The Creature from the Black Lagoon

TRACK #215:

The Creature from the Black Lagoon by Dave Edmunds

Because there seems to be a serious shortage of songs specifically about The Creature from the Black Lagoon, we’re gonna spin you a twofer for the old Gillman.

This one comes from Welsh singer/songwriter/producer Dave Edmunds, who had a pretty solid career performing in several different rock acts in the late 60’s and 70’s while also producing a number of different artists.

The story behind this album is a little goofy, because by all accounts, this is an album by the band Rockpile.

You see, after several years of limited success with different bands and a solo album, Dave hooked up with notable singer/songwriter Nick Lowe. Together, with guitarist Ed Bremner and drummer Terry Williams they formed the band Rockpile. However, Lowe was signed to Stiff Records at the time and Dave was signed to Led Zeppelin label Swan Song. This caused a bit of confusion for recording and releasing albums.

What followed was a series of solo releases that actually featured the entire band as background accompaniment. These included Edmund’s 1978 Tracks on Wax 4, Lowe’s Labor of Lust and this album from 1979, Repeat When Necessary.

Offically, the writing credits for this tune belong to Ed Bremner. Now, why Ed decided to write a strange toe tapper about a 25 year old soggy monster, we may never know exactly. Why they all decided to slip it among the rest of the tracks on a fairly standard Pub Rock album, we may also never know.

My guess? Well, it’s a pretty fun tune that’ll quickly worm its way into your head.

This has been in the Shindig Bullpen for years, as it appears on Elvira’s compilation Haunted Hits. The bullpen is a secondary playlist I have filled with songs yet to get officially added or songs that I’m considering for addition. I listen to it throughout the year. I add songs, remove songs, play around with order, see what fits together nicely. That sort of deal.

For years this was a song I kinda hated. Slowly but surely though and against all odds, it finally weaseled its way into my head and I’ve come to enjoy it quite a bit. Perhaps you may find yourself having a similar response. Though, I certainly wouldn’t blame you if this one never comes around for ya like it did for me. I get it.

However, since there is that shortage I mentioned earlier and Lagoony is one of the Big 5, Dave Edmunds and his strange by the numbers rock song about a classic monster get their chance to swim.

(I’m In Love With) The Creature from the Black Lagoon

TRACK #214:

(I’m In Love With) The Creature from the Black Lagoon by Hans Conried & Alice Pearce

Long before Guillermo Del Toro won Oscars and appalled your Grandma by having a mute girl fuck a fish man, people have been musing about what it might be like to engage in some inter-species monster sex.

While not nearly as explicit, this old time ditty comes courtesy of an unlikely duo with whom you may be at least vaguely familiar.

For some reason (perhaps other than it seemed like a solid move in the late 50’s) comedians Hans Conried and Alice Pearce released the creature feature album Monster Rally. This classic Halloween LP from 1959 features tons of fun songs and another great album cover from the legendary Jack Davis.

Let’s take a moment here to just appreciate what an awesome artist and influence on horror imagery Jack Davis was. Here’s the full painting for the Monster Rally LP.

Now, if you’re a Bewitched fan, you may recognize Alice Pearce’s name and cadence, as she played nosy neighbor Gladys Kravitz to Samantha and Darrin Stephens. Here she is:

Though it doesn’t seem like Conried makes much of an appearance on this particular tune, Alice sings up a storm detailing a brief and heartbreaking affair with our titular lagoon lurker.

In the end though, he leaves her for a sexy young flounder that swims passed. It’s all a little sad, really.

Hans Conried probably just provides some background sound FX here, but I couldn’t say for sure. Whether present or not, Hans may sound familiar to you as he is not only the voice of Dudley Do-Right antagonist Snidley Whiplash but also Captain Hook in Walt Disney’s classic Peter Pan.

More significantly (at least to the Shindig) he was the voice of Dr. Dred on The Drak Pack, and is the narrator for The Dr. Seuss Halloween Special Halloween is Grinch Night. Pretty neat. Plus he cut a fun novelty monster album? This guy’s batting 1000 right here.

So let’s take another brief moment here, amidst all of the very wholesome fare, to enjoy this short number and imagine what monster we might like to have sex with.

I’ll take the entire cast of Hammer’s Vampire Lovers.

You can take Audrey II.

(I’m The) Mummy

TRACK #213:

(I’m The) Mummy by Long Tall Ernie and The Shakers

While we may not be entirely sure who the fuck The Wolf Man actually is, we can safely say we know exactly who The Mummy is, and his name is Long Tall Ernie.

Dutch rockers Long Tall Ernie and The Shakers started out life in The Netherlands in 1968 as a band called The Moans, which they later changed to simply Moans.

These guys were all a bunch of jokers I guess, because during live performances The Moans would go offstage halfway through the set and re-emerge as a sort of spoof act called Long Tall Ernie and The Shakers. As The Shakers, The Moans would play traditional Rock ‘N Roll from across the pound…as they probably don’t say over there because that’s a definitely a British phrase.

Whatever they say, these guys never found much success as The Moans, but people seemed to love Long Tall Ernie and his Shakers. No problem for them, they just said “fuck it” and changed the band completely to Long Tall Ernie and The Shakers and started knocking out albums.

One of the last of those albums, from 1979, was Meet The Monsters. While maybe a little late in the game for this brand of Shock Theater styled rocking , being a direct goof on 50’s Rock ‘N Roll sensibilities, it only makes perfects sense that these jokesters might eventually release a full on novelty Monster album.

And god bless ‘em, because they threw on a song about the Mummy, and those aren’t exactly spilling out of the sarcophagi.

The Mummy is a bit underrepresented in the Monster Song game, at least when compared to Bash Brother’s Dracula and Frankenstein. Even the Wolf Man, or at the very least, Werewolves, are getting more at-bats than The Mummy.

And rightfully so. Of the Big 5, you’d have to slot this bozo 4th.

The Wolf Man-Dracula-Frankenstein lineup is a veritable Murderer’s Row when it comes to Monstering and popularity. Them’s just the breaks, kid. These dudes are batting 1000, mercing fools left and right and you’re over there lumbering around all slow, reaching at people, looking for some a lost lover or purloined artifact or some shit.

You don’t think you belong 4th, band-aid breath? Come at me. I’ll take you the fuck out, Rudy style, without even breaking a sweat. Frank’s tossin’ me straight into a river, I got nothing for a walking corpse quilt of those measurements. The Wolf Man’s probably ripping my gentials straight off and God help me if Dracula’s got any of them bimbo’s in tow, cause I’m a goner. You? You’re getting unwrapped up quick.

But enough calling out of probably imaginary Monsters. Let’s get back to Long Tall’s take.

For some reason, The Mummy here sounds like any numbers of novelty Dracula’s or weird Igor fashioned character. Seriously, why does The Mummy sound like this? I understand these guys are Dutch, but surely they realize this is not a voice associated with The Mummy, right?

But maybe that’s the problem. Is any voice really associated with The Mummy? What is he supposed to sound like? Egyptian I’ll wager, at the very least. You do have Karloff just Ardath Bey-ing it up, and maybe that’s what they were going for here, cause you could claim this is a voice approaching Boris.

Either way, this is a fun Novelty Monster song about a guy we don’t get to hear too much about. And in regards to Meet the Monsters, it’s a great Monstrous album that deserves a full listen, if you’re into that sort of thing. An album we certainly haven’t heard the last from around here.

I’m The Wolfman

TRACK #212:

I’m The Wolfman by Round Robin

For our next nerve racking number, we have a rockabilly classic of monstrous proportions.

This moon lit hit is attributed to a fella named Round Robin. Problem is, there seems to be some debate among Rock ‘N Roll aficionados as to whether this song was actually recorded by Round Robin or by its author, Baker Knight.

This doesn’t concern us however, as we aren’t that kind of nerd. We’re a different sort of nerd. So, let’s just say it’s Round Robin, a sort of Chubby Checker wannabe who tried to start his own dance craze out of The Slauson, which some of you may know as a street in downtown L.A.

Unfortunately for Robin, The Slauson (in any of its forms) failed to capture the American public’s imagination the way Chubby’s Twist had. But it certainly wasn’t for a lack of trying. Robin gave it a go with Do The Slauson, Slauson Street, Slauson Shuffletime, Slauson Town and Slauson Party.

What can I say, dude loved him some Slauson.

However, if you listen to any of Round Robin’s catalog and then give I’m The Wolfman a spin, you’re liable to come to the same conclusion as our Rock ‘N Roll Nerd contingency…

“Yeah that’s not the same guy at all.”

…because they sound totally different.

Either way, whoever is really rockin’ the mic here, I’m The Wolfman is a surefire Shindig inclusion that’s sure to get some hairy feet a-movin’.

The Monster Club

TRACK #211:

The Monster Club by The Pretty Things

On the surface it might seem like The Monster Club and Halloween Shindig would go hand in hand; a horror anthology starring such genre vets as Vincent Price, John Carradine, Donald Pleasence and Britt Ekland, that has tons of fun monsters and masks plus numerous monster related musical numbers? It’s a no brainer, right?

And it’s true, we love The Monster Club. It’s kinda like Night Train to Terror, only it’s coherent and cuts back to different and actual songs. It has a fun premise, with 3 solid monster vignettes and a spooky, synthy score.

So what’s the problem? Where’s the “but” that has kept this blog for talking about it for 7 years now?

That, dear readers, is my own prejudice against those same monster related songs. I kinda hate them. I don’t want to, but I kinda do. I want to love them. I want to include them all and have wanted to since the beginning. But I’m just not a huge fan.

I’ve tried, over the years, to warm up to them but the love just never seems to flows out of me. They have this late 70’s/early 80’s British new wave, pseudo-reggae, Clash meets The Police vibe that neither suits the movie, the songs or me, despite their monstrous leanings.

Because I think it needs to be represented and because I do quite enjoy the film, Halloween Shindig has decided to include the tune I’ve warmed up to the most. Performed on camera by The Pretty Things, it also happens to be (perhaps not so incidentally) the film’s Title Track.

After discussing over 30 different Title Tracks across 6 or so hours on the podcast, how did we not mention this one? Well, as we noted, there’s a mountain of Title Tracks and we had to keep some in our pocket, no? Leave a few surprises for the blog still, right? And we may even have a few more up our sleeve this year.

Additionally, this seemed like an appropriate way to kick off the season and usher in a monster block of Monster Songs, which have been sorely under represented as of late.

Lead in here with Vincent Price’s overly long (and overly awesome) laundry list of solid reasons the Human Race deserves to be represented in a club full of horrible monsters.

So, fellow Shindiggers and Humans…

Welcome to The Monster Club.

The Salem Witch Trial

TRACK #186:

The Salem Witch Trial by Kiriae Crucible

Since Christopher Lee’s over here talking about The Salem Witch Trial, let’s follow that up with a song about The Salem Witch Trial, aptly titled The Salem Witch Trial.

This rockin’ piece of obscure psychedelia comes from none other than Kiriae Crucible, a band (or hell, even just a lone dude) that I can seem to find absolutely no information about at all.

Any web search for Kiriae Crucible will undoubtedly return this song, an seemingly only this song, the various compilations that contain this song, or places in which you can hear…this song.

Well, Halloween Shindig now proudly joins the ranks of places at which you can also hear this song but find no other information regarding Kiriae Crucible. If you were led here looking for such information (though I sincerely doubt it) then I apologize for being just another repository with absolutely nothing new to offer.

I will say this, though. The 45 above is curiously adorned with the name “Erickson,” which might lead you (as it did me) to wonder if it was not penned (and perhaps even performed) by Halloween hero, Shindigger and all around way-out-cat Roky Erickson.

Beats me though, as a cross-reference of the 2 also returned no results for me.

Bummer.

Anyway, if you do happen to be reading this and actually have information regarding Kiriae Crucible or this song, please leave a comment below or forward said info to ed@halloweenshindig.com. Thanking you in advance, your assistance is greatly appreciated.

For everyone else, just sit back and enjoy this random-ass song about The Salem Witch Trial by a random-ass band (or dude) known simply as Kiriae Crucible, a name which I’m still not even sure how to pronounce exactly.

I Put a Spell On You

TRACK: #184

I Put a Spell On You by Screamin’ Jay Hawkins

Here’s a Halloween staple the blog has managed to avoid for, oh I don’t know, 5 years or so. Which is odd, considering it’s an original member of the very first Shindig CD from 2002.

Perhaps Rock ‘N Roll’s first Shock Rocker, Screamin’ Jay Hawkins used to be just plain, old fashioned Blues singer Jay Hawkins. In fact, I Put a Spell On You was originally written and recorded as a love song. It was producer Arnold Maxin at Colombia Records who can take the initial credit for creeping things up, deciding the song needed a darker tone. He proceeded to get everyone shit hammered drunk during the session and Hawkins has stated he has no memory of even recording that 1956 version. Man, that’s a little bizarre. Is some more music industry warlocking afoot?

Famous Cleveland DJ Alan Freed can probably be blamed for the rest, offering Jay $300 dollars to emerge from a coffin on stage. Jay didn’t like the idea, reportedly saying “No black dude gets in a coffin alive…they don’t expect to get out!” But alive he went, and out he came just fine, with all the voodoo accoutre ma that came to define his on-stage persona. Jay Hawkins was now officially Screamin’ Jay Hawkins and the rest was history.

Or was it?

Despite being edited by Colombia Records, many stations banned I Put a Spell On You for what was perceived at the time as overt sexuality. This was 1956 after all. And despite ultimately selling over a million copies, the record failed to break onto the billboard charts. The song itself would be a bigger hit for just about every other singer that covered it than it was for Hawkins himself, with white artists making the charts on it’s back only 10 years later. This was 1956 after all.

When coupled with friction Jay found with the NAACP regarding his “racially stereotypical” appearance, one can understand and appreciate Hawkins satirical album “Black Music for White People,” which should probably be in the running for one of the greatest album titles of all time. Though many found it to be the opposite, it could be argued that Jay’s reticence to conform to an acceptably “white” appearance was itself in fact transgressive and confrontational to the white audiences that reveled in his performances. Stereotyping and the NAACP be damned, Screamin’ Jay Hawkins wasn’t gonna whitewash his act for anyone.

Still, Jay harbored bitterness toward the fact that these schlocky gimmicks were what ultimately brought him notoriety, and often blamed them for why people wouldn’t take him seriously as a vocalist. He would re-record this track on several occasions over his long career, each time shifting the tempo and either dialing back or amping up his vocals. But, it is the 1956 version (honestly, not even the most outrageous and oft-heard version) that we include here on the playlist.

However Hawkins felt about his fame, or whether or not he received it for the right reasons, he remains a massive influence on not only Shock Rock, but on hundreds of artists, not the least of which being Shindiggers like Alice Cooper, The Cramps, Nick Cave, The Misfits and Screaming Lord Sutch. And not simply for his outlandish stage persona or appearance, but for his unique talent and that wholly original and genre-defining (and defying) style.

Jay Hawkins died following an aneurysm on Feb. 12th, 2000, exactly 44 years,…to the day…that he recorded this version of I Put a Spell On You. Ya know, that strange drunken session he couldn’t remember…

A spell indeed.

Spooks

TRACK #181

Spooks by Louis Armstrong

Welcome back Weeners! It’s been a while. Well, that is unless you happen to be reading this in 2021 or something and just moved on to the very next post. Chances are you’re not reading this at all though, so that really doesn’t matter that much.

Anyway, the Season of the Witch is upon us once again!

And here to kick off the march to Halloween is Louis Armstrong with some words of warning to all of us this holiday season.

He’s serving up one swinging haunted boogie that just gets my foot tapping. Seriously, I love this song. It’s got a great spooky vibe and some really fun word play, all delivered with Louis’ famous throaty growl.

Now, if you’re finding it a bit difficult to enjoy a song from 1954 where a black man repeatedly belts out a popular racial epithet, I’m not exactly sure how to assuage your feelings of unease.

All I will say, is that apparently Louis didn’t have a problem with it, and I’ll wager that slur was actually used toward him directly, perhaps even many times, during his life in early 20th century America. That’s good enough for me.

It’s perhaps a bit easier to understand in context. Back then, the word “spook” found much more association with ghosts and horror than it does now, no doubt because of it’s offensive application.

This was in part because of The Midnight Spook Show, a precursor to the Midnight Movies and Horror Hosts of the 60’s and 70’s. But we’ll talk about that more a little further down the road.

For now…

Beware a dem spooks…spooks…spooks!

The Monster Mash

TRACK #171:

The Monster Mash by The Krypt-Keeper 5

Born from the same scuzzy streets, Foodland chipped ham and shitty, 3-story apartment building in “downtown” Monessen, Pennsylvania that also gave birth to Halloween Shindig, The Krypt-Keeper 5 and this playlist go together like apples and caramel.

A band of bored FX students joined forces in the winter of 2005 to cut a Christmas album. Deck My Balls: Seasons Beatings from The Krypt-Keeper 5 was a substantial, 28-track package of punk covers, originals, re-workings and Christmas classics.

Featuring the vocal stylings and ivory work of a man you may be familiar with; sculptor, mask-dork, punch-technician and friend of The Shindig, Mikey Rotella.

Rhythming it up behind him were bassist and 4th Keeper Chuck Hendershot (aka Klaus Satan Von Chudberg), Timmy “Tiny Timminy Grinch” Estes slinging a six-string, and Todd Russell Parker McCulloch filling in with drum fills, guitar licks and just about anything else required.

They even played a couple of shows which, for any of the poor souls trapped in the Monongahela Valley, was probably the freshest air they’d ever breathed. Unfortunately, The Shindig never got to see them perform live, as it had moved on to the good life out in California’s beautiful San Fernando Valley by 2005. However, we can all pretend like we were there thanks to the miracle of modern video.

Yeah, that’s great an all, but the last time I checked this was Halloween Shindig. Why the fuck are we sitting here, 3 days before Halloween, talking about a goddamn Christmas album?

Well, that’s because buried deep within this seasonal offering is another kind of festive shanty, and it’s the 5’s take on a Halloween Classic, The Monster Mash.

And when Monessen’s own sons, The Krypt-Keeper 5, take on All-Star Boris Pickett’s seminal Halloween hit, there’s nothing but room for them on Halloween Shindig.

So, c’mon Weeners! Join Dracula, his son….and the wolfmaaan…for this take on the timeless graveyard smash.

Hauntedween

TRACK #150:

Hauntedween by Ernest Raymer

What better place to bring our Haunted House Rockin’ block to an end than here, at the Berber House with Hauntedween, a Haunted House Halloween Title Track?

While not a real haunted house, The Berber House is just a festive Haunted House, or rather a Haunt, which has hitherto been unrepresented in our block.

A staple of the season since well before I was brought to this plane of existence, The Haunted House is as much a part of Halloween as Trick-or-Treating, Jack O’Lanterns and slutty costumes.

High school kids in rubber masks weave through a thick mist of dangling limbs and fake fog, looking for their next mark.

Disorienting lights strobe to the beat of pneumatic pistons firing foam jump scares.

A chainsaw is perpetually chugging somewhere, sometimes roaring to life, but from where, you couldn’t say.

Grown adults tip-toe around dark corners, weary of things they know aren’t really out to get them.

The nervous shriek, the tough guys almost instinctively punch and the weirdos laugh uneasily.

Some are good and some are terrible, but they all have that same smell, that same vibe, the same excitement, and you should always treat yourself to at least one visit a season.

If you live around Southern California, I highly recommend Reign of Terror in Thousand Oaks. Skip Universal, Knotts and The Griffith Park Hayride, and check that place out.

Hauntedween is a low budget affair filled with that same sort of passionate home-town charm and love for the holiday you find in local Haunted Houses, and it features a killer lying in wait at just such a local Haunt. You can read The Shindig’s write-up here!

This Title Track (which it is gracious enough to give us) plays over a montage of the Sigma Phi frat boys rebuilding the old local Haunt in preparation for a holiday fundraiser to save their fraternity!

It may be awkward to say, and it may not make one bit of sense, but here it is all the same…it’s Hauntedween!

Someone’s dying to start the show.