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Monster Rap

TRACK #53:

Monster Rap by Bobby “Boris” Pickett

Over the years, as the musical climate shifted, Boris Pickett attempted to recapture his Monster Mash lightning into all manner of bottle. The results were, well, not quite as successful.

In the early 80’s he tried rap, much to the delight of The Shindig.

Easily my favorite Boris Pickett tune, this goofy number is, I think, the funniest of his career. The ridiculous chorus of “Shock the body. Shock the body, body” in that Karloff voice is unmatched. Plus a rapping Frankenstein in the form of “Monster Mouth” is pretty fantastic too.

Though, I think the funniest aspect of the track is Boris’ initial excitement to hear the monster rap, and how quickly that turns to complete annoyance once the creature “won’t stop rapping.”

Even in the form of a silly rap, some remnant of Mary Shelley’s themes still persist,…kind of.

Either way, Boris Pickett’s Monster Rap is Shindig gold, all the way around.

 

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The Mummy’s Bracelet

TRACK #51:

The Mummy’s Bracelet by Lee Ross

Here’s a bizarre Shindig entry from singer Lee Ross.
Never heard of him? Well, don’t let it bum you out, cause neither has the Internet apparently. Digging up information on Lee seems to lead to a lot of cold trails.

What we can be sure of however, is that Lee definitely performed this catchy little number about the Mummy. Which Mummy, we’re less sure of, as Lee’s story doesn’t seem to match up to any Mummy film that I can cross reference.

This matters little however, because Mummy songs aren’t exactly falling out of the pockets of novelty-rockdom. In a genre choked with Vampires, Ghosts and Frankensteins, a song about a Mummy is a breath of stale and musty air.

So lets sit back and enjoy this strange little ditty about the Mummy, and his bracelet.

 

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Full Moon

TRACK #42:

Full Moon by Elvira

Segueing nicely from that last sample is this gem from everyone’s favorite wet nightmare Elvira.

Of all the Elvira originals on The Shindig (and there’s a few), this is perhaps my favorite. It’s got a fun 80’s synth-pop sound, and it features the Mistress of the Dark singing seductively about how essentially a full moon makes her crazy horny. Um, ok. ‘Nuff said. I’m in.

Here’s Elvira with Full Moon.

Thanks for the boner.

 

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Riboflavin Flavored Non-Carbonated Polyunsaturated Blood

TRACK #36:

Riboflavin-Flavored, Non-Carbonated, Polyunsaturated Blood by Don Hinson & The Rigarmorticians

It may sound like Boris Pickett (hell everything did for a while, following the success of The Monster Mash) but this particular novelty installment comes from Vegas DJ Don Hinson and his Rigarmorticians.

I like this novelty track more than most because it’s well written, funny and has an interesting premise. A premise so interesting in fact, I’m fairly sure Charlaine Harris hijacked the whole concept for her Sooki Stackhouse Novels.

An honorable mention goes out to fan-favorites 45 Grave for their cover simply titled “Riboflavin” which does not appear on the Shindig.

 

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The Lurch


TRACK #31:

The Lurch by Ted Cassidy

Holy shit! Lurch has a song?!

Yeah, that was my reaction too, and whenever I have such a response, onto the Shindig it goes.

What’s more? This song and it’s accompanying dance were both introduced to the world the day before Halloween in 1965, on ABC’s popular variety show entitled Shindig! Hows that for synchronicity?

This episode also had a guest host, none other than horror icon Boris Karloff himself, who indulges in a strange speak along to The Peppermint Twist.

We’ll also hear him close out the track with Lurch himself from that very program, wishing all you Shindiggers a fond farewell.

Until then, lurch along with Ted Cassidy, who probably says more here in 3 minutes than an entire season’s worth of The Addams Family.

 

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The Blob

TRACK #29:

The Blob by The Five Blobs

Sometimes in my attempt to mix things up and keep an even distribution of styles and bands, the Shindig kinda seems a bit musically schizophrenic.

So, in the spirit of cohesion, here’s the Beware Of The Blob, which I think doubles up pretty nicely with The Purple People Eater, and is even from the same year.

Much like The Dudes of Wrath (though the ridiculousness of comparing these two groups is not lost on me) The Five Blobs were assembled for the singular purpose of singing this tune, penned by the late Burt Bacharach.

Easily one of the oldest Title Tracks on the Shindig (if not the oldest) The Blob is also one of the more curious tunes on the playlist as well.

Such a fun and upbeat song for something as horrendous as The Blob is kind of alarming, and as such, a bit creepy. There’s no immediacy to their tone, almost as if you really needn’t worry about this whole indestructible and unstoppable goo-monster. Seriously gang? Its eating fucking everything, maybe a little urgency, or god forbid, terror?

Naw, they’ll just keep it light and breezy over here. Shit, it’s only The Blob.

 

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The Purple People Eater

TRACK #28:

The Purple People Eater by Sheb Wooley

A classic novelty song featured on countless Halloween lists and albums since it’s release in 1958, The Purple People Eater gets it day on the Shindig, but mostly just for that reason.

I like The Purple People Eater, don’t get me wrong,  I just don’t find it terribly Halloweeny, aside from the fact that Halloween is probably the only time your liable to here it on the radio.

Interesting side note, do a quick image search for the Purple People Eater and you’ll find an array of 1 eyed, 1 horned winged purple things, mostly (but not limited to) “Purp” from the 1988 film Purple People Eater.

So what? Why wouldn’t you? Who gives a fuck?

No one, probably, however it is my assertion that The Purple People Eater is not himself purple, as indicated by the below lyric:

I said “Mr. Purple People Eater, what’s your line?”
He said “eating purple people, and it sure is fine”

So he eats purple people. Well, what the hell are purple people? This doesn’t make any sense.

Maybe on his planet there were purple people, because right after this he goes on to explain how that’s not the reason he came here. Well, of course, there are no purple people here.

So on his planet, they have people, they’re just purple? Still don’t make no goddamn sense.

Well, maybe not, but I’m just saying, ole Sheb here was pretty explicit in his songwriting, and that thing ain’t purple.

 

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Ghouls Night Out

TRACK #25:

Ghouls Night Out by The Misfits

Webster’s defines Ghoul as

  1. legendary evil being that robs graves and feeds on corpses
  2. one suggestive of a ghoul; especially  : one who shows morbid interest in things considered shocking or repulsive

So basically, we’re all ghouls. And if there was ever a night for ghouls, it was Halloween.

So, take it away boys.

(Cut in with Stephen Weber from Tales from the Crypt’s S3 Episode Mournin’ Mess, and well, that’s Bill the Butcher at the end there from Gangs of New York.)

 

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The Crypt Jam

TRACK #24:

The Crypt Jam by John Kassir and Chuckii Booker

In the early 90’s both hip hop and Tales from the Crypt were riding high on the pop culture wave, so it seemed only natural to some sleazy executive to combined these two concepts.

The result is The Crypt Jam, a rather curious musical number that finds our pal the Cryptkeeper inviting us to a “monster bash, if you will.”

The next 3 minutes or so is The Cryptkeeper (voiced by the great John Kassir) rhyming and punning his way through a generic 90’s hip-hop beat.

Even better is the video, featuring our pal dressed up in typical gansta threads of the era, dancing with a dozen or so fly-girls and a coupla pop-lockin’ zombies.

Was it a good idea? Well, The Shindig certainly thinks so, as this type of thing is right up our alley over here. However, that may not be everyone’s conclusion regarding this particular Monster Rap. Either way, the Cryptkeeper’s in the house, and we couldn’t be happier about that.

 

 

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I Was A Teenage Werewolf

TRACK #15:

I Was a Teenage Werewolf by The Cramps

I love The Cramps, so you can believe there’s as many Cramps songs on The Shindig as I can justify within my categorization. At present, I believe that number is 5.

First one from Lux and Co. is I Was a Teenage Werewolf, a groovy garage tune with plenty of monstrous overtones.

Lead in with claw-ripping attack by a clip from the trailer to I Was a Teenage Werewolf.

Nothing you’ve ever conceived packs such a spine-tingling jolt!

 

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Werewolf Bar Mitzvah

TRACK #14:

Werewolf Bar Mitzvah by Tracy Jordan

Since the song The Wolfman’s Wedding Reception by the Goofy Toons doesn’t actually exist, I figured this was the next best thing to follow such an introduction.

From the always ridiculous brain of 30 Rock’s Tracy Jordan comes this monster novelty throwback spoof, to which Jordan received a Gold Record.

It may be a sweaty premise, but i think it sustains itself just fine.

 

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Halloween Shindig

TRACK #13:

Halloween Shindig by Ed Twilley and the Creepers

13’s a pretty horrific number. You got 13 Ghosts, 13 floors, 13 turns in a hangman’s noose, that hockey masked guy, the Knights Templar and all sorts of Lunar and Witchcraft associations. It’s also a prime number and appears in Fibonacci’s Sequence. Hell, it even has it’s own phobia – Triskaidekaphobia.

So, it was a nice coincidence to see this song pull into the 13 spot after some sample/track merging (the playlist originally had separate tracks for all the lead-ins.)

From one of my favorites sketches from one of my favorite sketch comedy shows of all time, Mr. Show with Bob and David, comes the namesake of the entire playlist, Halloween Shindig.

It’s a spot-on spoof of paranormal phenomenon shows like Sightings entitled Probings, and it poses one of the greatest questions of our times..

Do Monster Parties really exists?

 

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Frankenstein

TRACK #12:

Frankenstein by The Edgar Winter Group

Now that we’ve all had a chance to gawk at Elvira (some 1000+ times) lets keep the tunes going.

You mighta heard this one on classic rock radio and not thought much of it. Hell, why would you? Damn thing don’t even got no lyrics.

Despite being largely unrelated to the actual Frankenstein , or anything horrific for that matter, it finds itself on the Shindig, and just about every other Halloween collection or list, for the same reason – It’s called fuckin’ Frankenstein.

So naturally, it tends to get a bit more airplay around Halloween. At least that’s when I remember hearing for the first time anyway. In my Dad’s car, probably 17 years ago, driving around Massachusetts on a Sunday morning, getting coffee or donuts or newspapers or something morningy and its all red, and orange and brown all over everything and this song is playing in the cold air. So now, Its just guilty by association.

But why Frankenstein? Well, to quote Wikipedia:

“The song’s title, coined by the band’s drummer Chuck Ruff, derives from the fact that the original recording of the song was much longer than the final version, as the band would often deviate from the arrangement into less structured jams. The track required numerous edits to shorten it. The end result was pieced together from many different sections of recording tape using a razor blade and splicing tape.”

Sounds legit. And as a guy cutting sounds together, especially about monsters, I like that kinda thing. Sure, I do it digitally and it’s been years since I held (let alone cut) a piece of tape or film – but the image of a mangled, spliced together, Frankenstein-ass looking piece of tape is awesome, Halloweeny, and right up the Shindig’s alley.

So let the Monster Squad test you, and get down to this stitched-up instrumental.

 

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Monsta’ Rap

TRACK #11:

Monsta’ Rap by Elvira

Coming up next on the ‘dig is a ghoul after my own heart – Elvira.

“Every tricker’s treat” has been making Halloween playlists (or more appropriately, Hallowween albums) since I was knee high to a Gremlin. In total, she has 4 different Halloween albums, and they’re all chock full of great songs, Elvira halloweeniness, and even original cuts from the Mistress herself. And number 11 is just such a track.

Not to be out-done (in any respect), Elvira comes correct with her own brand of referential novelty in Monsta’ Rap, featuring so many shout outs, its hard to imagine fitting them all into only 4 minutes. Seriously, everything from The Thing to Rodan and everyone from Christopher Lee to Barbara Steele gets put on blast here, creating possibly the most referential song on the list. And if that wasn’t enough, Elvira’s rapping it all together.

Merged here with her own introduction for some Halloweeny atmosphere. Enjoy.

 

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Shockmonster Stomp

Track #6:

Shockmonster Stomp by The Ghastly Ones

Since we’re already stomping, let’s stomp some more with a little help from The Ghastly Ones, a monster surf outfit from Van Nuys, California.

I love surf music, but on the whole it doesn’t lend itself terribly well to Halloween, unless you’re talking about The Ghastly Ones that is; oozing as they are with model kit and Shock! Theater imagery. Their drummer, Norman Cabrera, is even a special FX artist, and they were originally released on Rob Zombie’s Zombie-A-Go-Go label. Now that’s all pretty Halloween if you ask me.

And if that’s not enough, this track in particular amps up the Halloweeniness a couple notches with its harpsichord and theremin sounds; all the spookiness to take our Shindig in decidedly ghastly direction. Keep stompin’!

 

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The Sinister Stomp

TRACK #5:

The Sinister Stomp by Bobby “Boris” Pickett and The Crypt-Kickers

Alright, so we got a theme, a bumper, a genuine Halloween song, and a track from a horror movie; sounds to me like it’s time for a good ole fashion monster song.

While The Monster Mash is probably the likely choice, we’ve got some time before cracking that chestnut. However, Bobby “Boris” Pickett and his Crypt Kickers are gonna get some early respect here just the same. From The Original Monster Mash album (a fun Holiday album all around. Hell, there’s even a Christmas song on that fucker for christ’s sake,) comes The Sinister Stomp.

I’m not exactly sure what the hell Yanush is suppose to be (a zombie, a ghoul?) but he’s definitely the focal point of this song, having tripped Boris one night in a graveyard causing him to invent the titular dance, which I believe just involves Boris repeatedly stomping his heal into this thing’s back. An act which somehow manages to keeps him alive, yet also makes him a more efficient employee apparently. Oh, and run.

Yeah, the logic isn’t the easiest to follow, but it’s pretty damn Halloweeny all the same, featuring the usual ghouls from Igor to Frankie, plus it’s got a catchy Runaround Sue style beat, which I enjoy a great deal.

So, c’mon, do The Sinister Stomp. It’s good for the soul.