Haha! I Need Your Blood (Disco Dracula)

TRACK #354:

Haha! I Need Your Blood (Disco Dracula) by Solcyst

If you would have told me 10 years ago that some of my favorite songs on this playlIst would turn out to be disco jams, I’m not sure I would have believed you.

But here we are, and it’s definitely true. Struck By Boogie Lightning, Fly By Night, Dr. Frankenstein’s Disco Party are all recent additions I enjoy more than I probably should.

There’s something about the combination of this era’s empty, danceable sound and monster bullshit that at once seem so completely at odds yet uniquely suited for each other.

Like Monster Raps, it’s bizarre that these song even exists, but man, am I sure glad that they do. They make for great playlist inclusions.

If you don’t happen to agree, I apologize, as the rest of our Dracula block is unquestionably disco, because there’s just an inordinate amount of these fuckin’ things, and I can’t seem to stop finding them.

Leading the charge is a song I absolutely love. Legit. I love this song. It’s been in the bullpen for years now and over those years I randomly toss it on cause I haven’t heard it in a while and I miss it.

I’m not sure if I can even fully articulate why either. Is it the key? Is it the melody? Is it that short Rhodes solo? Those mean-ass Minimoog hits? I couldn’t rightly say. I guess I just like the way it sounds. I suppose that’s the reason anyone likes any song, really.

Unlike the last couple tunes though, which lean a bit more funk and soul, this one’s a true-blue Disco Dracula tune, at least in name anyway. There isn’t any explicit mention of him, but you do get the double-shot Disco Dracula hallmark of a vaguely Dracula-sounding voice mumbling bullshit while a woman basically orgasms into a microphone. Nice.

From the short lived band, Solcyst comes 1980’s Haha!…I Need Your Blood (Disco Dracula.)

Now strangely, this track was released in Germany. But the band only has one other single, featuring 2 songs, and that one was released in France. So is Solcyst German? Are they French? Italian? None of the above?

They’re singing in English, but it’s a bit strained. This was just around when Italo-Disco was starting to emerge, which was rife with tracks coming out of Germany sung in English by people from neither place, so who knows. This definitely isn’t Italo, though it’s Disco features a nice amount of electronic instrumentation, which is always appreciated.

We may never know with some of these artists, as real information doesn’t seem to exist. So, let’s just be thankful then that the song exists and be satisfied in that.

Our version here on the playlist is pulled directly from the 45, which sits proudly in the Halloween Hole. The single is split between side A and B, featuring Parts 1 and 2, respectively. We’ve combined them both for your epic Disco Dracula pleasure.

I will note that there is a nice rip of this on YouTube that also combines parts 1 and 2. For whatever reason though, that version cuts ’em together a bit early and completely forgoes the 3rd chorus. Not sure why it does that, but ours does not. Perhaps the other one is a bit less repetitive, and the impact of that climatic crescendo isn’t lessened by having already heard it. That version flows a little better too, not gonna lie. Maybe that’s why they did it. I’ll never know, unfortunately, because you can’t send people on YouTube messages and you can’t comment on that particular video, cause for some reason, the Disco Dracula sex song with the lady audibly climaxing is on YouTube Kids. Search me.

I think this is the way the song was meant to transition though, assuming it was meant to be combined at all. Besides, any excuse to make this one last a little longer is alright in my book. And it made some sense to me to let that version exist over there and have a different option over here, rather than just having the same version exist in 2 places.

We’ve bookended this one with samples from 2 contemporaneous Dracula adaptations. The first, 1977’s lengthy and faithful multi-part BBC production Dracula, and the other from Frank Langella’s classic 1979 turn in John Badham’s verison.

Hey, is it weird that 2 years after directing Saturday Night Fever, John Badham directed that Dracula and released it in 1979, the year you couldn’t get away from Disco Dracula? I dunno, but I think we were robbed of a classic John Badham crossover disco horror hit. Oh, well.

Kicking off the Disco portion of our Dracula Block, here’s Solcyst with Haha! I Need Your Blood (Disco Dracula.)

Scary Movies

TRACK #348:

Scary Movies by Pleasant Company

We’ve been on a pretty solid referential run here so far in 2023. It’s been 13 tracks since we had an inclusive jam (that I’m aware of anyway) and to be fair, that last inclusive tune was a pretty classic referential monster song that just became inclusive less than a year ago.

Tonight’s tune, however, was born into that role. And 36 years ago to boot.

At least, that’s how it appears anyway. The band Pleasant Company has only 1 release, so far as I can tell. It’s a 5 song eponymous LP with the inscription “Featured in New World Pictures – Return to Horror High” on the label.

So, I think it’s safe to say it appeared in the film before it appeared on this LP. Now, I couldn’t say whether is was written specifically for the film, but Scary Movies plays like just the right kinda comedically self referential thing for a film like Return to Horror. So much so in fact, I find it hard to imagine anything other than it being written for the film. But I could not say.

And the movie lucked out, cause Pleasant Company smashed out a banger for ‘em, that’s for sure. I love this tune, and its tone is perfectly suited for the picture. Return to Horror High knows exactly what it is, and it’s exactly the sort of thing that ends with Scary Movies by Pleasant Company.

All the tropes and cliches of horror are on display in this end credit Sweet Song. And what better way to send off a hyper referential, movie-within-a-movie meta-meditation like Return to Horror High.

It’s probably best known now for being an early film in the career of George Clooney, who takes his leave pretty quick despite his name being smeared across subsequent DVD releases.

So, I wouldn’t watch it specifically for him, Return of the Killer Tomatoes this is not. But it’s fun to see him, and Marcia Brady and Moe Greene, and that jerk from the diner who beats up Clark Kent in Superman 2, all playing it for laughs along side some good gore gags with a behind the scenes bent.

Those are all pluses to an already fun and self aware late 80’s slasher story that, when capped it all off with a song like Scary Movies, is a return worth making.

Horror Movies

TRACK #344:

Horror Movies by The Bollocks Brothers

The Bollocks Brothers have technically already appeared on the playlist, as they’re responsible for the cover of Andy Foray’s Drac’s Back under the pseudonym Red Lipstique.

But The Brother’s Bollocks cooked up a corker of referential monster madness under their Christian name with 1983’s Horror Movies.

And is it any surprised? The highly suggestive lyrical “omission” that makes Drac’s Back so fun is fully on display here with a song all about a guy and his gal bein real kinkos to the late show on a Friday night.

Not only that, but when it comes to references, this song is a monster. The first 30 seconds or so is a laundry list of great old titles and it perfectly sets the tone for this moody groover.

White Zombie, House on Haunted Hill, Walking Dead, even Witchfinder General! They have a particular fondness for Vincent Price it seems, and who can blame them?

So grab you’re best girl (or boy), hit the lights and fix the rabbit ears so your not too distracted trying to “watch” some Horror Movies.

Halloween (Fallacy)

TRACK #328:

Halloween by Fallacy

For our third and final Heavy Metal Halloween melter from 1986, we’re coming back stateside with this rare and low-fi demo from Las Vegas’ Fallacy.

It’s not uncommon for heavy metal bands to write a song about Halloween. Indeed, The Shindig is littered with them. It’s also not uncommon for those bands to just go ahead and name that song “Halloween.” Fallacy’s tune will bring the grand total of literal Halloween heavy metal tracks to 9. And don’t worry, cause there’s more in the bullpen.

What’s also not uncommon, but certainly less not uncommon, if for those bands to directly tapped into John Carpenter’s classic theme. Wasted, Fondlecorpse, and Warhammer are all culprits, and you can add Fallacy to the pile, cause they bring that sinister 5/4 theme right out the gate. They veer off ultimately, but even a lick is good enough for us.

Fallacy wasn’t long for the world, and not much info is floating around for them except some posts trying to clear up the (no surprise here) common confusion of them with a band named Fallacy from Michigan. In addition to the rare cassette-only 1986 demo Fall and Remain (which can be heard in poor quality on YouTube) they appeared to have only have one other release. It’s a live cassette of show from the same year which features these and a few other tunes. Check out this dope flyer. I’m not sure if that tape is from this show, but who cares:That’s metal as fuck, and 6 buck? Not bad for a night of thrash.

It’s a shame they never got a clean album recorded, cause Fall and Remain rips. I’ll say the vocals could be stronger, but the band (particularly the drummer) are just mowing these songs down. I certainly wouldn’t mind having a cleaner cut of this song, that’s for sure. I eq’ed some of the wildly excessive bass outta that YouTube copy, but I’m no mixing engineer, and it’s still a pretty ragged recording. My apologies. If i ever run across a better rip, I’ll definitely update the playlist.

Since the boys from Fallacy seem to be directly referencing Halloween 2 here, and that one never got a proper Heavy Metal Halloween tune of it’s own, we’re headed back to Haddonfield, Illinois on Halloween Night of 1978, for more of the night he came home.

So grab a service revolver and buck 6 shots…and then for sure tell everyone that excessively for the rest of the night, so much so that reporters can overhear you and then immediately jam that information into radio news updates about the ongoing search for Michael Myers.

Here’s Fallacy with Halloween!

Halloween Night (Fortress)

TRACK #327:

Halloween Night by Fortress

It’s time to feel the steel with our second Samhain shot, a song that also happens to be from 1986.

This ones hails from traditionally neutral Switzerland, and takes aim at our Hallowed Eve via brute force and a stern warning. It’s Fortress and their track Halloween Night.

Unfortunately, not much seems to be known about this band, and the tune comes from their lone release, the 4-track EP Take the Night.

So little is this band discussed that only 1 image of the album even appears to appear online. It’s pretty low rez and it’s the album cover you see above, which I snatched from discogs.

Where did Fortess come from? Where have Fortress gone? Why are there so many other fuckin bands named Fortress? Seriously.

Encyclopedia Metallum lists 20 bands in total with the name Fortress. Are you kidding me? It took me 5 minutes just to determine which Fortress was this Fortress, only to discover they didn’t have any damn information about them anyway. Beautiful.

Well, since we don’t know anything about Fortress, we’re just gonna talk about this now I guess, because…fuckin’ Fortress? Really? That’s the band name that’s getting into double digits? It’s not even a good band name! I mean, it’s alright, but it don’t sound nearly as tough as all these dudes seem to thinks it sounds.

It’s 1 word with 2 syllables, and that’s always a solid move for a band name. Straight to the point and harsh. Slayer, Vemon, Krokus, it just works. So I’ll give them that. But while it does have the upfront punch of “Fort,” that double S at on the back end really weakens up the whole affair.

So why are so many groups clamoring for this name? Cause it’s strong and keeps out invaders? Cause it can’t be penetrated? What’s the allure? Cause it can’t be the phonetics of this thing.

I’m not sure, but for 20 bands, spanning 3 decades, Fortress connected. And from all across the globe too! Hungary, Bavaria, Poland, Australia, even the Netherlands, all have Fortresses. Hell, the US accounts for almost half of them with 8 different Fortresses!

You wanna tell me one or two, sure. Bands unwittingly named each other the same shit all the time, particularly in the days before the internet.

But the The Metal Archives at Encylopedia Metallum have been around since 2002, people. Almost half the bands using this name came into existence after 2006. What?

Any band naming themselves post-2002 has no fuckin’ excuse. You come up with a some generic-ass nonsense like Fortress, you cross reference that shit with The Metal Archives, see if anyone else has already used it. Chances are they have, because you’re not that creative and Metal’s been around for over 40 fuckin’ years.

Maybe one other band used it 25 years ago and no one’s ever heard them. Fine, keep Fortress. Wait, there’s 17 other bands named fucking Fortress? Put that one back on the shelf, fellas. The world doesn’t need another Fortress. It’s not that great of a band name to begin with.

The first instances of Fortress seem to appear in 1980, with one glamy lookin outfit from LA (unsurprisingly) and another in Kansas. Germany pumped one out shortly after in 1981, and then our boys from Switzerland appear in tandem with another LA band in 1983.

Now, those 2 LA acts need to check the flyers outside the Rainbow Room or some shit and get their acts together. You’re probably using the same goddamn rehearsal space on Cahuenga, for christ sakes. The rest of ya’ll early 80’s guys, I’ll cut some slack. You late 80’s Johnny-Come-Latelys have a little more latitude but not a lot, and any of you clowns from the 90’s shoulda better known better. After that, you got high speed cable internet and a fuckin’ google search bar. Use that shit. Acting like you got a real unique one on your hands and not looking that shit up is just arrogant.

However, since our boys here were pretty early adopters and all the way over in the Swiss Alps just shredding up avalanches like they were in goddamn Blood Tracks, we’re gonna let them off the easiest. They’re the the only ones with a Halloween song anyway, so they’re clearly the only one’s deserving.

But seriously, no more fuckin Fortresses, alright everybody?

Night of the Hallowe’en

TRACK #326:

Night of the Hallowe’en by Touched

We’re gonna leave the 80’s behind and set a course for an old timey Halloween. But before we do, we’re gonna take a right turn outta the discotheque, head down Mundhra Road toward High Pike Farm and make a quick stop at The Quarry. Cause we’re lookin for a little rock over here and they got all the rock we need. So, here comes a triple-barreled blast of 80’s Halloween Metal to power our trip even further back in time.

This first shot is coming at you from all the way across the pound, with the UK metal molesters, Touched, and their 1986 album Death Row.

The glam-rock stylings of Twisted Sister team up with the NWOBHM sound of early Maiden to produce the sufficiently heavy but not necessarily intimidating, Night of the Hallowe’en.

There doesn’t seem to be a whole lot of info floating around about Touched, but I will say, it’s an odd band name. Not necessarily tough, now is it? Certainly not in a metal context.

I suppose they could mean like “touched,”like you might say of someone who is particularly imbecilic or perhaps even crazy. That’s sort of tough-er I suppose, but not terribly. Just kind of offensive, really. Unless they’re directing that toward themselves, I guess.

Or, they could mean this in like a “you got touched” way. But not in the good way that you’d want to be touched, but in the bad way that no one wants to be touched. But thats weird right? To name your band that? Fuckin-A right it is.

Which I guess just leaves “touched” in the good way. And that could either be physically or emotionally. Like perhaps one feels after they watch We Bough a Zoo, or Mac and Me.

But that’s decidedly not tough. In fact, it might just be the opposite of tough.

The physical (and let’s just assume sexual) connotation of “touched” is the only thing that’s really left, and even that don’t make sense as a band name. But, hey, Touched it is I guess.

And that’s before we even get into this song’s title. Cause it’s not Night of Hallowe’en, It’s Night of THE Hallowe’en.

That’s weird. I’m not sure I’ve ever seen anyone put a “the” in front of Halloween. Personally, I kinda like it. It’s makes Halloween itself sound like a monster that’s gonna get ya, or an evil entity unto itself that you better watch the fuck out for.

But I had to double check the album sleeve on that one, cause dude doesn’t even say that shit in the song! And I think that would be cool. But nope, just the title. Odd move.

So, it looks like we gotta whole lotta question here with Touched and not a whole lotta answers. We’re just gonna have to leave it at that I suppose. At least for now.

But that’s ok, cause we’ve just arrive at The Quarry, so let’s wake the neighbors, and get Touched by The Hallowe’en!

Note: I realize the audio on this one’s a bit greasy. There’s 2 versions on YouTube right now (already not a great place to get the song) one that’s real low quality and another that skips a couple times. I caught and corrected one but missed the other completely. However, I have this LP en route to The Halloween Hole as we speak, so I’ll update the track here, and even give YouTubers a better option after the season wraps. So if you dig this tune, stay tuned!

Halloween (Dance Version)

TRACK #325:

Halloween by Run feat. Michael Heart

Since we’re apparently knee deep in some sort of weird shoot-out for most straight up 80’s sounding Halloween song ever, we’re gonna let the “ band” Run make their case to close us out.

Now, I’m not sure who the clear winner is, but Run definitely puts up a solid argument for themselves here, with the help of Michael Heart, who apparently arranged, wrote and provided the vocals for this track.

I guess Michael Heart is a pseudonym for Italo-producer and composer Bruno Kassar, who had a string of aliases under which he released all kinds of music. Is Run one of those?

Damned if it know, as this appears to be their sole release. The only other thing I can dig up on them is this business with Michael Heart. Since he’s a known pseudonymist, producing all sorts of shit under aliases, perhaps Run really is just another one for the fire.

That’ll have to be a Shindig mystery for another time, it seems. For now, let’s give the floor to The Phoenician himself, Mr. Michael Bruno Firefly 5 Heart Kassar with the exceedingly 80’s Halloween (Dance Version) by Run.

Halloween (Scary Thieves)

TRACK #324:

Halloween by Scary Thieves

Since we seem to have a decidedly 80’s electronic pop vibe goin’ on here so far in the 320’s, we’re gonna keep that rollin’ with Scary Thieves.

This short-lived British New Wave crew appear to be challenging us to find a more 80’s-ass holiday dancer than their 1984 tune Halloween. Strangely, this is a Halloween song which actually appears to be about Halloween for a change, but even that’s a little unclear.

Though technically recorded in 1984, Scary Thieves encountered nothing but problems during that whole process and their self title LP was summarily shelved by the EMI. The band broke up shortly thereafter and most of that material went completely unheard for 30 years.

In 2015, Furry Records released the album Halloween which was essentially a repackaged and remastered version of the original LP Scary Thieves.

So, buried though it may have been, another Halloween got its chance to see the light of day.

The Shindig is here…and it awaits you all…

Well, maybe not all.

Halloween City

TRACK #323:

Halloween City by Special Du Jour

Look, I don’t know what the hell’s going on in Halloween City, but from the looks of this album cover, it’s fuckin’ serious.

What’s more, I don’t know what the hell’s going on in this song. Probably because I don’t speak French. Perhaps I should attempt to translate these lyrics. Gimme a sec.

Ok, that failed, cause – surprise – outside of the Discogs page, no one seems to have a whole lotta info on Special Du Jour. So, easily finding the French lyrics to this song was perhaps a nonstarter. If either of you readers out there are fluent in French and wanna take a crack at decoding this business, be my guest. ed@halloweenshindig.com is awaiting your calls.

Speaking of Discogs, they’re informing me that Special Du Jour is the handle for French duo Louise Beaudoin & Martine Fugère. So there’s that, at least.

This is an album I picked up years ago, song unseen, back when I discovered it was a thing and a blind purchase seemed to be the only way I was actually gonna hear the tune.

I won’t say it was disappointing, but it didn’t hit the playlist immediately upon arrival, so that ought to speak a bit to my initial impression.

Perhaps if I knew what the hell they were saying other than “Halloween City” I could gauge things a bit more accurately. As it stands, I think the song isn’t bad. Certainly not the Halloween Disco banger I was hoping it might be, but not unlistenable, and definitely not unfestive in its sound.

So here, in the midst of our Halloweens-til-Halloween run, seemed like as good a place as any to drop this somewhat spooky and somewhat danceable Halloween (question mark) hit (also question mark.)

So grab some spandex, maybe a headband, a few rattle cans and let’s take the metro over to Halloween City! There’s a plywood wall there that would look a lot better with the words “Halloween Shindig” sprayed on it.

Every Night is Halloween

TRACK #322:

Every Night is Halloween by Industrials

Once upon time, Bret Michaels revealed to the world that every rose had it’s thorn. Ya know, just like every night had it’s dawn.

Now, whether or not every cowboy truly sang a sad, sad song, or why that is also held up as a universal truth, I couldn’t say.

What I can say though is that, similarly, every day has it’s night. It certainly doesn’t have the same ring, but it does seem just as true.

Such is the case with this evenings entry, the ying to Ministry’s Yang, Every Night Is Halloween by Industrials.

This one, much like Al’s tune, seems to use the idea that the underground culture of dance/industrial/goth is a operating outside the boundaries of accepted society and hey, stop giving us all so much shit all the time, ya fuckin’ squares. But they beat Ministry to the conceptual punch, releasing this song a good 4 years prior.

I’m not sure this is exactly the same kinda deal though, as Industrials seem to be playing a different sort of pool here. Homeboys got a welding helmet on, and that’s kinda…industrial…I suppose. Nothing else about this seems terribly gothy or industrial. It just kinda sounds like new wave synth pop if you ask me, so maybe this is angling for a bit of a different message. Or maybe they were getting the business too, for dressing all freaky with welding helmets and typical 80’s wares.

Either way, the lonely dancers on the ceiling feel like it’s Halloween. Maybe they’re dressed up. Maybe there’s candy up there. Who knows.

But yeah, it’s another “not really about Halloween” Halloween song. There’s a lot of these fuckers it seems. Maybe they need they’re own playlist or something. I dunno.

I like this tune though. It’s got a spookyish sort of synthy vibe that feels right and man is it 80’s. Looks like we might be starting a bit of a thing here.

Interestingly (at least to me, maybe to you too, we’ll see) this album was produced by infamous music industry whack job Kim Fowley. This is the same Kim Fowley who put together The Runaways and allegedly sexually assaulted Jackie Fox while Joan Jett and Cherie Currie watched. Damn, ok. That was a left turn.

This is also the same Kim Fowley who released the album Frankenstein and His All-Star Monster Band, which you would think might be wall-to-wall Shindig goodness (I know, cause I did too) but here we are and here they ain’t. I’d say give it a listen, but don’t actually think you should.

Sorry about that little detour Industrials, I didn’t mean to get ya webbed up in all of that. I just saw his name there on the back sleeve and was like “Snap. Really? I don’t really like that Frankenstein album and this might be a good time to explain why it’s never been featured to readers that might be wondering.” Which, admittedly, is probably no one.

But anyway, we’re loosing the thread here so let’s just let Industrials take ya through the night and I’ll see ya in the morning for some more 80’s Halloween madness!

Oh, and this opening sample is from 1963’s The Haunting. If anyone is playing along at home.

Everyday (Is Halloween)

TRACK #321:

Everyday (Is Halloween) by Ministry

As I may or may not have already stated, 2022 marks the 10th anniversary of the internet incarnation of Halloween Shindig.

I had planned to do more things to ring in the occasion, but alas, even doing just the normal October push at this point seems difficult enough.

We will not let the anniversary go unmarked however, as from here on out, every song til Halloween will be a Halloween Song. That’s right…though it pains me to even utter the phrase…everyday is Halloween from here on out.

So, to kick off such a block, we’re finally calling upon Al Jorgensen and his Ministry to join the fold, with their Halloween staple Everyday (Is Halloween.)

Long time followers may know of my general distaste for the nascent cult of “Everyday is Halloween.”

My disassociation from this slogan and it’s ideology is 3 fold:

First, and chiefly, it is an (admittedly) semantic and good-natured comical argument I make with the literal nature of the phrase. Every day is not, in fact, Halloween. More to the point, we shouldn’t act as though it were, because if it were, then Halloween would cease to be special and what’s all this fuss about?

Another semantic off-shoot of this qualm, is that Halloween isn’t a day at all, but rather an eve. Hallow’s Eve, The Eve of All Saints. Halloween technically doesn’t start until sundown. I know, I know. I’m splitting hairs here. I’m just being ridiculous and annoying prick! Hell, many definitions of “eve” will suggest it can also be the day before. However, in that it’s a shortening of “even” or “evening,” I think I got a leg to stand on this one, obnoxious though it may sound.

Lastly, I find it to be, as the kids are wont to say, a bit of a flex. And a stupid one at that. Oh yeah? That’s how spooky you are, huh? That’s how much you like monsters and horror and shit? Halloween ain’t no big deal because you at that spooky shit 24/7? The rest of the poser world has decided to take this time of year, and only this time, to revel in ghosts and goblins, but not you, bruh. You do this shit all year, so fuck the tourists? Get real. Ya’ll sound like Suicide.

And yeah, it is a costume and I do think that’s what it’s all about, cause that is what it’s all about. It’s Halloween, and it falls on October 31st.

Look, I get it. If it wasn’t clear after 10 years, I love Halloween. I love the colors, the air, the traditions, the imagery and the horror. In particular, I love it for the very fact that for one month (or at least it should be) the whole world around me seems aligned with all the things I love as well. Stores have spooky webs up, candy is in abundance everywhere, die-cuts adorn waiting rooms and post offices, monsters are suddenly in TV commercials, and people have their houses decked out for the onslaught of costumed tricksters. I don’t get chippy about this fact, like people are falsely co-opting my interests. I embrace it. I don’t like when it happens too soon, or when Christmas encroaches too early. It’s a special time, but I don’t want it to overstay it’s welcome either.

Now, this brings into question my own actions. Namely this website, my obsession with this Eve, or plastering my work space with all manner of Halloween imagery…all year. It sounds hypocritical, right? Well, maybe that’s true.

I doubt if even a day goes by in either my work on this blog, or in my research, or with my personal interests, that I don’t write out the word “Halloween.” I see things, and many of them, that say “Halloween” on them, every day. Like Graham once put it on the show, The Halloween Hole is like being inside a giant Halloween candy bag. If anyone is living the ethos of “Everyday is Halloween,” you could argue it’s me. So, I should just shut the fuck up, right? Well, maybe that’s true too.

I’d argue it just means that if I, there very person who has created this place and surrounds themselves with Halloween…every day, is telling you to take it easy with the “Everyday is Halloween” bullshit, then it’s gotten a little out of hand.

Whichever the case may be, Halloween is a special time of year. And it falls on the very last day of the month, perfectly positioning October to be be a full-on, 31-day countdown celebration of all things spooky and monstrous. However, I didn’t wanna blow all the Halloween songs I have left on a 31 day binge, so I tightened that up a bit, my apologies.

And though I’m aware that this song isn’t even really about Halloween at all, and speaks to a completely different ideology than the current wave of dildo Horror fans declaring other people just don’t like Horror as much as they do, it seemed like the most appropriate song to ring in the occasion. Particularly since I have avoided adding it to this playlist for literally 19 years now.

So, as halloweenshindig.com turns 10 years old, let us for once (and only once) proudly exclaim…Everyday Is Halloween.

Cause honestly, around here, it kinda is.

Monster Booogie

TRACK #316:

Monster Booogie by Gregory D and DJ Mannie Fresh

Speaking of dudes from our Freddy Raps episode and sampling classic horrors themes for raps beat…oh and recent questionable reboots of aging horror properties…oh and even Halloween, I guess, by way of Rob Zombie…

man, that’s a lot of tenuous connections for 2 songs to randomly have…

here comes an actual Referential Monster Rap in the form of Gregory D and Figgy Balls’ Love letter to The Munsters, Monster Booogie.

Now, why they didn’t just call this tune Munster Booogie is above my pay grade, but honestly that’s the only bone I have to pick with this track, because otherwise, it’s just the goods. Well, there’s is that one verse, but we’ll get to that.

Mannie Fresh twists up The Munster’s Theme into the kinda beat I wish every monster rap had, while Gregory D waxes nostalgic for the days of eating cereal and kickin’ it with the First Family of Fright.

They also spit barbs at The Addams Family, which for a song of this nature, feels right at home.

Then, there is that verse I spoke of earlier. Gregory D goes off on Eddie Munster a bit, and some words get thrown around. Now listen, we’ve laid into Eddie Munster ourselves, more specifically Butch Patrick for his crimes against music, but this is a bit of a different beast. Let’s just say he goes so far as to suggest Eddie Munster might prefer the company of men.

This bar-spanning gag which (in addition to being generally offensive to both Gays and Butch Patrick for a number of reasons) is a really weird joke to make considering the kid’s like 10 years old. But hey, I guess that’s just a little slice of 1987 for ya. Try to ignore it, if you can. If not, I’d understand.

Despite that, this is still a seriously referential tune though, with tons of great samples and a dope ass beat. It’s the kinda diamond in the rough you come across while looking for something else and then all you can do is sit back and bask in great weird wave of the universe.

So, instead of subjecting yourself to Rob’s Day-Glo prequel, just blast Gregory D and Mannie Fresh’s Monster Booogie, and then go enjoy a few episodes of the real thing while scarfing down a bowl of Frankenberry.

Michael Myers

TRACK #314:

Michael Myers by The Meteors

Given their catalog, it’s actually shameful that it’s taken 10 years to finally get The Meteors on The Shindig.

These guys have been dishing out Horror and Sci-Fi tinged Psychobilly since…well…the beginning, as many credit them for being the very first Psychobilly band.

Whether or not they’re the one true originators of the genre, they are no doubt pioneers that shaped it’s sound and themes, that much is for sure.

I’ve had a couple Meteors’ tunes in the bullpen for a while now, but for some reason they’ve just never made the cut, and that’s the shameful part. They should have been given higher priority.

Well tonight they are, because they have just the song to prime us all for Michael’s big return tomorrow.

Yes, apparently it seems the Thorn Constellation is in alignment…again…and Michael Myers is back. To what? Face off against Laurie Strode. Again? To die maybe? Again? Finally maybe? Doubtful. When are we gonna be done torturing this poor dude, and ourselves to whatever I’ll-advised, money-hungry whim new producers have?

It doesn’t matter if you effectively incinerate him in a giant explosion, cause you can just give Loomis a little scar and have Michael wear some bandages. Let’s go!

Hell, it doesn’t matter if you cut off his head, cause you can always pull a Cincinnati Switch with some other poor bastard’s head in a Michael Myers mask. And off we go.

It doesn’t even matter if Paul Rudd mercilessly bludgeons him to an unrecognizable pile, cause you can always retcon your sequels to completely ignore that little detail, or any detail you’d like for that matter.

It’s the character that we can’t seem to kill, or perhaps more appropriately, audiences’ desire to make it worth the producer’s while to cook up some new fresh bullshit for poor Michael to sleepwalk through.

Now, say what you want about The Curse of Michael Myers (and people do…myself included) cause Lord knows the last thing…and I mean the absolute last thing…I want here is an explanation for this Michael Myers business. Michael greatest assets was always his mystery.

But hey, if you’re bent on giving people an explanation for this shit, because you’re 6 movies deep now and what the actual fuck is going on with this guy we’ve beaten, bucked and blown apart, then you can do worst than a weird cult of star-fearing Druids using Michael as a vessel for sacrifice.

So, let’s let The Meteors welcome Michael back…for the 11th time now I think, with their 1984 jam, Michael Myers.

God, I do hope that evil at least embarks on an incredible long hiatus tonight.

Is There a Phantom in the Mall?

TRACK #312:

Is There a Phantom in the Mall? by The Vandals

Speaking of Phantoms, we have another Phantom that made his debut on Ep. 19 of Shindig Radio, and that’s the infamous Eric!

Yeah, Eric. You know Eric, right? He’s just like Jason or Freddy except his generic and innocuous name still sounds generic and innocuous cause no one knows who the fuck he is. But he got a subtitle, all about his revenge, which you didn’t even know he needed cause you’ve never seen him before in your whole goddamn life.

Yeah, it’s weird, but it’s The Phantom of the Mall: Eric’s Revenge, coming to you direct from the old (and way awesomer) Sherman Oaks Gallery.

Phantom of the Mall: Eric’s Revenge is a fairly late-in-game, but still pretty fun, slashery take on the Phantom storyline featuring an all-star (if you’re The Shindig, anyway) cast.

You got Death Spa’s Ken Foree, Action U.S.A.’s Gregory Scott Cummings, Pee-Wee’s Morgan Fairchild and a pre-weasel Pauly Shore all doing their damnedest to try and turn this business into a legitimate franchise. It didn’t quite work out that way for them, but it’s totally worth watching anyway. Maybe even more so.

However, there’s still the matter of this song, from LA punk legends The Vandals, to contend with and reconcile.

See, if there was ever a contender for “Almost a Title Track” then it was certainly this one, and we definitely should not have included it on Title Tracks Pt. 5. But I hadn’t really considered the option of a Not Quite Title Tracks episode until after the fact. So, Eric just snuck on in, without paying his dues, just like he tried to do with the horror franchises, giving himself a subtitle like he was a somebody. The balls on this guy.

Cause, let’s face it, this track is flagrant two-time offender.

First, you got all these extra words, a Title Track faux pas from the jump. And it’s not just a simple addition either, it’s now a whole goddamn sentence, with punctuation no less!

And sometimes we’ll look the other way; He’s Rockula, The Toxic Avenger Theme, maybe even Midnight Again (but not fuckin’ likely, not after Eric’s transgression) but this one’s asking a bit too much.

Now, if that was all, then maybe all could be forgiven. But that’s not all, because this song title doesn’t isn’t even the name of the movie. Now they say, at one point in the chorus, is there a Phantom of the Mall, but when it came to titling the track, they went ahead with Is There a Phantom IN the Mall?

And baby, that’s just not the title of this movie.

Call me a nitpicker. Call me a hair-splitter. Call me an imbecile for devoting so many pseudo-serious words in a comedically aggressive tone to one of the most inane topics for a full 10 years of my life.

That’s fair. You call me whatever you’d like. But facts is facts, Jack.

And while this is a shinning example of everything a Title Track could and should be in almost every sense of the word, it just ain’t a Title Track where it counts…the Title itself.

Later Eric. You almost had it.

All that being said, this a great Referentially Inclusive Almost Title Track that 100% deserves to be here today.

So go grab a hotdog on a stick and maybe even a gun, cause you’re at The Chopping Mall, and there’s a Phantom in there too, and his name is Eric, and he’s lookin for some revenge. Are you a phony security guard with an ostentatious dangly earring? Did you burn down his house just so you could put up the coolest mall the 80’s had to offer? Boy, I sure hope not.

Phantom of the Ritz

TRACK #311:

Phantom of the Ritz by The Waters

Since last year’s countdown got cut a little short, we ended up with a couple Shindig debuts on Title Tracks Pt. 5. Let’s take a moment here to get some of those guys on the official roster, shall we?

First up is this banger from The Waters.

Now, I’m not 100% sure The Waters listed in the credits of Phantom of the Ritz are actually THE Waters. Ya know, like how it’s not really Ray Stevens or Paul Williams.

But if this really is THE Waters, then they were a family band from LA that mostly worked as backup singers to the stars. Oren Waters specifically sang for the likes of Michael Jackson, John Fogerty, Paul Simon, Neil Diamond and has personally been featured on over 100 platinum albums. Wild.

He’s even responsible for the vocals on the The Jefferson’s theme song, Movin’ On Up! I guess imagining they are The Waters from Phantom of the Ritz isn’t so out of the question after all.

Additionally, Oren and his sisters Maxine and Julia, all appear in the 2013 Academy Award winning documentary 20 Feet From Stardom, which shines a light on all the great backup singers and musicians responsible for so many famous hits over the years.

Unfortunately, they were more like 20 miles from stardom when the recorded the Title Track to this turkey.

Phantom of the Ritz is not entirely unenjoyable but it is definitely missable. That is, unless you’re this guy, who’s all about Phantom of the Opera interpretations. His write-up actually made me reconsider my stance on the film. He’s into it. Maybe I end to rewatch.

However you feel about this Phantom, I think it’s clear that he doesn’t deserve a Title Track of this caliber, cause it jams, and The Waters, professionals that they are, absolutely belt it.

Here’s it is, Graham’s pick for Title Track of the year: 2022, he’s the Phantom of the Ritz!

Halloween

TRACK #310:

Halloween by Seducer

If you have a playlist where every 10th track is a Halloween Song, and you start a 31 song countdown on October 1st, it’s mathematically impossible to get that song to actually fall on Halloween. Well, without skipping a day of course, or not doing 31 songs.

Originally, this song was slated post last year on Oct. 30th and I had a whole spiel about math and tactics that unfortunately no longer applies, as this cleanup act from 2021 has shifted everything earlier.

No matter anymore I suppose, so I’ll just delete all that bullshit and talk about Seducer, a band that managed to miss out on our Heavy Metal Halloween in 2018. I should drop them onto that playlist though for sure.

As I’ve said in the past, these 80’s metal “Halloween” tracks are just falling off of pumpkin trucks it seems and I find new ones all the time. Hell, I think there’s a bunch more in the bullpen at this point, although I know several are “Something” Halloween, or Halloween Something. Impressive still, no doubt.

Not Seducer though. Nope, they’re comin’ correct with this dinger from 1985’s Caught in the Act.

Accidents, departures and record company troubles ultimately lead Seducer to pack it up before they could turn their early career momentum into full blown notoriety.

They are still well regarded by fans of British New Wave Metal, and they’ll forever live on, however dubious the honor may be, as Heavy Metal Halloween Shindig heroes.

Lead in here with a little clip from 1964’s Witchcraft, starring Lon Chaney. That’s a fun one, if you’re into the style and era. I’m pretty sure Tubi’s got it right now, if you’re lookin’ for something festive for the evening.

Witchcraft is extra cool because of this fresh gimmickry: The Witch Deflector!

Here’s what the actual device looked like, and it’s pretty dope. One just went recently on eBay for a cool 100 buck, if you’re interested in holding it in your hands at all times.

Man, I wish they still did stuff like this at theaters. Honestly though, I’ll bet it would be something lame now even if they did.

Oh yeah, the song. Here’s Seducer!

Now, if you’ll excuse me, I need to go start a Doom Metal band called Witch Deflector.

Wizard’s Crown

TRACK #309:

Wizard’s Crown by Blind Guardian

Here’s a song that’s been kicking around the bullpen for a while now, just waiting for some poor rookie left hander to get taken deep back to back in the 2nd.

Now, I’m not entirely sure that’s happened here, but in the middle of a metal run to Halloween seemed as good a time to drop this Halloween track from Blind Guardian.

Ah, Blind Guardian: the sorta band that’ll get you laughed outta the room in some circles and a get you fat lip for saying a disparaging word in the other.

However, before this operatic and somewhat silly German metal outfit went clean off the D&D deep end, they meted out some pretty by the numbers, if not exacting, speed metal.

And their first album, at least their first album as Blind Guardian (their original name was Lucifer’s Heritage…yeesh) feels largely indebted to their German power metal brothers, Helloween.

And much like Helloween, they’ve got a song about Halloween! Well, they say Halloween a lot , anyway. Additionally, the song was originally titled Halloween (The Wizard’s Crown) back on their old Lucifer’s Heritage Demo. So, what gives?

Well, when it came time to re-record the track for their proper debut, Battalions of Fear, they dropped the “Halloween,” kicked the parenthetical to the curb, and sent that “the” packing. A choice no doubt in an effort to differentiate their track from Helloween’s famous and similarly titled tune. A shame, really.

But, no matter. These are small potatoes in the grand scheme of things. Besides, when your chorus is just you shouting “Halloween” along with the song’s title, it’s water under the bridge really, and The Shindig is happy to have you, “Halloween” or not. You ain’t lockin’ down no 10-slot pullin’ that kinda bullshit, make no mistake, but you can bring up the rear, no problem.

This move (aside from relegating them to a 9er) did keep Blind Guardian out of the rotation for Shindig Radio’s Heavy Metal Halloween. Sure, I could have used the demo and even could have added it here, but frankly, I like the studio version more, titles be damned.

So, if you don’t like Blind Guardian, maybe give their early stuff a go. It’s certainly a little less over-the-top nerds in their Mom’s basement rolling 26-sided die.

So, here they are, on Halloween as it were, taking the crown from Thelemic Wizard Aliester Crowley. Or maybe Crowley’s taking the crown from some other wizard. I dunno, it’s a little unclear with these wizard dust ups. I just know, that allegedly anyway, it’s supposed to be about Aliester Crowley, in some regard. Which is always just a little creepy.

No Escape

TRACK #307:

No Escape by Norden Lights

We’re not quite outta the old country just yet folks, cause here comes Mr. Italy himself, Dario Argento.

We’ve no doubt got some Dario fans with us today, and our next song indulges in his mid-career tendency to load his soundtracks with rocking 80’s metal.

This one hails from 1987’s Opera, which (for my money, anyway) is probably Argento’s last hurrah. His 12 year, 6 film run from Deep Red to Opera is one gnarly lineup. Those two, plus Suspira, Inferno, Tenebre, and Phenomena all make up the bulk of what Dario is best known for and it’s a hell of a run.

After that, it’s a hit or miss affair for me with Argento. No matter, because that Cal Ripken-like streak is more than enough for this fan. Anything after that is dude playing with house money as far as I’m concerned.

You add his early 70’s giallos like Four Flies on Grey Velvet and his rookie outing, The Bird with the Crystal Plumage (a personal favorite) and the guy’s a monster. Hell, any 3 of those films is enough to put you at the top of the heap. Quite frankly Suspira alone gets the job done just fine.

But Opera is where the run comes to its end. It’s truly the last time I feel like you’re watching something wholly Dario, and it’s quite good. It’s got plenty of Dario’s trademark stylistic flare, one rockin’ soundtrack and some seriously gnarly kills.

Chief among them is the one he affords to his former lover, Ms. Daria Niccolodi. Her bullet through the peephole demise is as artistically rendered a murder as Dario (or anyone for that matter) has put to screen.

And that gif cuts out the coolest part! Oh well.

With so many good songs though, it was tough to choose just one to include, but this shredder from Swedish metal band Norden Light is probably my favorite.

Played just after costume designer Giulia gets a clothes smoother tossed into her back, but just before she can reveal the true identity of the killer, all while poor Betty has to watch with eyes pinned back…literally.

From their lone LP, Shadows from the Wilderness, here’s Norden Light assuring us all there is No Escape.

Living After Death

TRACK #306:

Living After Death by Al Festa & Maurizio Cerantola

Since we’re talking about the Zombie series, let’s jump to this “Almost a Title Track” from Claudio Fragasso’s Zombie 4: After Death.

Claudio’s directorial effort never quite hits those moments of gonzo joy on display in Zombie 3, but it’s certainly not the worst thing to carry the “Zombie” moniker. And it does have it’s predecessor licked in one very important department; and that’s the opening credit number.

If you thought Clue in the Crew were 80’s up wait til you get a load of Metropole keyboardist Al Festa and singer Maurizio Cerantola’s Living After Death.

IMDb, surprisingly, has a fair amount of information about Signore Cerantola. Seems he was in a Led Zeppelin tribute band called Custard Pie. Then after that, he fronted 2 separate Whitesnake cover bands, one of which was fantastically named Cover-Dale.

Well he’s got the pipes, that’s for sure, as he belts it out here on the kind of song you just wish was a true Title Track. All the hallmarks of the finest are on display. It’s was right there fellas, starrin’ ya in the gullet, all you had to do was grab it.

But alas, their synthy banger will need to be relegated to an Almost Title Tracks episode of Shindig Radio in the future.

As for Zombie 4…that 2nd “Hey, let’s just take a movie that’s not really a sequel to Zombie and call it one anyway” installment…what’s the old chestnut? Zombie 4 makes Zombie 3 look like Zombie 2? Perhaps that’s applicable.

Not that there’s anything wrong with that.

Blue Heart sets ‘em up and the Shindig knocks ‘em down.

Here’s the somehow even more 80’s rocker Living After Death.

The Sound of Fear

TRACK #305:

The Sound of Fear by Clue in the Crew

Let’s keep the Italian horror train rolling along with this little number, straight off of Blue Heart’s turntable, Clue in the Crew’s rocking Zombie-Bird Winnebago Attack/Sweet Song, The Sound of Fear.

The Lucio Fulci/Bruno Mattei/Claudio Fragasso mega-team up Zombie 3 delivers just about everything you’d expect outta that unholy and contentious alliance: Italian weirdness, synthy goodness, nonsensical plotting , machete-wielding, decapitated-head-flying zombie madness and generous amounts flagrant intellectual theft.

I mean, let’s start with that poster art alone. It’s straight up the Force: Five fist mixed with Freddy’s eyes from Dream Warriors and the lady’s face from the Absurd poster. If Stay The Night didn’t indicate the kind of shameless theft that’s rampant in Italian cinema, or just what kind is in store from Zombie 3, then this pilfery collage passed off as “promotional material” ought to give you an idea.

What was marketed as the second sequel to Romero’s Dawn of the Dead actually plays out more like Italy’s answer to Return of the Living Dead and I honestly don’t have 1 single problem with that.

You throw in radio DJ Blue Heart, straight rockin’ the Jose Canseco shades, pushing his ecological agenda alongside the hottest Phillipino tunes 1988 had to offer, and the Shindig is in Paradiso.

Here’s Clue in the Crew’s referentially inclusive, 80’ser-than-shit hit, The Sound of Fear.

‘Cause sometimes you just wanna piss on a bush.

Halloween Shindig

The Horror Fan's Halloween Playlist

80s