweeny. That 70’s aesthetic might maybe lead one to believe something halfway listenable is laying in wait. But if you don’t like music that’s almost 50 years old, then even that line of thinking is a bust.
But trust me, this one’s a winner. It’s not one of those not really about Halloween Halloween songs either. This is a true blue Halloween jam. And it’s not one of those short and mildly irritating, sung by a weird lady or balding dude for some record that teachers were supposed to play in their classrooms in 1972 songs either. Though in fairness, I usually avoid them, but there’s a few of those that are pretty good, too. Even some classics, and there’s definitely a few waiting for their number to be called.
No, this is a real song, sung by – ok, just some guy no one really heard from otherwise, but still a dude with access to potential mainstream success. It’s a song.
The Chef’s Salad things a bit weird, I’ll give ya that. This appears to have been a compilation album released by producer Wayne Wadhams in an attempt to capture and then market the thriving music scene in Boston and New England during the mid-70’s. Since most of the acts don’t seem to have made any waves following it’s release, I’m not sure Wayne was all that successful to that end.
What he did successfully manage to do however, for some odd reason, was capture one hell of a Halloween song. Now, why Bill Ervinwould compose this tune, or why even Wayne thought it was a shinning example of the city’s music scene at the time, is anyone’s guess. I mean, I’m glad they did don’t get me wrong, but it seems like an odd choice for a music sampler LP.
Interesting side note here on this song in regards to it’s placement with Pete Antell’s It’s Halloween.
You may notice it begins the exact same way Pete and Ray’s song began. You may even notice that a lot of songs around here feature this little lick. Even Heavy Metal Halloweener’s Iron Crossused it, much to Mikey’s chagrin. And beyond that, you know this little ditty. You’ve heard it a million times in various places, but what the hell is it?
Well, it’s a tune called Mysterioso Pizzicato, which is sometimes referred to as The Villain’s Theme.
It was a piece of generic sheet music found in The Remick Folio of Moving Picture Music which was published in 1914. This book was used by piano accompanists playing live music during the silent film era. It was meant to indicate the presence of a bad guy, a villain if you will, or some other such sneaky or unscrupulous bastard. And boy, did it.
At almost 120 years old, you still recognize this, that’s how ubiquitous it became over time. Even to the point of cliche, hence Mikey’s chagrin over Iron Cross.
Maybe you’re familiar with this one. Maybe it’s been a long-standing Holiday must for some of ya’ll out there. But I’ve been digging around for just this kind of thing for years, and for whatever reason, it took me this long to find this one. But I’m sure glad I finally did, cause it immediately stood out to me as a tune I couldn’t believe I hadn’t even heard before, much less didn’t have on The Shindig.
So here it is, love it or leave it (either way, we’re definitely keeping it) it’s Halloween by Bill Ervin.
It’s Halloween (Stop Look and Listen) by Pete Antell
Since everyone’s all Myersed-up right now from Halloween Ends and Fallacy and since over here (a year behind) we’re still yakin’ about Halloween Kills, we thought it’d be a perfect time to drop this addition.
One of the few moments of genuine interest I experienced while watching Halloween Kills last year was the introduction of Big John. A curious tune began to play during the establishing shots of the Myers house. A tune I was unfamiliar with. Even as it played, I couldn’t quite tell if it was a bonafide Halloween oldie I had just never heard before or some new song made to sound old.
I stayed through the whole credits of that dumb movie just to find out the name of that song.
Turns out it was It’s Halloween (Stop Look, and Listen) by Pete Antell, and the answer to that question, evidently, is somewhere right in the middle.
The song was apparently written by musician and band leader Raymond “Dutch” Wolff way back in 1952. According to his daughter, Melora (who provides several bits of interesting history via the YouTube listing where this song debuted) it was a tune he used to sing to the children when they were all young.
However, the song was never actually recorded. At least it hadn’t been until Wolff’s friend, a musician/singer/songwriter and producer named Pete Antell urged him to lay down the track.
So, they all set about recording it, getting the old band back together as it were, with Pete on vocals and Ray himself firing up the sax. They then released the track in 2012 on YouTube, where it stayed, mostly under the radar, for almost 10 years until it magically appeared in David Gordon Green’s Halloween Kills.
Then, it blew up. Thousands upon thousands of views and hundreds upon hundreds of comments demanding the song be released later, Pete and company dropped a digital single onto streaming platforms within a couple of weeks.
Curiously though, they changed the name of the song to Stop Look and Listen, It’s Halloween for its official release. I’m not sure why exactly, and I rather prefer it’s original title, but hey, it’s their tune.
Pete is kind enough to pop into his own YouTube comments thread at times, but most of his responses are terse and lack elaboration. Trust me, I read through all 800 and whatever of them just to try to dig up information on this track.
And though I’m sure you’re aware, I’d just like to say here, a YouTube comments section is an awful place to spend any amount of time.
Pro-tip for young YouTubers reading: no one gives a shit why you’re there watching a video, or even that you are. Please refrain from wasting peoples time and bandwidth with the unnecessary and tiresome “Here cause of Halloween Kills.” Yeah, no shit.
Oh, and I’d like to double that sentiment for the even more annoying “POV” prefaced “no one was watching this video until Halloween Kills.” Again, no shit, jackass. And that includes you, nimrod. Just watch the video, thumb it up and move the fuck along. Yikes.
My apologies. I just felt particularly stupefied after wading through that insipid thread for nuggets of information that were few and far between. Back to the tune!
So, though it was recorded only 10 years ago, this number has all the Hallmarks of a jazzy tune written in 1952. It’s a little piece of nostalgia that taps right into the heart of an old time Halloween, cause that’s where it originated. And I doubt I’m in the minority when I say that this, not even this scene, but exclusively this song, is the best thing Halloween Kills has to offer.
So we’ve peppered it with some H43 samples and used the original title here, as it is listed in the film, cause old or not, you got a bonafide inclusive Halloween track on your hands now.
Lead in by hometown hero Willy the Kid, on WURG, Haddonfield’s home for rock, which makes a sneeze and you’d miss it appearance there in Kills. You can expect to hear a little more Willy next year, cause you know there’s nothing we like more around here than Horror movie DJs. And Halloween Ends put Willie right in the drivers seat, as he opened up that whole shitshow with the Halloween monster party playlist staple and Shindig bullpenner Midnight Monster Hop by Jack and Jim. Which, true to the precedent set by its predecessor, is the single best part of that whole movie.
We got kind of a Halloween thing happening here right now, so we’ll just have to leave that ditty in the pen for one more year.
Until then, stop look and listen…it’s almost Halloween!
For our third and final Heavy Metal Halloween melter from 1986, we’re coming back stateside with this rare and low-fi demo from Las Vegas’ Fallacy.
It’s not uncommon for heavy metal bands to write a song about Halloween. Indeed, The Shindig is littered with them. It’s also not uncommon for those bands to just go ahead and name that song “Halloween.”Fallacy’s tune will bring the grand total of literal Halloween heavy metal tracks to 9. And don’t worry, cause there’s more in the bullpen.
What’s also not uncommon, but certainly less not uncommon, if for those bands to directly tapped into John Carpenter’s classic theme. Wasted, Fondlecorpse, and Warhammer are all culprits, and you can add Fallacyto the pile, cause they bring that sinister 5/4 theme right out the gate. They veer off ultimately, but even a lick is good enough for us.
Fallacy wasn’t long for the world, and not much info is floating around for them except some posts trying to clear up the (no surprise here) common confusion of them with a band named Fallacy from Michigan. In addition to the rare cassette-only 1986 demo Fall and Remain (which can be heard in poor quality on YouTube) they appeared to have only have one other release. It’s a live cassette of show from the same year which features these and a few other tunes. Check out this dope flyer. I’m not sure if that tape is from this show, but who cares:That’s metal as fuck, and 6 buck? Not bad for a night of thrash.
It’s a shame they never got a clean album recorded, cause Fall and Remain rips. I’ll say the vocals could be stronger, but the band (particularly the drummer) are just mowing these songs down. I certainly wouldn’t mind having a cleaner cut of this song, that’s for sure. I eq’ed some of the wildly excessive bass outta that YouTube copy, but I’m no mixing engineer, and it’s still a pretty ragged recording. My apologies. If i ever run across a better rip, I’ll definitely update the playlist.
Since the boys from Fallacy seem to be directly referencing Halloween 2 here, and that one never got a proper Heavy Metal Halloween tune of it’s own, we’re headed back to Haddonfield, Illinois on Halloween Night of 1978, for more of the night he came home.
So grab a service revolver and buck 6 shots…and then for sure tell everyone that excessively for the rest of the night, so much so that reporters can overhear you and then immediately jam that information into radio news updates about the ongoing search for Michael Myers.
It’s time to feel the steel with our second Samhain shot, a song that also happens to be from 1986.
This ones hails from traditionally neutral Switzerland, and takes aim at our Hallowed Eve via brute force and a stern warning. It’s Fortressand their track Halloween Night.
Unfortunately, not much seems to be known about this band, and the tune comes from their lone release, the 4-track EP Take the Night.
So little is this band discussed that only 1 image of the album even appears to appear online. It’s pretty low rez and it’s the album cover you see above, which I snatched from discogs.
Where did Fortess come from? Where have Fortressgone? Why are there so many other fuckin bands named Fortress? Seriously.
Encyclopedia Metallum lists 20 bands in total with the name Fortress. Are you kidding me? It took me 5 minutes just to determine which Fortress was this Fortress, only to discover they didn’t have any damn information about them anyway. Beautiful.
Well, since we don’t know anything about Fortress, we’re just gonna talk about this now I guess, because…fuckin’ Fortress? Really? That’s the band name that’s getting into double digits? It’s not even a good band name! I mean, it’s alright, but it don’t sound nearly as tough as all these dudes seem to thinks it sounds.
It’s 1 word with 2 syllables, and that’s always a solid move for a band name. Straight to the point and harsh. Slayer, Vemon, Krokus, it just works. So I’ll give them that. But while it does have the upfront punch of “Fort,” that double S at on the back end really weakens up the whole affair.
So why are so many groups clamoring for this name? Cause it’s strong and keeps out invaders? Cause it can’t be penetrated? What’s the allure? Cause it can’t be the phonetics of this thing.
I’m not sure, but for 20 bands, spanning 3 decades, Fortress connected. And from all across the globe too! Hungary, Bavaria, Poland, Australia, even the Netherlands, all have Fortresses. Hell, the US accounts for almost half of them with 8 different Fortresses!
You wanna tell me one or two, sure. Bands unwittingly named each other the same shit all the time, particularly in the days before the internet.
Any band naming themselves post-2002 has no fuckin’ excuse. You come up with a some generic-ass nonsense like Fortress, you cross reference that shit with The Metal Archives, see if anyone else has already used it. Chances are they have, because you’re not that creative and Metal’s been around for over 40 fuckin’ years.
Maybe one other band used it 25 years ago and no one’s ever heard them. Fine, keep Fortress. Wait, there’s 17 other bands named fucking Fortress? Put that one back on the shelf, fellas. The world doesn’t need another Fortress. It’s not that great of a band name to begin with.
The first instances of Fortress seem to appear in 1980, with one glamy lookin outfit from LA (unsurprisingly) and another in Kansas. Germany pumped one out shortly after in 1981, and then our boys from Switzerland appear in tandem with another LA band in 1983.
Now, those 2 LA acts need to check the flyers outside the Rainbow Room or some shit and get their acts together. You’re probably using the same goddamn rehearsal space on Cahuenga, for christ sakes. The rest of ya’ll early 80’s guys, I’ll cut some slack. You late 80’s Johnny-Come-Latelys have a little more latitude but not a lot, and any of you clowns from the 90’s shoulda better known better. After that, you got high speed cable internet and a fuckin’ google search bar. Use that shit. Acting like you got a real unique one on your hands and not looking that shit up is just arrogant.
However, since our boys here were pretty early adopters and all the way over in the Swiss Alps just shredding up avalanches like they were in goddamn Blood Tracks, we’re gonna let them off the easiest. They’re the the only ones with a Halloween song anyway, so they’re clearly the only one’s deserving.
But seriously, no more fuckin Fortresses, alright everybody?
We’re gonna leave the 80’s behind and set a course for an old timey Halloween. But before we do, we’re gonna take a right turn outta the discotheque, head down Mundhra Road toward High Pike Farm and make a quick stop at The Quarry. Cause we’re lookin for a little rock over here and they got all the rock we need. So, here comes a triple-barreled blast of 80’s Halloween Metal to power our trip even further back in time.
This first shot is coming at you from all the way across the pound, with the UK metal molesters, Touched, and their 1986 album Death Row.
The glam-rock stylings of Twisted Sister team up with the NWOBHM sound of early Maiden to produce the sufficiently heavy but not necessarily intimidating, Night of the Hallowe’en.
There doesn’t seem to be a whole lot of info floating around about Touched, but I will say, it’s an odd band name. Not necessarily tough, now is it? Certainly not in a metal context.
I suppose they could mean like “touched,”like you might say of someone who is particularly imbecilic or perhaps even crazy. That’s sort of tough-er I suppose, but not terribly. Just kind of offensive, really. Unless they’re directing that toward themselves, I guess.
Or, they could mean this in like a “you got touched” way. But not in the good way that you’d want to be touched, but in the bad way that no one wants to be touched. But thats weird right? To name your band that? Fuckin-A right it is.
Which I guess just leaves “touched” in the good way. And that could either be physically or emotionally. Like perhaps one feels after they watch We Bough a Zoo, or Mac and Me.
But that’s decidedly not tough. In fact, it might just be the opposite of tough.
The physical (and let’s just assume sexual) connotation of “touched” is the only thing that’s really left, and even that don’t make sense as a band name. But, hey, Touched it is I guess.
And that’s before we even get into this song’s title. Cause it’s not Night of Hallowe’en, It’s Night of THE Hallowe’en.
That’s weird. I’m not sure I’ve ever seen anyone put a “the” in front of Halloween. Personally, I kinda like it. It’s makes Halloween itself sound like a monster that’s gonna get ya, or an evil entity unto itself that you better watch the fuck out for.
But I had to double check the album sleeve on that one, cause dude doesn’t even say that shit in the song! And I think that would be cool. But nope, just the title. Odd move.
So, it looks like we gotta whole lotta question here with Touched and not a whole lotta answers. We’re just gonna have to leave it at that I suppose. At least for now.
But that’s ok, cause we’ve just arrive at The Quarry, so let’s wake the neighbors, and get Touched by The Hallowe’en!
Note: I realize the audio on this one’s a bit greasy. There’s 2 versions on YouTube right now (already not a great place to get the song) one that’s real low quality and another that skips a couple times. I caught and corrected one but missed the other completely. However, I have this LP en route to The Halloween Hole as we speak, so I’ll update the track here, and even give YouTubers a better option after the season wraps. So if you dig this tune, stay tuned!
Since we’re apparently knee deep in some sort of weird shoot-out for most straight up 80’s sounding Halloween song ever, we’re gonna let the “ band” Run make their case to close us out.
Now, I’m not sure who the clear winner is, but Run definitely puts up a solid argument for themselves here, with the help of Michael Heart, who apparently arranged, wrote and provided the vocals for this track.
I guess Michael Heart is a pseudonym for Italo-producer and composer Bruno Kassar, who had a string of aliases under which he released all kinds of music. Is Run one of those?
Damned if it know, as this appears to be their sole release. The only other thing I can dig up on them is this business with Michael Heart. Since he’s a known pseudonymist, producing all sorts of shit under aliases, perhaps Run really is just another one for the fire.
That’ll have to be a Shindig mystery for another time, it seems. For now, let’s give the floor to The Phoenician himself, Mr. Michael Bruno Firefly 5 Heart Kassar with the exceedingly 80’s Halloween (Dance Version) by Run.
Since we seem to have a decidedly 80’s electronic pop vibe goin’ on here so far in the 320’s, we’re gonna keep that rollin’ with Scary Thieves.
This short-lived British New Wave crew appear to be challenging us to find a more 80’s-ass holiday dancer than their 1984 tune Halloween. Strangely, this is a Halloween song which actually appears to be about Halloween for a change, but even that’s a little unclear.
Though technically recorded in 1984, Scary Thieves encountered nothing but problems during that whole process and their self title LP was summarily shelved by the EMI. The band broke up shortly thereafter and most of that material went completely unheard for 30 years.
In 2015, Furry Records released the album Halloween which was essentially a repackaged and remastered version of the original LP Scary Thieves.
So, buried though it may have been, another Halloween got its chance to see the light of day.
Look, I don’t know what the hell’s going on in Halloween City, but from the looks of this album cover, it’s fuckin’ serious.
What’s more, I don’t know what the hell’s going on in this song. Probably because I don’t speak French. Perhaps I should attempt to translate these lyrics. Gimme a sec.
Ok, that failed, cause – surprise – outside of the Discogs page, no one seems to have a whole lotta info on Special Du Jour. So, easily finding the French lyrics to this song was perhaps a nonstarter. If either of you readers out there are fluent in French and wanna take a crack at decoding this business, be my guest. ed@halloweenshindig.com is awaiting your calls.
Speaking of Discogs, they’re informing me that Special Du Jour is the handle for French duo Louise Beaudoin & Martine Fugère. So there’s that, at least.
This is an album I picked up years ago, song unseen, back when I discovered it was a thing and a blind purchase seemed to be the only way I was actually gonna hear the tune.
I won’t say it was disappointing, but it didn’t hit the playlist immediately upon arrival, so that ought to speak a bit to my initial impression.
Perhaps if I knew what the hell they were saying other than “Halloween City” I could gauge things a bit more accurately. As it stands, I think the song isn’t bad. Certainly not the Halloween Disco banger I was hoping it might be, but not unlistenable, and definitely not unfestive in its sound.
So here, in the midst of our Halloweens-til-Halloween run, seemed like as good a place as any to drop this somewhat spooky and somewhat danceable Halloween (question mark) hit (also question mark.)
So grab some spandex, maybe a headband, a few rattle cans and let’s take the metro over to Halloween City! There’s a plywood wall there that would look a lot better with the words “Halloween Shindig” sprayed on it.
Once upon time, Bret Michaels revealed to the world that every rose had it’s thorn. Ya know, just like every night had it’s dawn.
Now, whether or not every cowboy truly sang a sad, sad song, or why that is also held up as a universal truth, I couldn’t say.
What I can say though is that, similarly, every day has it’s night. It certainly doesn’t have the same ring, but it does seem just as true.
Such is the case with this evenings entry, the ying to Ministry’s Yang, Every Night Is Halloween by Industrials.
This one, much like Al’s tune, seems to use the idea that the underground culture of dance/industrial/goth is a operating outside the boundaries of accepted society and hey, stop giving us all so much shit all the time, ya fuckin’ squares. But they beat Ministry to the conceptual punch, releasing this song a good 4 years prior.
I’m not sure this is exactly the same kinda deal though, as Industrials seem to be playing a different sort of pool here. Homeboys got a welding helmet on, and that’s kinda…industrial…I suppose. Nothing else about this seems terribly gothy or industrial. It just kinda sounds like new wave synth pop if you ask me, so maybe this is angling for a bit of a different message. Or maybe they were getting the business too, for dressing all freaky with welding helmets and typical 80’s wares.
Either way, the lonely dancers on the ceiling feel like it’s Halloween. Maybe they’re dressed up. Maybe there’s candy up there. Who knows.
But yeah, it’s another “not really about Halloween” Halloween song. There’s a lot of these fuckers it seems. Maybe they need they’re own playlist or something. I dunno.
I like this tune though. It’s got a spookyish sort of synthy vibe that feels right and man is it 80’s. Looks like we might be starting a bit of a thing here.
Interestingly (at least to me, maybe to you too, we’ll see) this album was produced by infamous music industry whack job Kim Fowley. This is the same Kim Fowley who put together The Runaways and allegedly sexually assaulted Jackie Fox while Joan Jett and Cherie Currie watched. Damn, ok. That was a left turn.
This is also the same Kim Fowley who released the album Frankenstein and His All-Star Monster Band, which you would think might be wall-to-wall Shindig goodness (I know, cause I did too) but here we are and here they ain’t. I’d say give it a listen, but don’t actually think you should.
Sorry about that little detour Industrials, I didn’t mean to get ya webbed up in all of that. I just saw his name there on the back sleeve and was like “Snap. Really? I don’t really like that Frankenstein album and this might be a good time to explain why it’s never been featured to readers that might be wondering.” Which, admittedly, is probably no one.
But anyway, we’re loosing the thread here so let’s just let Industrials take ya through the night and I’ll see ya in the morning for some more 80’s Halloween madness!
Oh, and this opening sample is from 1963’s The Haunting. If anyone is playing along at home.
As I may or may not have already stated, 2022 marks the 10th anniversary of the internet incarnation of Halloween Shindig.
I had planned to do more things to ring in the occasion, but alas, even doing just the normal October push at this point seems difficult enough.
We will not let the anniversary go unmarked however, as from here on out, every song til Halloween will be a Halloween Song. That’s right…though it pains me to even utter the phrase…everyday is Halloween from here on out.
So, to kick off such a block, we’re finally calling upon Al Jorgensen and his Ministry to join the fold, with their Halloween staple Everyday (Is Halloween.)
Long time followers may know of my general distaste for the nascent cult of “Everyday is Halloween.”
My disassociation from this slogan and it’s ideology is 3 fold:
First, and chiefly, it is an (admittedly) semantic and good-natured comical argument I make with the literal nature of the phrase. Every day is not, in fact, Halloween. More to the point, we shouldn’t act as though it were, because if it were, then Halloween would cease to be special and what’s all this fuss about?
Another semantic off-shoot of this qualm, is that Halloween isn’t a day at all, but rather an eve. Hallow’s Eve, The Eve of All Saints. Halloween technically doesn’t start until sundown. I know, I know. I’m splitting hairs here. I’m just being ridiculous and annoying prick! Hell, many definitions of “eve” will suggest it can also be the day before. However, in that it’s a shortening of “even” or “evening,” I think I got a leg to stand on this one, obnoxious though it may sound.
Lastly, I find it to be, as the kids are wont to say, a bit of a flex. And a stupid one at that. Oh yeah? That’s how spooky you are, huh? That’s how much you like monsters and horror and shit? Halloween ain’t no big deal because you at that spooky shit 24/7? The rest of the poser world has decided to take this time of year, and only this time, to revel in ghosts and goblins, but not you, bruh. You do this shit all year, so fuck the tourists? Get real. Ya’ll sound like Suicide.
And yeah, it is a costume and I do think that’s what it’s all about, cause that is what it’s all about. It’s Halloween, and it falls on October 31st.
Look, I get it. If it wasn’t clear after 10 years, I love Halloween. I love the colors, the air, the traditions, the imagery and the horror. In particular, I love it for the very fact that for one month (or at least it should be) the whole world around me seems aligned with all the things I love as well. Stores have spooky webs up, candy is in abundance everywhere, die-cuts adorn waiting rooms and post offices, monsters are suddenly in TV commercials, and people have their houses decked out for the onslaught of costumed tricksters. I don’t get chippy about this fact, like people are falsely co-opting my interests. I embrace it. I don’t like when it happens too soon, or when Christmas encroaches too early. It’s a special time, but I don’t want it to overstay it’s welcome either.
Now, this brings into question my own actions. Namely this website, my obsession with this Eve, or plastering my work space with all manner of Halloween imagery…all year. It sounds hypocritical, right? Well, maybe that’s true.
I doubt if even a day goes by in either my work on this blog, or in my research, or with my personal interests, that I don’t write out the word “Halloween.” I see things, and many of them, that say “Halloween” on them, every day. Like Graham once put it on the show, The Halloween Hole is like being inside a giant Halloween candy bag. If anyone is living the ethos of “Everyday is Halloween,” you could argue it’s me. So, I should just shut the fuck up, right? Well, maybe that’s true too.
I’d argue it just means that if I, there very person who has created this place and surrounds themselves with Halloween…every day, is telling you to take it easy with the “Everyday is Halloween” bullshit, then it’s gotten a little out of hand.
Whichever the case may be, Halloween is a special time of year. And it falls on the very last day of the month, perfectly positioning October to be be a full-on, 31-day countdown celebration of all things spooky and monstrous. However, I didn’t wanna blow all the Halloween songs I have left on a 31 day binge, so I tightened that up a bit, my apologies.
And though I’m aware that this song isn’t even really about Halloween at all, and speaks to a completely different ideology than the current wave of dildo Horror fans declaring other people just don’t like Horror as much as they do, it seemed like the most appropriate song to ring in the occasion. Particularly since I have avoided adding it to this playlist for literally 19 years now.
So, as halloweenshindig.com turns 10 years old, let us for once (and only once) proudly exclaim…Everyday Is Halloween.
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