TRACK #322:

Every Night is Halloween by Industrials

Once upon time, Bret Michaels revealed to the world that every rose had it’s thorn. Ya know, just like every night had it’s dawn.

Now, whether or not every cowboy truly sang a sad, sad song, or why that is also held up as a universal truth, I couldn’t say.

What I can say though is that, similarly, every day has it’s night. It certainly doesn’t have the same ring, but it does seem just as true.

Such is the case with this evenings entry, the ying to Ministry’s Yang, Every Night Is Halloween by Industrials.

This one, much like Al’s tune, seems to use the idea that the underground culture of dance/industrial/goth is a operating outside the boundaries of accepted society and hey, stop giving us all so much shit all the time, ya fuckin’ squares. But they beat Ministry to the conceptual punch, releasing this song a good 4 years prior.

I’m not sure this is exactly the same kinda deal though, as Industrials seem to be playing a different sort of pool here. Homeboys got a welding helmet on, and that’s kinda…industrial…I suppose. Nothing else about this seems terribly gothy or industrial. It just kinda sounds like new wave synth pop if you ask me, so maybe this is angling for a bit of a different message. Or maybe they were getting the business too, for dressing all freaky with welding helmets and typical 80’s wares.

Either way, the lonely dancers on the ceiling feel like it’s Halloween. Maybe they’re dressed up. Maybe there’s candy up there. Who knows.

But yeah, it’s another “not really about Halloween” Halloween song. There’s a lot of these fuckers it seems. Maybe they need they’re own playlist or something. I dunno.

I like this tune though. It’s got a spookyish sort of synthy vibe that feels right and man is it 80’s. Looks like we might be starting a bit of a thing here.

Interestingly (at least to me, maybe to you too, we’ll see) this album was produced by infamous music industry whack job Kim Fowley. This is the same Kim Fowley who put together The Runaways and allegedly sexually assaulted Jackie Fox while Joan Jett and Cherie Currie watched. Damn, ok. That was a left turn.

This is also the same Kim Fowley who released the album Frankenstein and His All-Star Monster Band, which you would think might be wall-to-wall Shindig goodness (I know, cause I did too) but here we are and here they ain’t. I’d say give it a listen, but don’t actually think you should.

Sorry about that little detour Industrials, I didn’t mean to get ya webbed up in all of that. I just saw his name there on the back sleeve and was like “Snap. Really? I don’t really like that Frankenstein album and this might be a good time to explain why it’s never been featured to readers that might be wondering.” Which, admittedly, is probably no one. 

But anyway, we’re loosing the thread here so let’s just let Industrials take ya through the night and I’ll see ya in the morning for some more 80’s Halloween madness!

 

Oh, and this opening sample is from 1963’s The Haunting. If anyone is playing along at home.