Audios

Audio

Morgus The Magnificent

TRACK #63:

Morgus The Magnificent by Morgus & The 3 Ghouls

Chances are, if you grew up in New Orleans between the years of 1959 and 1989 (and maybe even later) you’re familiar with local legend and House of Shock host Morgus The Magnificent.

Perhaps the most prolific host, Sid Noel’s seminal mad scientist still gets syndicated airplay down in the Big Easy, where the good doctor has one hell of a loyal fan base.

So much so that hometown hero Dr. John, who most famously speculated that he was “in the right place, but it must have been the wrong time,” cut this tune about the doc back in the early 60’s.

Released under the pseudonym band “Morgus and the 3 Ghouls,” Dr. John pays tribute to medical contemporary and self proclaimed 38th degree Mason Dr. Morgus and his late night House of Shock.

Morgus also has the honor of being one of a few hosts to have his on movie. The Wacky World of Dr. Morgus finds our titular physician creating a Batman: The Movie-style machine which turns people into dust and then back into people again.

So sit back with the 2 docs, and enjoy this old piece of Horror Host history.

 

Audio

Vampira

TRACK #62:

Vampira by Bobby Bare

The Misfits weren’t the only cats to sing about Vampira. In fact, they weren’t even the 1st.

Back in 1958, marginally successful country singer Bobby Bare recorded this ode to Ms. Nurmi.

Though not the impassioned and awesome tune Danzig and Co. deliver, this strange old ditty is surefire Shindig fodder all the same.

 

Audio

Vampira

TRACK #61:

Vampira by Misfits

If John Zacherle is the grandaddy of Horror Hosts, then Maila Nurmi is their mother goddess.

Back in 1954, The Vampira Show was the first program to feature a spooky host introducing (and mocking) old B-movies.

Though only on the air for about a year, Vampira’s mark on horror culture can still be felt today, particularly tooling around Tumblr, where her image is ever present.

And why not? As Mr. Danzig so succinctly puts it:

Two inch nails
Micro-waist
with a pale white feline face
inclination eyebrows to there
Vampira
Mistress to the horror kid

Vampira is the embodiment of the classic horror image. Young fangirls still want to be her, and young fanboys still want to be with her. And though nothing but a few old kinescopes exist of the short-lived program, Maila Nurmi’s legacy will forever live on with the genre.

Fittingly led in by Martin Landu’s oscar-bearing Bela Lugosi, exulting Ms. Nurmi’s appealing qualities to Johnny Depp’s irritated Ed Wood.

Go try on a sweater then, Nerd-o. Me and Bela here will just sit back with some morphine and enjoy the show.

 

Audio

Happy Halloween

TRACK #60:

Happy Halloween by Zacherley

Perhaps the granddaddy of all Horror Hosts, John Zacherle donned the guise of Roland (later Zarcherley in New York) as Philadelphia’s host of Shock Theater in 1957.

In addition to being one of the most iconic personalities of the genre and one of its earliest originators, Zarcherley also released tons of spooky music during his career as a Horror Host.

Just in time for #60, here’s the Cool Ghoul himself wishing us all a very Happy Halloween.

 

 

Audio

8 More Days Till Halloween (Commercial Bumper)


TRACK #59:

8 More Days Till Halloween (Commercial Bumper)

Ok, well, that was a little intense. Unfortunately, this blog rolls backwards if you aren’t following along, so you have no idea what I’m talking about.

Either way, we’re gonna lighten the mood up a bit with some novelty frivolity, in the form of a quick commercial break to feed our Frankenstein with some delicious Halloween treats.

But we’ll be right back with more Halloweeniness and audio atrocities soon.

Samples Featured in this Bumper from:

and of course

  • Halloween 3: Season of the Witch
     

 

Audio

Feed My Frankenstein

TRACK #58:

Feed My Frankenstein by Alice Cooper

Inclusive, though not to any movie relevant to the Shindig (1992’s Wayne’s World) this hit from shock-rocker Alice Cooper needs no introduction to anyone reading this right now, I’ll wager.

One of 2 songs on the Shindig featuring a monster allusion to sexuality, Feed My Frankenstein uses the dubious imagery of Frankenstein to replace the word “cock.”

Why Frankenstein, though? Is it sewn together from several different cocks? Does it just want to be loved, only to meet disdain from all who gaze upon it? Or is it simply that it’s just a monster of a cock?

If that’s the case, why not Mummy? Feed A-MY…..mummy.

Hmm, guess that lacks a little something syllabically.

That probably cancels The Wolfman, too. And the Creature from the Black Lagoon is definitely out.

Hey, Dracula could work! He’s already a monster of a sexual nature. Plus, he’s associated with hunger (or more appropriately, thirst), something I can’t really say for Frankenstein. I guess he’s just not big enough, and I suppose that’s really the underlying, if perhaps juvenile, point.

Recently, for his stage show, Alice Cooper commissioned haunt specialists Distortions Unlimited to create a giant Alice Cooper Frankenstein puppet. Here’s a video of it if you no idea what I’m talking about. He…uh….pops out…at that 3:45 mark, if you just wanna scan to it.

As mentioned previously, this puppet was sculpted by my buddy and horror/music/Shindig enthusiast Mikey Rotella.

Oh, and I almost forgot. This track is led-in with almost unnatural appropriateness by a sample from George Romero’s Day of the Dead. Too perfect for words.Enjoy!

 

Audio

Hellraiser

TRACK #57:

Hellraiser by Motörhead

In 1993 they decided to take the previously British franchise of Hellraiser across the pond, because, Lord knows America always takes something cool and makes it cooler.

That being said, it’s certainly not the worst Cenobite installment, however it’s hardly the best, as I feel both 2 and 5 are better films. Though I have met some static for my championing of Inferno, which I still feel is one of the more interesting sequels, despite being largely devoid of Cenobites and Pinhead.

Which is the worst? God only knows. They’re up to what, 9 now? I stopped after Hellseeker to be perfectly honest, and from the shots I’ve seen of…whoever the hell that is replacing Doug Bradley, Revelations isn’t providing any….well….revelations.

But enough of my (rather unqualified) opinions of the franchise in its totality. Let’s join Lemmy and Motörhead as they rock out with that secret song at the center of the world.
Pinhead is here,…to turn up the volume.

 

Audio

The Monsters Hop

TRACK #56:

The Monsters Hop by Bert Convy

Several years before he became the host of Super Password, Tattletales and Win, Lose or Draw, and 4 years before Boris Pickett would soar to #1 on the wings of The Monster Mash, Bert Convy recorded this tune about a bunch of monsters dancing around inside a spooky house.

Though lacking the character and humor that ultimately made The Monster Mash such a smash, I rather enjoy The Monsters Hop, maybe even a bit more than Pickett’s seminal Halloween hit. I think it’s catchier, certainly more up-tempo, and nowhere near as played out as The Monster Mash. Those are some pretty big checks in the plus column, you ask me.

Now don’t get me wrong, I’m not saying it’s a better song, not by any stretch of the imagination, but when listening to the Shindig leisurely (as is my wont) I will usually skip The Monster Mash, yet I always have 2 minutes to spare for The Monsters Hop.

 

Audio

Freaked

TRACK #55:

Freaked by Henry Rollins & Blind Idiot God

From the extra-90’s, ultra-FX-ladened, creature-feature-comedy Freaked, comes this Title Track from Henry Rollins & Blind Idiot God.

I love Freaked. What’s not to love?

 

  • Bill S. Preston, Esq. (Alex Winter) writes, co-directs and stars.
  • Randy Quaid turns up as a nutball mad-scientist.
  • You even got Mr. T in there as a Bearded lady.
  • Keanu Reeves sneaks in as the (uncredited) Dog Boy
  • Bobcat Goldthwait voices Sockhead.
  • and William Sadler plays a sleazy corporate greaseball.Not to mention…
  • Awesome creature FX from Steve Johnson’s XFX
  • More awesome FX from Screaming Mad George and company.
  • Some great stop motion from the Chiodo Brothers
  • One of the coolest title sequences ever
  • and this awesome spinning Randy Quaid head

Plus, it has a pretty kick-ass soundtrack. A soundtrack, I might add, that was never officially released. These puppies come stolen clean from the DVD.

If you’ve never seen Freaked, and you’re at all about creature FX, foolish 90’s comedies, or bizarre movies in general – find someone who has a copy of this, mug them, and watch it immediately.

More music and gifs from Freaked to follow this initial blast, later in the playlist. For now, enjoy these humble Shindig offerings.

 

Audio

Attack of the Killer Tomatoes

TRACK #54:

Attack Of The Killer Tomatoes by Lee Lewis

The 1978 B-Movie horror-musical-comedy-spoof turned B-movie itself, Attack of the Killer Tomatoes, was probably the first movie I was able to truly appreciate for its camp value.

I saw the light, so to speak, and it began the long love affair I still have today with horribly bad films. A love affair which was nurtured to its maturity on the early days of Comedy Central through Mystery Science Theater 3000.

Here’s the silly title track for the film. A film which, if you’ve never seen, I highly recommend…you know,…if you’re into that sort of thing.

Here’s a link to the full film on youtube.

Enjoy!

 

and remember…

 

Audio

Monster Rap

TRACK #53:

Monster Rap by Bobby “Boris” Pickett

Over the years, as the musical climate shifted, Boris Pickett attempted to recapture his Monster Mash lightning into all manner of bottle. The results were, well, not quite as successful.

In the early 80’s he tried rap, much to the delight of The Shindig.

Easily my favorite Boris Pickett tune, this goofy number is, I think, the funniest of his career. The ridiculous chorus of “Shock the body. Shock the body, body” in that Karloff voice is unmatched. Plus a rapping Frankenstein in the form of “Monster Mouth” is pretty fantastic too.

Though, I think the funniest aspect of the track is Boris’ initial excitement to hear the monster rap, and how quickly that turns to complete annoyance once the creature “won’t stop rapping.”

Even in the form of a silly rap, some remnant of Mary Shelley’s themes still persist,…kind of.

Either way, Boris Pickett’s Monster Rap is Shindig gold, all the way around.

 

Audio

Love Is A Lie

TRACK #52:

Love Is A Lie by Lion

We’ve already gotten a sampling of Freddy Krueger’s sonically iconic offerings, but surely his contemporary and adversary Jason Voorhees has a thing or two to say on the matter awesome 80’s soundtracks, no?

Yes. Yes he does.

From 1984’s prematurely subtitled The Final Chapter (a title made all the more ridiculous considering there are fewer Friday the 13ths proceeding it than following it), comes this tune from LA butt-rockers Lion.

Man, that’s pretty emphatic. They even blow up the mask for God’s sake.

This is the song to which Crispin Glover (aka George McFly, or Jimbo here) famously does he’s strange and erratic gyrations.

I’ve heard from unconfirmed sources (read: my buddy Matt Mastrella, AC/DC fan and possible rumorist) that during filming, the actual song playing was Back In Black, which they could not ultimately use after failing to secure the rights. If that’s true, it would certainly go a long way to explaining Jimbo’s arrhythmic seizing.

 

However, Crispin Glover is a pretty bizarre bastard himself and maybe that’s all the explanation needed. Click here for some support of this assertion.

Led in with the archetypal campfire tale of Jason, originally featured in Part 2 and rehashed in pieces during the pre-title sequence from Part 4. Its a favorite moment of mine from the series, and goes great with the song, if a tad lengthy.

I think it’s worth the wait though, and makes for a spooky interlude where your party guest can kick back and take in a little histrionic Voorhees history before Lion commence to rock.

Enjoy!

 

Audio

The Mummy’s Bracelet

TRACK #51:

The Mummy’s Bracelet by Lee Ross

Here’s a bizarre Shindig entry from singer Lee Ross.
Never heard of him? Well, don’t let it bum you out, cause neither has the Internet apparently. Digging up information on Lee seems to lead to a lot of cold trails.

What we can be sure of however, is that Lee definitely performed this catchy little number about the Mummy. Which Mummy, we’re less sure of, as Lee’s story doesn’t seem to match up to any Mummy film that I can cross reference.

This matters little however, because Mummy songs aren’t exactly falling out of the pockets of novelty-rockdom. In a genre choked with Vampires, Ghosts and Frankensteins, a song about a Mummy is a breath of stale and musty air.

So lets sit back and enjoy this strange little ditty about the Mummy, and his bracelet.

 

Audio

Ernest Scared Stupid (Theme)

TRACK #50:

Ernest Scared Stupid Theme by Bruce Arntson & Kirby Shelstad

If there’s one thing I liked as much as Halloween growing up, it was Ernest. So naturally, Ernest Scared Stupid is by far my favorite example of comedic genius an all-around swell guy Jim Varney’s extended career as Ernest P. Worrell.

The theme from Ernest Scared Stupid, along with it’s awesome opening credit sequence, set the tone for this wonderful holiday treat.

Complete with kick-ass trolls courtesy of The Chiodo Brothers (see: Killer Klowns From Outer Space) Ernest Scared Stupid should be watched at least every Halloween by everyone who isn’t dreadfully repulsed by the character of Ernest.

And even then, you should watch it anyway, and be ashamed of yourself for hating Ernest.

 

Audio

Candyman

TRACK #49:

Candyman by Blitzkid

For fans of the Shindig favorite Blitzkid, it probably seems fitting to have this song come straight in at #49 following Helen’s Theme. I always thought so anyway.

Pretty straight forward Blitzkid offering here, as they detail the plot of the 1992 Tony Todd creep-fest Candyman, a film which still manages to give me the willies at times just thinking about it.

That shit-smeared bathroom reading “Sweets to the Sweet.” That graffiti style Candyman face Virginia Madsen climbs through. Her waking up in a pool of dog-blood next to a severed head having no idea what has happened while a woman screams bloody murder from the other room. Candyman flying backwards through a window. Creepy stuff. Effective.

I hear you’re looking for Candyman, bitch.

 

Audio

Helen’s Theme

TRACK #48:

Helen’s Theme by Phillip Glass

No horror theme is quite a beautiful sounding as Phillip Glass’ recurring theme from Candyman. It’s haunting, particularly in the context of the film, but on its own, it’s a rather sweet and quiet piano melody.

Spliced over the rain effect here which closes out Raining Blood, it’s a nice interlude for your guests to enjoy as they grab more Re-Agent Punch, piss on your fence, or blast some lines in your bathroom without you.

Here’s to hoping Candyman busts through that goddamn mirror and guts them for their selfishness.

 

Audio

Raining Blood

TRACK #47:

Raining Blood by Slayer

Perhaps the only track on the playlist that doesn’t fall into one of my fairly open-ended categories, Raining Blood is an old hold-over from the days when the Shindig wasn’t a dense as it is today.

I’ve always used it as a lead-in to Helen’s Theme (from Candyman) by Phillip Glass, as the rain effect at the end was too perfect.

I’ve never removed it for that very reason, despite the small annoyance it’s always posed me knowing it isn’t about, featured in, or even remotely related to any horror movie or Halloween.

Maybe you could call it a Devilish Track, and perhaps I will, because well, the guy is busting out of purgatory on his way to heaven to “fuck that place up,” as Jeff Hanneman worded it.

Besides, this song fuckin’ owns. How much more justification do you need?

Led in by Father Urbain Grandier’s sentencing from Ken Russell’s 1971 nusto-mastepiece The Devils.

 

Audio

House Of 1000 Corpses

TRACK #46:

House of 1000 Corpses by Rob Zombie

Well, Lords of Salem was released this past weekend, much to chagrin of critics and the Internet as a whole, it seems. Tumblr especially appears to be awash was some pretty negative reactions.

So, now seemed as good a time as any to drop in this previously unfeatured addition to the Shindig.

Why previously unfeatured? Well, at the risk of posting negative ideas, and alienating some followers, my love for Rob Zombie extends from about White Zombie to well,…White Zombie. Of Rob’s solo and film career, I can not say I am a huge fan.

So why add it at all? Well, its a Title Track and that’s a little hard to just straight-up ignore. Plus, of all his movie this is probably the one I enjoyed the most. And this song is cool enough and certainly Halloweeny enough to enjoy a position on the playlist.

And hell, I like Rob Zombie. He taught me how awesome samples are in metal songs and pointed me toward a lot of really great movies. What I think of his ability to remake them, or steal ideas from them, is neither here nor there.

So go support Lords of Salem. It may be derivative but at least it’s not another goddamn remake.

 

Audio

Hand’s Off

TRACK #45:

Hands Off by Maria Vidal

So, we’re just over 2 hours into the playlist, and you’re party should be starting to pick up a little.

But you’re guests are pissed, “What’s with this music? We can’t dance to this shit!”

Well, problem solved, thanks to Maria Vidal and Once Bitten.

If Jim Carrey, Lauren Hutton and Karen Kopins can all dance to this, and as well as they do, than anyone can.

 

Audio

Dracula’s Daughter

TRACK #44:

Dracula’s Daughter by Screaming Lord Sutch and The Savages

British rocker Screaming Lord Sutch is a pretty spooky cat.

Check him out.

That’s pretty spooky.

He also made some spooky music, too.

Like this tune that I’m filing under the Monster Song category, as he isn’t explicitly detailing the plot of the 1936 sequel to Universal’s classic Dracula.

He pretty much just uses the title as a jump-off point for some crazy story about a girl named Mary that bites him in a graveyard. A girl who’s pops just happens to be Dracula.

In addition to this music, he also founded a totally legitimate British political party called The Official Monster Raving Loony Party.

Here’s their totally legitimate logo.He also hung himself in 1999 following his mother’s death, and years of clinical depression. Now that’s pretty spooky.

But what the 3rd Earl of Harrow left behind was a lot of a fun garage tunes and some perfect Shindiggin’ material.

Bookended with clips from Dracula’s Daughter just for good measure.

The Shindig hopes you’re resting in peace David Sutch, you spooky sonofabitch.