shindig all-star

Audio

Boogie Bogie Man (1985)

TRACK #409:

Boogie Bogie Man by Nightmare

Sometimes there’s just some bands that somehow fly just under the radar. Bands that almost seem to actively evade me. Bands that absolutely defy the odds that, given the stuff I’m searching for and the amount of time I spend searching for it, I’m guaranteed to find them.

Nightmare is just such a band.

Nightmare is so just such a band that they’re already Shindig All-Stars. It’ll take at least 3 seasons to get em in there, but they’ll join up soon enough, it’s already a done deal.

When I stumbled upon them last year it was like one of those weird explosive epiphanies where it almost feels like they’re being willed into existence at that very moment. How had I not come across them yet? How had no one sent them to me before? How were they not a more widely popular band?

At their core Nightmare was a shock-rock group from the UK that had wild onstage illusions in the vein of Alice Cooper, W.A.S.P. or GWAR. Their show was a show, and not just any show, but the Shock Show! They employed fire eating, sexy witches, hangings, impalement, an electric chair, burning coffins and beheadings with a big ass guillotine. Fun stuff.

Their music is a weird blend of goth, new wave, rock and novelty song. They’re like something that stepped out of an unofficial but scarier Rocky Horror sequel. And anytime horror meets rock, The Shindig should be there, tipping the hat.

Nightmare was the passion project of singer, bassist and testicle arsonist Ron Dickson, who started out in the late 60’s with the glam/psych outfit Light Fantastic. Their wild and unpredictable stage performances quickly gained them a following in the UK and no doubt set a blueprint for the onstage antics of Nightmare to come.

After about a 10 year run, Ron says himself in this detailed history of Light Fantastic, the band separated and that’s when he formed Nightmare. Their Facebook page is a wonderful repository for old newspaper clippings and videos of Nightmare in the glory days. Like this photo, used to produce the Great Balls of Fire EP sleeve.

In addition to touring extensively and firing off several EPs throughout the early 80’s, they released only one, but one glorious LP in 1985 entitled Children of the Night. The album itself claims it’s more of an approximation of the band’s work on stage. An afterthought almost. A souvenir, if you will, of that time you spent seeing the crazy Nightmare Shock Show. This entire album is a festive treat that I highly recommend spinning this and every Halloween.

While there are probably at least 7 different songs on here we could pump directly into the playlist straight away, it is Track #4 which is fashioning Nightmare’s debut on The Shindig.

While not technically a Haunted Disco, Boogie Bogie Man definitely concerns a haunted theater, a ghostly band and one hell of a lead riff. If this graveyard stomper doesn’t get you moving, you just might not be dead yet.

What’s interesting is that this song is a reworking of sorts (or a cover, if it do ya) of the Light Fantastic song titled Boogi Woogi Bogiman. The two tracks are strikingly similar, if not basically identical. I admit to liking the Nightmare version more, though I’m probably biased, as it’s the version I heard first. I do think it rocks a little harder and is a bit more sinister. That chipmunk voice in the Light Fantastic version kinda kills it for me. That album cover though, holy smokes, that’s a fun sleeve. Again, not quite as sinister as Nightmare, but definitely weird and hedging in the Nightmare direction.

So, let’s welcome a band that should have been here since jump. A band I shouldn’t even be talking about 13 years into this business because all of their songs should have already been added by now. Let’s welcome the children of the night! Let us welcome, Nightmare!

 

Audio

Tormentor

TRACK #387

Tormentor by W.A.S.P.

So, it’s been about 4 years or so since we enlisted any news players onto The Shindig All-Star Team. At almost 400 songs deep on the playlist, that either seems perfectly reasonable to you, as we’ve tapped out most of the big hitters already, or it seems completely unreasonable because how the fuck is that possible after so many goddamn songs?

Well, take your pick, but the fact remains, no one has hit 3 songs since Acid Witch and King Diamond both did so back in 2020. And honestly, it’s amazing to me that either one of them hadn’t already.

Well, today we welcome abroad new All-Stars Blackie Lawless and the boys of W.A.S.P.

The White Anglo-Saxon Protestants from Los Angeles lent their tune Tormentor to Charlie Band’s 1984 bat-shit anthology The Dungeonmaster. It shows up specifically in Charlie’s own segment entitled Heavy Metal.

What’s more? The boys actually appear in the film, playing this very song and it’s awesome. Charlie forever immortalized their short-lived and controversial on-stage Torture Rack gag.

And if that’s somehow not good enough for you, Tormentor also makes an appearance in 1984’s resurrected Samurai rampage picture Ghost Warrior, and once again in Charlie Band’s own TerrorVision, playing on the television. And hey, is OD wearing a W.A.S.P. shirt?

You’re goddamn right he is.

So, let’s not belabor the point. W.A.S.P. rules and it’s good to see them finally get the All-Star representation they deserve. Welcome aboard, fellas!

Do you like this noise?! Then you shall have your fill of it!

 

Audio

Here I Am

TRACK #251:

Here I Am by Elvira

Since we seem to be hearing a lot from Shindig members we haven’t seen in a while this year, let’s welcome back That Gal in Black Who Keeps Coming Back, Elvira.

Yep, it’s been about 4 years since The Shindig’s gotten a hitter from Casandra Peterson’s beloved horror icon. To be fair though, we front-loaded this playlist with a ton of Elvira, so giving ourselves a chance to cool off has been helpful.

By 1988, Elvira had burst from the confines of local Los Angeles late-night Television and into homes across the nation with guest appearances on shows like CHiPS, The Fall Guy and endorsements with companies like Coors Light.

However, that was the year Elvira made the great leap from the small screen to the silver screen with Elvira: Mistress of the Dark, a film she co-wrote herself with disembodied Pee-Wee’s Playhouse head, Jambi!

It’s a fun piece of 80’s horror camp that’s very entertaining, with some great special FX work and Elvira at her double entendre-delivering best.

After being sexually harassed by her station’s new owner, Elvira quits her job. Then, she finds out her Great Aunt Morgana died and left her a giant old house! So, she moves to Massachusetts to receive that inheritance.

Unfortunately, the town’s uppity constituency of conservative buttinskis don’t like the cut of her jib.  This doesn’t stop Every Tricker’s Treat from indulging in a montage to fix up the old mansion or host a late-night horror fest at the local movie palace. Eventually she gets accused of Witchcraft and almost gets burned at the stake!

All’s well that ends well for Elvira though, as she ultimately uses her inheritance to finance a life-long dream of starring in a lavish Las Vegas show; an occupation Casandra herself actually held at a rather young age.

I do regret to inform you, dear readers, that our beloved Casandra was nominated by those despicable cretins at the Golden Raspberry Committee, for worst actress 1989! Can you believe such a thing?

The good news is she lost to Liza Minnelli for a double-dose of dreafull performances in Arthur 2: On the Rocks and Rent-A-Cop. Still, I can’t believe Casandra was even nominated. Really? It’s a character, and a singular one at that. God, I really think I hate those Razzie fucks.

At any rate, Here I Am is the song she performs in that lavish Vegas show. And while it’s a tad short of my liking, it eventually evolves into a full on Monster Rap, which more than makes up for it’s brevity, in my opinion.

Since the very end of the song has no lyrics, due to Elvira beginning her famous tassel-swinging dance, I’ve included a gif of said dance, to fill the void.This is a dance, I’m proud to say, that I finally got to see Casandra perform live back in 2017, which was the farewell season of her famous, 21-year running Halloween stage show at Knottsberry Farm.

Here she is…Elvira!