House Of 1000 Corpses

TRACK #46:

House of 1000 Corpses by Rob Zombie

Well, Lords of Salem was released this past weekend, much to chagrin of critics and the Internet as a whole, it seems. Tumblr especially appears to be awash was some pretty negative reactions.

So, now seemed as good a time as any to drop in this previously unfeatured addition to the Shindig.

Why previously unfeatured? Well, at the risk of posting negative ideas, and alienating some followers, my love for Rob Zombie extends from about White Zombie to well,…White Zombie. Of Rob’s solo and film career, I can not say I am a huge fan.

So why add it at all? Well, its a Title Track and that’s a little hard to just straight-up ignore. Plus, of all his movie this is probably the one I enjoyed the most. And this song is cool enough and certainly Halloweeny enough to enjoy a position on the playlist.

And hell, I like Rob Zombie. He taught me how awesome samples are in metal songs and pointed me toward a lot of really great movies. What I think of his ability to remake them, or steal ideas from them, is neither here nor there.

So go support Lords of Salem. It may be derivative but at least it’s not another goddamn remake.

Dracula’s Daughter

TRACK #44:

Dracula’s Daughter by Screaming Lord Sutch and The Savages

British rocker Screaming Lord Sutch is a pretty spooky cat.

Check him out.

That’s pretty spooky.

He also made some spooky music, too.

Like this tune that I’m filing under the Monster Song category, as he isn’t explicitly detailing the plot of the 1936 sequel to Universal’s classic Dracula.

He pretty much just uses the title as a jump-off point for some crazy story about a girl named Mary that bites him in a graveyard. A girl who’s pops just happens to be Dracula.

In addition to this music, he also founded a totally legitimate British political party called The Official Monster Raving Loony Party.

Here’s their totally legitimate logo.He also hung himself in 1999 following his mother’s death, and years of clinical depression. Now that’s pretty spooky.

But what the 3rd Earl of Harrow left behind was a lot of a fun garage tunes and some perfect Shindiggin’ material.

Bookended with clips from Dracula’s Daughter just for good measure.

The Shindig hopes you’re resting in peace David Sutch, you spooky sonofabitch.

Spirit

TRACK #43:

Spirit by Doug E. Fresh and The Get Fresh Crew

When it comes to Monster Raps, no movie’s got that category on lock down like Ghostbusters 2.

Whatever your take on the movie itself (I happen to enjoy it, though not nearly as much as the superior original) its soundtrack is pretty serious, and as such has a lot of representation on The Shindig.

The year was 1989 and this soundtrack certainly feels that way, bridging the gap between 80’s pop and paving the way for what would be the mainstream explosion of rap the following year. Hats off the the music supervisor’s foresight on that one.

Like any good soundtrack it also consistently reminds one of the movie, as the music is featured so predominately within the film.

The first Shindig cut from that album is Doug E. Fresh’s Spirit. Some people hear it, some people fear it. Some people just won’t go near it.

Dig it.

Evil Dead

TRACK #38:

Evil Dead by Death

In honor of the trailer that’s mysteriously making everyone forget how mediocre and soulless the last 10 plus years in Remakewood have been, I’m bumpin’ up this track from gore-sicians Death.

In a fitting coincidence, this song is titled Evil Dead, rather than The Evil Dead, which could assist in one’s argument that the song isn’t actually about The Evil Dead, but rather just some run-o-the-mill dead of a generically evil nature.

Lyrically, I think it could go either way. While indeed Chuck Schuldiner doesn’t say anything wholly specific to Sam Raimi’s 1981 trailblazing gorefest, there’s enough material here to make an argument that it is referential. Lines like “Spirits within causing terror,” “All will die tonight” or even quite simply “Covered in blood,” certainly evoke images of The Evil Dead.

But if you told me Chuck wasn’t referring to the film at all, that wouldn’t surprise me either.
Cut in with tons of clips from The Evil Dead (as I am now forced to specify), here’s the ultimate experience in grueling metal.

Listen to this….this is the tape i found downstairs….

Witchfinder General

TRACK #34:

Witchfinder General by Witchfinder General

Sometimes bands name songs after horror movies.

Some bands even name whole albums after horror movies.

And sometimes they go full-bore and just name the whole goddamn band after a horror movie.

Such is the case with British doom-smiths Witchfinder General.

What’s more, they even have a band anthem. That’s a triple threat.

Led in and peppered with samples from the band’s 1968 namesake starring Vincent Price.

If you’ve never heard of the film, perhaps you’re familiar with The Conqueror Worm (which has this bad news poster right here) as it was billed in America. Huhwhaa?

The unnecessary title change was in an effort to sell the movie as another in the line of Corman/Price/Poe hits, which it most certainly was not.

It is however an interesting (albeit a little slow) abuse of power tale with a pretty creepy and understated performance from Price and lots of great shots of the English countryside.

If you’re down with movies like Mark of the Devil, The Blood on Satan’s Claw (considered by Tigon Productions to be Witchfinder’s successor) or even The Devils, then Witchfinder General might just have exactly what you’re looking for.

Frankenhooker

TRACK #33:

Frankenhooker by The 69 Eyes

If Peter Steele blasted a couple rails, and the rest of Type-O inverted the gloom to tempo ratio, the resulting sound might be akin to Finnish Goth-N-Rollers The 69 Eyes.

From their Angels album comes this patented Shindigger, which makes its home on the playlist because I’m just a huge fan of Frankenhooker.

Though referentially speaking, I felt the song was somewhat lacking, so I kicked up the Frankenhookerness quotient with tons of samples. Enjoy!

Wanna date?

The Lurch

TRACK #31:

The Lurch by Ted Cassidy

Holy shit! Lurch has a song?!

Yeah, that was my reaction too, and whenever I have such a response, onto the Shindig it goes.

What’s more? This song and it’s accompanying dance were both introduced to the world the day before Halloween in 1965, on ABC’s popular variety show entitled Shindig! Hows that for synchronicity?

This episode also had a guest host, none other than horror icon Boris Karloff himself, who indulges in a strange speak along to The Peppermint Twist.

We’ll also hear him close out the track with Lurch himself from that very program, wishing all you Shindiggers a fond farewell.

Until then, lurch along with Ted Cassidy, who probably says more here in 3 minutes than an entire season’s worth of The Addams Family.

TerrorVision

TRACK #22:

TerrorVision by The Fibonaccis

Before Full Moon became synonymous with “shitty movie”, Charlie Band had Empire Pictures, which produced a fair amount of good genre offerings like Re-Animator, Ghoulies, From Beyond and Prison, just to name a few.

Among them was TerrorVision, a 1986 film you can easily catch on Netflix these days and won’t be disappointed with,…supposin’ you like that sort of thing.

And that sort of thing is ridiculous (not ridiculously bad, however) horror. With Charlie Band’s name attached, we could be walking into that territory, but TerrorVision manages to be 80’s enough and fun enough to avoid such trappings and deliver a flick that doesn’t take itself at all seriously and has a good time with some silly creature and gore effects.

Plus it’s got The Phantom of Paradise’s Beef, Garret Graham as the Dad and Jon Gries as his daughter’s punked-out boyfriend named O.D., and that’s gotta be worth a viewing.

From TerrorVision comes TerrorVision, the Title Track performed by the Fibonaccis.

I Was A Teenage Werewolf

TRACK #15:

I Was a Teenage Werewolf by The Cramps

I love The Cramps, so you can believe there’s as many Cramps songs on The Shindig as I can justify within my categorization. At present, I believe that number is 5.

First one from Lux and Co. is I Was a Teenage Werewolf, a groovy garage tune with plenty of monstrous overtones.

Lead in with claw-ripping attack by a clip from the trailer to I Was a Teenage Werewolf.

Nothing you’ve ever conceived packs such a spine-tingling jolt!

Monsta’ Rap

TRACK #11:

Monsta’ Rap by Elvira

Coming up next on the ‘dig is a ghoul after my own heart – Elvira.

“Every tricker’s treat” has been making Halloween playlists (or more appropriately, Hallowween albums) since I was knee high to a Gremlin. In total, she has 4 different Halloween albums, and they’re all chock full of great songs, Elvira halloweeniness, and even original cuts from the Mistress herself. And number 11 is just such a track.

Not to be out-done (in any respect), Elvira comes correct with her own brand of referential novelty in Monsta’ Rap, featuring so many shout outs, its hard to imagine fitting them all into only 4 minutes. Seriously, everything from The Thing to Rodan and everyone from Christopher Lee to Barbara Steele gets put on blast here, creating possibly the most referential song on the list. And if that wasn’t enough, Elvira’s rapping it all together.

Merged here with her own introduction for some Halloweeny atmosphere. Enjoy.

Scream!

TRACK #8:

Scream! by The Misfits

“Blasphemy!”

Yeah, I might just say that too, cause I know what you’re thinkin’, “Newfits? For real? You haven’t even posted any actual Misfits songs yet, and you’re coming with some Newfits bullshit?”

All I can say to that is, I like the actual Misfits more, so they’re buried deeper in the playlist, for when everyone’s good and sauced up and the stragglers have had time to settle in. And don’t worry, there’s no shortage of classic Misfits tracks on Halloween Shindig.

Say what you want about this secondary incarnation of The Misfits, they had some good tunes. Tunes that are kind of hard for a Halloween playlist to straight up ignore. Tunes like today’s track for instance, entitled Scream!

Despite its (perhaps) misleading name, the song is actually an ode to William Castle’s wonderful 1959 classic The Tingler, about a terrible creature living inside all of you, which feeds on fear, and grows up your spine and into your brain! A creature that can only be stopped by the sound of screaming!

It’s a great premise, and it makes for one hell of a bizarre and imaginative film. Castle, master of the in-theater gimmick, made it even more fun by rigging some of the seats with vibrators to give certain audience members a special jolt at the right moment. 3D? Fuck all that shit, this is Percepto!

The lead-in for this is none other than Williams Castle’s own introduction to the film. Oh, and that’s Bart screaming at the end from Treehouse of Horror IV’s “Nightmare on Evergreen Terrace” segment. Enjoy!

Motel Hell

TRACK #7:

Motel Hell by Blitzkid

At #7 comes a band with plenty of representation on the Shindig; perennial monster-rockers Blitzkid.

When every album’s track listing reads like a “Gory Horror Movies from the 80’s” category on Netflix, your band is kind of hard to ignore if making a Halloween playlist.

First cut from these guys? Motel Hell, which details the goings-ons of Farmer Vincent (the wonderful Rory Calhoun) as he minces up out-of-town lodgers at his Motel Hello (its neon sign, of course, has a blown out O.)

He stores and cultivates these lodgers in a garden out back, like some kind of nightmarish cabbage patch, then uses their bodies to make assorted meat products for the locals, whom all love Farmer Vincent’s treats.

Motel Hell is a great piece of early 80’s horror that’s funny, sometimes startling and always a blast to watch. Any movie where a dude wearing a pig’s head gets into a chainsaw fight with another dude that also has a chainsaw is some must-see shit. In fact, if you haven’t seen Motel Hell, you should,…right now.

Partytime (Zombie Version)

TRACK #4:

Partytime (Zombie Version) by 45 Grave

Now it’s party time, literally. We’ve established it’s Halloween, now commence the rocking.

Fourth in line is the first of many selections from possibly the finest horror movie soundtrack ever – Return of the Living Dead.

Apparently the original version of this song was actually about a 5 year old whom is raped and abused by her family. Now, I don’t know if that’s more Halloweeny, but it’s definitely more horrific, that’s for sure.

Needless to say, the producers asked Dinah Cancer if she could rewrite the lyrics to make it a bit more relevant to the film, and a bit less, well, rapey.

The result? Our first official crossover song, and one of the most ass-kicking tracks from a kick-ass soundtrack.

So, do you wanna party? It’s not a bad question, Burt.

Oh, let’s do thaaaaat.