Audio

Ernest Scared Stupid (Theme)

TRACK #50:

Ernest Scared Stupid Theme by Bruce Arntson & Kirby Shelstad

If there’s one thing I liked as much as Halloween growing up, it was Ernest. So naturally, Ernest Scared Stupid is by far my favorite example of comedic genius an all-around swell guy Jim Varney’s extended career as Ernest P. Worrell.

The theme from Ernest Scared Stupid, along with it’s awesome opening credit sequence, set the tone for this wonderful holiday treat.

Complete with kick-ass trolls courtesy of The Chiodo Brothers (see: Killer Klowns From Outer Space) Ernest Scared Stupid should be watched at least every Halloween by everyone who isn’t dreadfully repulsed by the character of Ernest.

And even then, you should watch it anyway, and be ashamed of yourself for hating Ernest.

 

Audio

Candyman

TRACK #49:

Candyman by Blitzkid

For fans of the Shindig favorite Blitzkid, it probably seems fitting to have this song come straight in at #49 following Helen’s Theme. I always thought so anyway.

Pretty straight forward Blitzkid offering here, as they detail the plot of the 1992 Tony Todd creep-fest Candyman, a film which still manages to give me the willies at times just thinking about it.

That shit-smeared bathroom reading “Sweets to the Sweet.” That graffiti style Candyman face Virginia Madsen climbs through. Her waking up in a pool of dog-blood next to a severed head having no idea what has happened while a woman screams bloody murder from the other room. Candyman flying backwards through a window. Creepy stuff. Effective.

I hear you’re looking for Candyman, bitch.

 

Audio

Helen’s Theme

TRACK #48:

Helen’s Theme by Phillip Glass

No horror theme is quite a beautiful sounding as Phillip Glass’ recurring theme from Candyman. It’s haunting, particularly in the context of the film, but on its own, it’s a rather sweet and quiet piano melody.

Spliced over the rain effect here which closes out Raining Blood, it’s a nice interlude for your guests to enjoy as they grab more Re-Agent Punch, piss on your fence, or blast some lines in your bathroom without you.

Here’s to hoping Candyman busts through that goddamn mirror and guts them for their selfishness.

 

Audio

Raining Blood

TRACK #47:

Raining Blood by Slayer

Perhaps the only track on the playlist that doesn’t fall into one of my fairly open-ended categories, Raining Blood is an old hold-over from the days when the Shindig wasn’t a dense as it is today.

I’ve always used it as a lead-in to Helen’s Theme (from Candyman) by Phillip Glass, as the rain effect at the end was too perfect.

I’ve never removed it for that very reason, despite the small annoyance it’s always posed me knowing it isn’t about, featured in, or even remotely related to any horror movie or Halloween.

Maybe you could call it a Devilish Track, and perhaps I will, because well, the guy is busting out of purgatory on his way to heaven to “fuck that place up,” as Jeff Hanneman worded it.

Besides, this song fuckin’ owns. How much more justification do you need?

Led in by Father Urbain Grandier’s sentencing from Ken Russell’s 1971 nusto-mastepiece The Devils.

 

Audio

House Of 1000 Corpses

TRACK #46:

House of 1000 Corpses by Rob Zombie

Well, Lords of Salem was released this past weekend, much to chagrin of critics and the Internet as a whole, it seems. Tumblr especially appears to be awash was some pretty negative reactions.

So, now seemed as good a time as any to drop in this previously unfeatured addition to the Shindig.

Why previously unfeatured? Well, at the risk of posting negative ideas, and alienating some followers, my love for Rob Zombie extends from about White Zombie to well,…White Zombie. Of Rob’s solo and film career, I can not say I am a huge fan.

So why add it at all? Well, its a Title Track and that’s a little hard to just straight-up ignore. Plus, of all his movie this is probably the one I enjoyed the most. And this song is cool enough and certainly Halloweeny enough to enjoy a position on the playlist.

And hell, I like Rob Zombie. He taught me how awesome samples are in metal songs and pointed me toward a lot of really great movies. What I think of his ability to remake them, or steal ideas from them, is neither here nor there.

So go support Lords of Salem. It may be derivative but at least it’s not another goddamn remake.

 

Monster Talk: 80’s Monster Comedies

Hands Off is the first musical selection of several from what I like to call 80’s Monster Comedies.

I guess in the 80’s, making silly comedies featuring werewolves, vampires and other monsters seemed like a good idea. And it was, at least I think it was, as this is perhaps my favorite sub-genre of film.

If I was ever handed the keys to a classroom at a University that didn’t particularly pride itself on their staff, I’d probably create the course “80’s Monster Comedies 101.” We’d sit around and watch these films, discuss them at length and then write needlessly analytical papers regarding their cultural context.

C’mon? You wouldn’t take that course? Fuck yeah you would. You mean I’d get college credit for writing a paper about Teen Wolf? Yes. Yes you would. But it better be a damn good paper, cause I ain’t gradin’ on no curve.

Here’s the course outline.

 

Week 1: Intro to Course / Full Moon High (1981)

Full Moon High bridges a gap between 70’s comedy and 80’s comedy. Discuss the elements of it’s 70’s sensibility. Does it make for a better or worse film in your opinion? Also, why is Alan Arkin so great? Oh he’s not? Please take this F with you on your way out the door.

 

 

 

Week 2: Teen Wolf (1985)

  • Would being a Werewolf actually make you a better basketball player? And if not, is there really any objection to one playing at a high school level? Bonus points for discussion of why Bobby Finnstock is the greatest coach ever to appear on film.

 

 

 

Week 3: Once Bitten (1985)

  • Fun tale of vampirism, or American morality play of underage/unprotected/anonymous sex during the AIDS era?

 

 

 

 

Week 4: My Best Friend Is A Vampire (1987)

  • Interesting addition to the legacy, or sub-par knock-off of Once Bitten? Extra points for a comparison of lifted elements appearing in Joss Whedon’s Buffy the Vampire Slayer (1992)

 

 

 

 

Week 5: Teen Wolf Too (1987)

  • Is it morally objectionable to pit a college-aged student against a creature of the night in a combat based sport like boxing?

 

 

 

Week 6: Vampire’s Kiss (1988)

  • Nicholas Cage is absolutely fucking crazy in this film. It may very well be his most insane performance ever. So, here’s a Nicholas Cage wild card – make your argument as to which decade is best for Mr. Cage: The 80’s, The 90’s or The ‘00’s. Make the argument as to which is the worst. Then argue which film contains your favorite/best performance (note: those 2 distinctions might not be the same for you.)

 

 

 

Week 7: Monster High (1989)

  • Holy shit! This movie is utter garbage. Explain exactly why this movie is so god-awful and disappointing. Then detail how it could have been a great example of an 80’s Monster Comedy.

 

 

 

 

Week 8: My Mom’s a Werewolf (1989)

  • Pandering, reductive take on motherhood, or thoughtful, empowering take on menopause?

 

 

 

Week 9: Rockula (1990) and Final

  • Though technically released in February of 1990, Rockula was clearly filmed during the 80’s and feels like a 80’s monster comedy through and through. Discussion of the music, Dean Cameron’s awesomeness or the opening title sequence will all be accepted.
  • Final: Discuss 80’s Monster Comedies as a genre using examples from the entire course. Why are they great?  Why do you hate them? Why would these movies really not work in other decades?

 

As extra credit, I’ll accept papers on Teen Vamp (1988), Beverly Hills Vampire (1989), I Was A Teenage Zombie (1987) or any other film not featured in the course that you can convince me belongs in the sub-genre.

And make sure to join us next semester for the follow-up course 80’s Party Monsters.

Audio

Hand’s Off

TRACK #45:

Hands Off by Maria Vidal

So, we’re just over 2 hours into the playlist, and you’re party should be starting to pick up a little.

But you’re guests are pissed, “What’s with this music? We can’t dance to this shit!”

Well, problem solved, thanks to Maria Vidal and Once Bitten.

If Jim Carrey, Lauren Hutton and Karen Kopins can all dance to this, and as well as they do, than anyone can.

 

Audio

Dracula’s Daughter

TRACK #44:

Dracula’s Daughter by Screaming Lord Sutch and The Savages

British rocker Screaming Lord Sutch is a pretty spooky cat.

Check him out.

That’s pretty spooky.

He also made some spooky music, too.

Like this tune that I’m filing under the Monster Song category, as he isn’t explicitly detailing the plot of the 1936 sequel to Universal’s classic Dracula.

He pretty much just uses the title as a jump-off point for some crazy story about a girl named Mary that bites him in a graveyard. A girl who’s pops just happens to be Dracula.

In addition to this music, he also founded a totally legitimate British political party called The Official Monster Raving Loony Party.

Here’s their totally legitimate logo.He also hung himself in 1999 following his mother’s death, and years of clinical depression. Now that’s pretty spooky.

But what the 3rd Earl of Harrow left behind was a lot of a fun garage tunes and some perfect Shindiggin’ material.

Bookended with clips from Dracula’s Daughter just for good measure.

The Shindig hopes you’re resting in peace David Sutch, you spooky sonofabitch.