Fright Night

TRACK #106:

Fright Night by The J. Geils Band

Good evening, horror fans. Did you know that all Title Tracks were not created equal?

The J. Geils Band did.

Let’s face it, while all Title Tracks are great, some (Attack of the Killer Tomatoes, Don’t Go Into The Woods…Alone) are less awesome than others (The Devil’s Men, Leatherface.)

Hell, there’s even a hierarchy of applicability. The Maniac Cop Rap is less a Title Track than say Scream and Scream Again. Shocker is a truer Title Track than a by-liner like Dream Warriors. And then some Title Tracks simply define the category. Fright Night is just that type of Title Track.

A popular band of the time, almost inexplicably tapped by the producers to cut a song so unlike the rest of their catalog you wonder just how the hell it even works. But work it does. Fuck, it works a 70 hour week…taxed…with no overtime.

It works on Labor Day.

Or more appropriately, and perhaps more criminally,…

It works on Halloween.

And thank God for that, cause your Halloween playlist needs it. You’re Halloween needs in. Hell, your life needs It. Listen to it now, and then go watch Fright Night. I just did. It was a great decision.

From that 80’s realm of self-aware horror (somewhere between The Monster Squad and The Lost Boys) where characters versed in fictionalized horror find themselves face to face with that horror in the real world, Fright Night follows horror nerd Charlie Brewster as he attempts to prove his new next door neighbor is actually a terrifying creature of the night.

You got Chris (Prince Humperdink) Sarandon creepin’ up the joint as 80’s vampire benchmark Jerry Dandrige, Steven Geoffreys being his typical spazzy self as (you’re so cool) Brewster’s pal Evil, and Roddy McDowell just knocking it outta the park as the Cushing-modeled celluloid vampire hunter/ TV horror host, Peter Vincent.

Add to that a fantastic script which balances tone so effortlessly, plus some truly memorable visuals from The Entertainment Effects Group. Fresh off their stint on Ghostbusters, these guys provide another barrage of makeup and creature FX wizardry, not the least of which is one hell of a harrowing reverse werewolf transformation.

It all adds up to a genuine high point in 80’s horror that no fan should miss. A loving nod to the horror of yesteryear and that old Hammer feeling right in the midst of the 80’s slasher onslaught. Whats more? It resonated, made a shit ton of money and has endured immensely to this very day.

And the kicker? This awesome Title Track. So perfectly 80’s, so perfectly referential and so perfectly fitting. You can not fuck with this song.

Wel-come…to….Frigh-t…Nigh-t.

Dream Warriors

TRACK #103:

Dream Warriors by Dokken

With perhaps the exception of Ray Parker Jr.’s Ghostbusters, no Title Track has as much standing as a legitimate hit than Dokken’s Dream Warriors.

And why not? It was a great tune featured in a popular franchise hitting the height of its popularity, played by a popular band at the height of their popularity. Sounds like a formula for a hit to me.

It isn’t so overly explicit as to put-off non-Freddy fans or become regulated only to annual Halloween airplay. By that same token, it isn’t so vague as to be completely unrelated to the action onscreen. Perfect pop balance? Marketing genius? Lucky strike? Either way, whoever’s idea it was probably got a raise.

It’s also from arguably one of Freddy’s finest outting. While I’m inclined to side with original in almost every case (including the Nightmare series), many fans cite Part 3 as the best Elm Street installment, or at least their favorite. I’ll agree so far as to say this is Freddy’s best sequel, without question. I may love me some Freddy’s Revenge but I think Dream Warriors is legitimately his best numbered go-round.

Cooler than 4, livelier than 5, more coherent than 2 and less stupid than 6, Dream Warriors hits the right wave of scary and goofy Freddy. He’s not quite the running joke he becomes from The Dream Master on. You see it brewing here, but he still has some shred of his former menacing self.

Also, with more ambitious effects, wilder sets and more imaginative dreams sequences than the previous installments, Dream Warriors is where the Freddy becomes Freddy; not just the horror icon, but the cultural icon. And Dokken has its hand in that too, no doubt.

After this, all bets are off; Late Night appearances, hit songs, window clings, his own television series, his own album – Freddymania is on.

Initially, Craven (back on board after his complete absence from the completely absent Freddy’s Revenge) intended this film to wrap up the entire saga. However, New Line made way too much bank on this outing to let Freddy rest quietly in his junkyard grave and proceeded to milk every last drop out of blood from the dream demon.

Interestingly enough, for this installment Craven also pitched the idea of Freddy coming out of the screen to torment the Elm Street actors in real life. New Line rejected that nonsense altogether. At least for another 6 years or so, until Craven got the go ahead to realize this plot in his true return to the series in the form of New Nightmare.

While it may have been interesting to see all of that played out earlier, Dream Warriors stands up just fine in its presented form.

So, come Weeners, we are bound together by our love of Halloween, Horror and Horrific Halloween Music. The Shindig is waiting for you. Listen now, cause maybe tonight you’ll be gone.

Here’s Dokken’s power ballad battle cry for the children on Elm Street.

Leatherface

TRACK #101:

Leatherface by Lääz Rockit

There’s no shortage of music for 80’s horror icons, no matter how popular or obscure. From Matt Cordell to Horace Pinker, no psycho is too small for a Title Track. Hell, even Bud the C.H.U.D. has his own song, and he ain’t even a real C.H.U.D.

However, when it comes to The Big 5, there’s a lot of representation from some pretty heavy hitters.

And though Freddy may have Dokken (and The Fat Boys), and Jason may hang out with Alice Cooper, and Pinhead might be backed up by Motörhead and Michael Myers may just have greatest theme in horror history, Leatherface gets the baddest song of the bunch, in my opinion. It may be from rock’s forgotten sons Lääz Rockit, but this song is tough as shit.

The whole Leatherface soundtrack is pretty rock solid, but this Title Track is everything you want for everyone’s favorite chainsaw-wielding, cross-dressing, skin-wearing, Texas-fried lunatic; some kick-ass shredding, some disgruntled vocals and some highly referential lyrical content. Handled.

I’ve lead the track in with Tobe Hopper’s iconic introduction (as read by Night Court’s John Larroquette’s) because let’s face it, that intro from part 3 sucks balls.

From another mostly forgettable retread in the under-capitalized Texas Chainsaw franchise, it’s Lääz Rockit, headin’ for the crossroad with Leatherface.

Here’s your invitation.

Scream Dream

TRACK #98:

Scream Dream by Rikk-O-Shay

The first 2 minutes of this 1989 Rock ‘N Roll Horror opus is literally a girl screaming. Now I know 2 minutes might not sound like a long time, but when it’s one chick screaming over and over, almost identically each time, it feels like some godforsaken pit of eternity. It’s one of the most excruciating openings to any film I’ve ever seen.

Yeah, she’s half naked, and a chainsaw eventually rips through her crotch, but that doesn’t change the fundamental essence of what this scene asks of its audience: can you ignore every instinct you have to cancel this shit and endure?

At first it just seems like a really long scream, and you imagine it can’t possibly keep going. Then you can’t believe it’s still happening. About 20 seconds in, it becomes humorous. This quickly fades. Seriously? She’s still screaming?

You still have another minute and a half.

Each second is another dare: how long will you just sit there and watch this?

It becomes almost suspenseful in its annoyance. How long will this persist?

Then, self reflection sets in: Why am I doing this? What’s wrong me? Are these the choices of my life?

Then the questions: How ever did someone endeavor to shoot this? To edit this?! Watch this repeatedly to tighten it up? Holy shit, this might have been longer…

What mad sadist would subject himself, his crew and his audience to this?

Then the screaming stops.

As the memory of that horror throbs in your eardrum like a stubbed toe, the words “written and directed by Donald Farmer” appear. The architect of your pain has a name. If you know this name, you’re fully aware of what’s to come. If you don’t, by the time it’s over, you will.

It’s a ballsy move, and for those with the fortitude, the subsequent 60 minutes are pure gold.

When I watch garbage, I want something akin to Scream Dream; shoestring relentlessness that’s unapologetic, mind boggling and approaching unwatchablity, while still somehow being entertaining. It’s not best in show, but it delivers enough to satisfy, and certainly more than most of the scrubs on this list.

When I watch a Rock ‘N Roll Horror flick, I also want something akin to Scream Dream; bad rock and lots of it. Whether it’s just the music, tons of footage of the bands playing it, or generalized Rock ‘N Roll goings-ons. Scream Dream’s got that in spades. Much more than most of these wanna-be’s.

It’s ain’t good, but it ain’t hard to watch (mostly) and at 68 minutes, it doesn’t stick around long enough to lose you, or make any sense of itself. It’s a winner of a loser.

More importantly, we’re getting this Title Track (incessantly) throughout. This puts Scream Dream up at the top of the Rock ‘N Roll Horror heap in our book, despite how long and repetitive that track may be. Seriously, it’s the same riff for like 4 and a half minutes….and I trimmed it down…

Donald Farmer.

Blood Tracks

TRACK #97:

Blood Tracks by Easy Action

If you listen to IMDb users, you’d think Blood Tracks was the worse movie ever made. But if you listen to IMDb users, you’d think every movie was the worst movie ever made. Those goofballs hand out that award like they got an overstocked warehouse they have to unload cheap.

My guess? They just haven’t seen enough movies, or at least not the right ones, cause Blood Tracks (while certainly not approaching good) is definitely not approaching the “worst movie ever.” Hell, I wouldn’t even put it near a top 20. You need a little something special to make it into that crew, and frankly Blood Tracks just doesn’t have it.

Too mildly bad and too mostly forgettable for any such distinction, Blood Tracks sort of just exists, like a myriad of other Rock ‘N Roll Horrors begging to be better one way or the other.

What Blood Tracks does have (aside from its awesome double entendre title) is some sweet snow rocking compliments of (the fantastically named) Easy Action, posing as (the unfortunately named) Solid Gold.

See, Solid Gold’s looking to cut a video up in the mountains. Ya know, cause that’s the sleaziest most rocking locale around. Not the seedy titty-bar off Sunset, or the beach, or the pool at Caesar’s Palace, but the mountains. The freezing shitty mountains.

It is worth noting that their rocking does cause an avalanche, putting their rock into a most ridiculous category, somewhere between DC Lacroix’s shrunken head inducing laser metal and Dokken’s Freddy shredding guitar solos.

Now snowed in, the band, the management, the techs and the video hoes are all beset by a Hills Have Eyes fashioned family. Mayhem ensues. Thankfully for us, not before Solid Gold gets a chance to rock out a bit and indulge in a little rock star behavior; drinking, drugs, snowbound sex.

Frankly though, not enough for my tastes. Could have used more, cause once the horror hits, the rocking ceases and these groupies and band members could be any old generic group of horror assholes.

The acting is pretty awesome however, and there are some great lines delivered poorly. Some of the kills are pretty interesting, and the whole thing moves rather quickly. But I’m just not getting enough of its terrible (or enough of its good) to make Blood Tracks much more than “Oh yeah, that Swedish one with the band in the snow.” Certainly not the worst movie I’ve ever seen.

It’s not even the worst Rock ‘N Roll Horror movie I’ve seen. Not by a long-shot. Particularly considering it has the wherewithal to serves up a Title Track, something no movie watcher should ever discredit.

Unfortunately, the movie seems to be the only place this track exists, as it can’t be found on any of Easy Actions albums. Which is shameful, especially since In The Middle of Nowhere and We Go Rocking (both also featured in the film) are readily available. C’Mon gang, make with the goods! The Shindig needs more than just a snippet of you Title Track to represent.

But we beggars can’t be choosers, so at #97, here’s what exists of Easy Action’s Title Track triple threat Blood Tracks.

New Year’s Evil

TRACK #96:

New Year’s Evil by Shadow

One of the earliest and perhaps least applicable Rock ‘N Roll Horror entries, I toss New Year’s Evil into the mix for a couple different reasons.

While a band or singer is not at the forefront of the film (admittedly the most overriding prerequisite for a RNRH) you’ll get to see a lot of band action, notably from our number 96 ‘diggers Shadow. This is more than you’ll even get from such “certified” Rock ‘N Roll Horror entries as Dead Girls or the wildly mislabeled Slaughterhouse Rock, so fuck it!

Our protagonist and final “girl” is a Disc Jockey named Blaze, and the whole plot revolves around her New Year’s Rock ‘N Roll countdown aptly titled New Year’s Evil. That’s gotta count for something, right?

Plus, I like New Year’s Evil, which is more than can say for a lot of the other duds this category has to offer.

And what’s more, it doesn’t disappoint in the soundtrack department. It even goes so far as throw down an awesome Title Track. Now you’re talking language of this playlist.

However, as a rule, The Shindig avoids Christmas-themed horror music (with 1 notable exception.) Christmas already encroaches enough on Halloween without it invading the fucking Shindig to boot. So, if it seems a bit strange to include such a non-Halloween holiday song, consider this: Samhain was New Years Eve to the Celts. So there’s that. It’s clearly not the same New Year Blaze and “Evil” are ringing in, but what the hell, huh?

I’d be remiss to leave if off the list. I’d be even more remiss to cut it from The Shindig.

Here’s Shadow with another glorious Title Track, 1980’s New Year’s Evil.

Wild Life

TRACK #92:

Wild Life by Thor and The Tritonz

The Edge of Hell; a movie so badass it finds its main character (legendary rocker Jon-Mikl Thor) tricking the Devil himself.

Essentially, Jon and his band of cliched rock ‘n roll cut-outs named The Trintonz, take up lodging in a old barn to cut a new record. Only problem is Beelzebub and his minions have already taken up residence, and slowly begin possessing the band.

The real problem is, all these cliched characters are just that, characters Jon pulled from horror movies to entertain the Devil’s minions. “Shadows” he tells the Devil, fresh souls to lure the Devil out of hiding.

And it worked.

See, Jon is the Intercessor, the Archangel Triton, set to do battle with the Devil whenever he crosses over into the world of the living. And boy does he ever battle.

After dodging some star fish and grappling with the beast for about 10 minutes, Jon trips the Devil, forcing the old scratch to concede. The day is won.

But we’re the real winners, when Thor and The Tritonz rock out, as they are wont to do throughout the film.

Though the soundtrack is composed entirely of Thor songs, we’ve taken 2 of the best tracks and featured them back-to-back for your enjoyment.

First up is the first cut from the film. A track which, under any normal circumstance would be the title track. However, it’s not. It’s just called Wild Life, which is weird, because if it weren’t for Thor simply shouting “Wild Life” repeatedly during the last 30 seconds, the phrase “The Edge of Hell” would appear more times the the title of the damn song.

So, what’s the deal then? Is it a Title Track?

Naw, not officially. Which is kinda lame, ‘cause we really want it to be, and it kinda almost is.

So, we’ll file it under the category anyway for fun, with the hashtag addendum that it’s not really a title track.

Prologue (Little Shop of Horrors)

TRACK #81:

Prologue (Little Shop of Horrors) by Michelle Weeks, Tichina Arnold and Tisha Campbell-Martin with Bill Mitchell

It’s a bit crazy to think we’ve made it 80 tracks into a horror themed playlist without including anything from one of the most beloved horror musicals of all time, Little Shop of Horrors.

I’ll be honest, I don’t care for musicals, generally speaking. They’re unnatural, disorienting and show tunes really aren’t my bag. Why is everyone singing all of a sudden? Am I on drugs? What’s going on up there? What world is this where random strangers are all suddenly singing, and well?

It’s never happened to me.

Granted, I’ve never been attacked by a mummy, either. Nor have I ever seen a Ghoulie in my toilet. But it could happen. I can imagine that world.

I can not, for one moment, imagine a world where all of my friends and I are having a conversation at a diner, then suddenly and for no apparent reason, we all burst out into song to detail plot points, describe feelings or externalize inner monologues through music.

So infectious is our glee that all the waiters and line cooks join in on the number, until our mirth can no longer be contained by the diner itself! We spill out into the streets and stop traffic. A crossing guard and truck driver add a verse. The whole of the town gather behind us in harmony, until finally a car careens into a fire hydrant and an urban geyser punctuates our final note! Then we just start talking again like normal people, without even acknowledging whatever the fuck that nonsense was that just happened.

Can’t picture that ever happening.

I can more easily imagine a cult of satanists rushing the door with an ancient amulet demanding the hostess be sacrificed over a plate of moons over my hammy. I’m prepared for that. I think I could handle that, mentally. I think an impromptu and unacknowledged musical number would fuck me up. I don’t know if I could move passed that. Maybe that makes it more horrific.

That being said, there are a few musicals I can enjoy, mostly because of their genre leanings or satiric nature. Rocky Horror, Cannibal: The Musical, and Little Shop of Horrors all have just the right amount of je ne sais quoi that allows me to get passed that unnatural sensation, and enjoy the musical as I believe it should be, without all my logical, earth-bound hang-ups.

So, in that spirit, we return to the Shindig after a long hiatus with the title track from Little Shop of Horrors. Enjoy!

Rockula

TRACK #76:

He’s Rockula by Dean Cameron

I’m gonna wrap up this Vampire block with a Title Track of ridiculous proportions, from one of my favorite sub-genres, 80’s Monster Comedies.

Though technically released in 1990, Rockula was written and filmed in the late 80’s and has all the trappings of an 80’s Monster Comedy, and as such is filed accordingly by the Shindig.

If you’ve never seen Rockula, here’s the jist:

Ralph (played by Dean Cameron, aka Summer School’s Chainsaw) is a typically 80’s “friendly” vampire. Ralph’s got a problem though. See, 400 years ago Ralph failed to save his beloved Mona from a ham bone wielding pirate who murdered her on Halloween. After which, a terrible curse befell Ralph. He must relive this trauma ever 22 years, as Mona is reincarnated and Ralph is given another chance to prevent this tragedy. A chance which he always seems to squander.

However, in the late 80’s, Mona is resurrected as a musician, so Ralph becomes Rockula to win her heart, and maybe to keep a close eye on her to finally prevent that whole Halloween/ham bone/pirate murder thing.

Sound great? No? Well it is, and it features a couple of great tunes performed by Dean Cameron (and one by Toni “Oh Mickey” Basil, who plays Ralph’s Vampire mom.) Tunes that, of course, are featured on the Shindig.

From Rockula, performed by Rockula, it’s the triple threat, Rockula!

Trick Or Treat

TRACK #71:

Trick Or Treat by Fastway

Once in blue Moon (or maybe 3 times in roughly 230 tracks) a song comes along so awesomely perfect that it defies my categories. It flagrantly rebels all, encompasses, and becomes more. It demands representation and it’s exclusion from any Halloween playlist is a crime against the holiday, so perfectly suited is it.

It’s a +1 to the trinity; it’s from a horror movie, its about the movie, it’s the movie’s fucking Title Track, and against all odd, it’s about Halloween too.

Are you kidding me? Nope. It’s a Referentially Inclusive Halloween Title Track, or a Great Pumpkin. I’d call it the Holy Grail, but there’s a couple of these fuckers on the Shindig.

While Trick Or Treat isn’t the ultimate example of such a song, it does appear before that track, so it gets the lead-in.

That’s not to say it’s any slouch though. Lets look at the stats:

It’s a Title Track, already 3 shots to it.

In that it’s called Trick Or Treat, is played live by an undead rock star in the movie, at a Halloween party, on Halloween, while he’s killing teenagers with a guitar that shoots lightning, is effort enough to earn it’s keep at the top of the heap.

You have a Halloween playlist and it doesn’t feature this song, you’re doing it wrong.

I love Trick Or Treat and it’s definitely an annual watch somewhere between October 1st and 31st.

Metal head dork Eddie Weinbauer accidentally resurrects his recently deceased rock hero Sammi Curr by unwittingly playing his final and unreleased album backwards.

At first Sammi aids Edward in his game of revenge, but when Sammi’s game becomes too real, Eddie pussies out and Sammi takes matters into his own hands. Awesomeness ensues.

The soundtrack, presented in the form of Sammi Curr’s music, is provided by butt-rockers Fastway, whom I’m not sure achieved much notoriety beyond this Soundtrack.

Either way, it all adds up to a pretty fantastic Heavy Metal Halloween. Enjoy!

Hellraiser

TRACK #57:

Hellraiser by Motörhead

In 1993 they decided to take the previously British franchise of Hellraiser across the pond, because, Lord knows America always takes something cool and makes it cooler.

That being said, it’s certainly not the worst Cenobite installment, however it’s hardly the best, as I feel both 2 and 5 are better films. Though I have met some static for my championing of Inferno, which I still feel is one of the more interesting sequels, despite being largely devoid of Cenobites and Pinhead.

Which is the worst? God only knows. They’re up to what, 9 now? I stopped after Hellseeker to be perfectly honest, and from the shots I’ve seen of…whoever the hell that is replacing Doug Bradley, Revelations isn’t providing any….well….revelations.

But enough of my (rather unqualified) opinions of the franchise in its totality. Let’s join Lemmy and Motörhead as they rock out with that secret song at the center of the world.
Pinhead is here,…to turn up the volume.

Freaked

TRACK #55:

Freaked by Henry Rollins & Blind Idiot God

From the extra-90’s, ultra-FX-ladened, creature-feature-comedy Freaked, comes this Title Track from Henry Rollins & Blind Idiot God.

I love Freaked. What’s not to love?

Bill S. Preston, Esq. (Alex Winter) writes, co-directs and stars.
Randy Quaid turns up as a nutball mad-scientist.
You even got Mr. T in there as a Bearded lady.
Keanu Reeves sneaks in as the (uncredited) Dog Boy
Bobcat Goldthwait voices Sockhead.
and William Sadler plays a sleazy corporate greaseball.Not to mention…

Awesome creature FX from Steve Johnson’s XFX
More awesome FX from Screaming Mad George and company.
Some great stop motion from the Chiodo Brothers
One of the coolest title sequences ever
and this awesome spinning Randy Quaid head

Plus, it has a pretty kick-ass soundtrack. A soundtrack, I might add, that was never officially released. These puppies come stolen clean from the DVD.

If you’ve never seen Freaked, and you’re at all about creature FX, foolish 90’s comedies, or bizarre movies in general – find someone who has a copy of this, mug them, and watch it immediately.

More music and gifs from Freaked to follow this initial blast, later in the playlist. For now, enjoy these humble Shindig offerings.

Attack of the Killer Tomatoes

TRACK #54:

Attack Of The Killer Tomatoes by Lee Lewis

The 1978 B-Movie horror-musical-comedy-spoof turned B-movie itself, Attack of the Killer Tomatoes, was probably the first movie I was able to truly appreciate for its camp value.

I saw the light, so to speak, and it began the long love affair I still have today with horribly bad films. A love affair which was nurtured to its maturity on the early days of Comedy Central through Mystery Science Theater 3000.

Here’s the silly title track for the film. A film which, if you’ve never seen, I highly recommend…you know,…if you’re into that sort of thing.

Here’s a link to the full film on youtube.

Enjoy!

and remember…

House Of 1000 Corpses

TRACK #46:

House of 1000 Corpses by Rob Zombie

Well, Lords of Salem was released this past weekend, much to chagrin of critics and the Internet as a whole, it seems. Tumblr especially appears to be awash was some pretty negative reactions.

So, now seemed as good a time as any to drop in this previously unfeatured addition to the Shindig.

Why previously unfeatured? Well, at the risk of posting negative ideas, and alienating some followers, my love for Rob Zombie extends from about White Zombie to well,…White Zombie. Of Rob’s solo and film career, I can not say I am a huge fan.

So why add it at all? Well, its a Title Track and that’s a little hard to just straight-up ignore. Plus, of all his movie this is probably the one I enjoyed the most. And this song is cool enough and certainly Halloweeny enough to enjoy a position on the playlist.

And hell, I like Rob Zombie. He taught me how awesome samples are in metal songs and pointed me toward a lot of really great movies. What I think of his ability to remake them, or steal ideas from them, is neither here nor there.

So go support Lords of Salem. It may be derivative but at least it’s not another goddamn remake.

Highway To Hell

TRACK #37:

Highway To Hell by AC/DC

It’s time for another Devilish Track, however this particular tune tows a fine line.

It’s featured in the trailer of, so is sort of a de facto title track for 1991’s Highway To Hell. However, simply naming your movie after a song and blasting it exclusively in your trailer doesn’t make that song a title track. I may love My Boyfriend’s Back, but you won’t find that song by The Angel’s on the Shindig.

No, Highway To Hell is Shindigging for a few reasons; namely – I like AC/DC, it’s a good party tune, and there was a horror film named after it. Plus, this bogus Devilish category I concocted to justify Number of The Beast (and Raining Blood, and See You In Hell...and…) And well, that’s good enough for me.

If you’re tuning into this strange, Steve Johnson FX’d horror comedy, look for a young Ben Stiller in a small role as the cook at Pluto’s, Lita Ford as a hitchhiker, and Gilbert Gottfried as Hitler! Yeah, it’s a weird movie.

The Blob

TRACK #29:

The Blob by The Five Blobs

Sometimes in my attempt to mix things up and keep an even distribution of styles and bands, the Shindig kinda seems a bit musically schizophrenic.

So, in the spirit of cohesion, here’s the Beware Of The Blob, which I think doubles up pretty nicely with The Purple People Eater, and is even from the same year.

Much like The Dudes of Wrath (though the ridiculousness of comparing these two groups is not lost on me) The Five Blobs were assembled for the singular purpose of singing this tune, penned by the late Burt Bacharach.

Easily one of the oldest Title Tracks on the Shindig (if not the oldest) The Blob is also one of the more curious tunes on the playlist as well.

Such a fun and upbeat song for something as horrendous as The Blob is kind of alarming, and as such, a bit creepy. There’s no immediacy to their tone, almost as if you really needn’t worry about this whole indestructible and unstoppable goo-monster. Seriously gang? Its eating fucking everything, maybe a little urgency, or god forbid, terror?

Naw, they’ll just keep it light and breezy over here. Shit, it’s only The Blob.

TerrorVision

TRACK #22:

TerrorVision by The Fibonaccis

Before Full Moon became synonymous with “shitty movie”, Charlie Band had Empire Pictures, which produced a fair amount of good genre offerings like Re-Animator, Ghoulies, From Beyond and Prison, just to name a few.

Among them was TerrorVision, a 1986 film you can easily catch on Netflix these days and won’t be disappointed with,…supposin’ you like that sort of thing.

And that sort of thing is ridiculous (not ridiculously bad, however) horror. With Charlie Band’s name attached, we could be walking into that territory, but TerrorVision manages to be 80’s enough and fun enough to avoid such trappings and deliver a flick that doesn’t take itself at all seriously and has a good time with some silly creature and gore effects.

Plus it’s got The Phantom of Paradise’s Beef, Garret Graham as the Dad and Jon Gries as his daughter’s punked-out boyfriend named O.D., and that’s gotta be worth a viewing.

From TerrorVision comes TerrorVision, the Title Track performed by the Fibonaccis.

Shocker

TRACK #16:

Shocker by The Dudes of Wrath

Once in a while a song is not only about a horror movie, or just featured in that horror movie but it’s named after the goddamn thing too. It’s the trifecta, the hat trick, the triple threat – it’s the Title Track, and little else ever competes.

Regretfully, Title Tracks mostly appear to be a thing of the past. Maybe they seem too corny or passe to modern filmmakers. However, dig around through the 80’s and early 90’s and these fuckers are everywhere, probably more out of some ridiculous sense of cross media marketing than any real attempt to make something awesome,…unless your talking about today’s Title Track, Shocker.

Whatever your opinion of Shocker (its definitely not Craven’s finest hour and a half) its soundtrack is out of control.

A supergroup like Voltron assembles from nowhere to rock your pumpkins off.

Paul Stanley, Desmond Child and Alice Cooper show up to sing.

Vivian Campbell and Guy Mann-Dude from Def Leppard stop by to shred.

Whitesnake’s Rudy Sarzo picks up the bass and Mötley Crüe hammer Tommy Lee keeps the beat.

Add in some backing vocals by Van Halen’s Michael Anthony and Cooper guitarist Kane Roberts and you got yourself a genuine fuckin’ supergroup to end all supergroups.

What’s more, these guys got together specifically for this soundtrack and never again. To top it all off they called themselves The Dudes of Wrath, a pun I’m not sure makes any goddamn sense, but is still pretty awesome none-the-less.

So bang your head for the dearly departed Horace Pinker, nobody may ever see him again.

Scream and Scream Again

TRACK #9:

Scream and Scream Again by Amen Corner

Chances are your party’s not gonna have a 22 day gap between songs 8 and 9, so since everyone will still be busy screaming to ward off The Tingler, let’s scream again with the help of Amen Corner.

If you’ve never heard of Amen Corner don’t feel bad, I don’t think anyone has. Hell, I wouldn’t have either had I not been watching Scream and Scream Again a few years ago. They’re performing this tune (a Title Track,…more on that later) in a weird British nightclub. I said, “Hey this song kind of grooves. It would go great right after Homer tells Bart to take out the garbage.”

So that’s where I put it and there it’s stayed. Plus, it’s also a Vincent price flick, so that’ll make a nice two-fer.

If you’ve never seen Scream and Scream Again, I wouldn’t sweat it. Mostly you’re missing a largely incomprehensible mishmash of ideas and images, dumb cops, weird murders and a bizarre subplot of puesdo-nazi that never really pays off.

It has some good moments though, plus it’s one of 2 films featuring both Vincent Price and Christopher Lee (Peter Cushing is in there too, but not for long.) However, there’s a lot of other stuff I’d put ahead of it on a gotta see list.

Despite all that, this song still makes a nice retro addition to any Halloween playlist. Enjoy.

Halloween Shindig

The Horror Fan's Halloween Playlist

title track