70s

Audio

A Merry, Shh, Creepy Hallowe’en

TRACK #220:

A Merry, Shh, Creepy Hallowe’en by David Levy & George Tibbles

The Addams Family is a staple of classic American pop culture that has evolved over time to adapt to any medium thrown its way.

The Addams took their first breaths in 1938 as a single panel comic strip from cartoonist Charles Addams. Featured in the New Yorker magazine, they would be run periodically for 50 years until Addams’ death in 1988.

During that span (and then beyond), The Addams set about conquering every corner of entertainment the tried their hand at. First as the 1964  sitcom we all know and love, which ran for 2 seasons.

In 1972, the first animated incarnation of the Addams met Scooby-Doo. After that, a variety show was planned featuring (strangley) Butch (Eddie Munster) Partrick as Pugsly. A pilot was filmed but the show was ultimately not picked up by the networks.

Then, in 1973 The Addams Family became another beloved show, this time a cartoon which also ran for 2 seasons and featured a young Jodi Foster as the voice of Pugsly. Weird!

After that, the original cast reunited for the Television film Hallowe’en with the New Addams Family. In it, the legend of old Cousin Shy is told; a Chirstmas-like tale about a family ghost that mysteriously carves pumpkins and brings presents on Halloween.

Then, in 1991, The Addams took to the big screen in the Paramount Pictures adaptation which spawned a sequel in 1993 and then a direct to video reboot starring Tim Curry as Gomez.

After that, another animated series based on the new film followed before a second live action television show took form in 1998 as The New Addams Family. 

In 2010, The Addams Family took on Broadway in a musical starring Nathan Lane and Bebe Nuewirth. Was there anywhere The Addams could not make their own peculiar home?

Today, as I’m sure you’re all aware, America’s First Family of the Macabre takes another trip to the big screen and gets another animated makeover, this time of the digital variety. Now, while sadly this not the much anticipated (and later canceled) stop-motion animated film based on Charles Addams’ original designs that Tim Burton had planned, it is good to see The Addams back on their feet and ready to capture a whole new generation of fans.In honor of the return of The Addams Family, Halloween Shindig presents the very Halloweeny but Christmas-like carol A Merry, Shh, Creepy Hallowe’een from their 1977 Halloween Television reunion special.

Because how long could we ignore a Halloween song sung by The Addams?

Enjoy!

 

Audio

Dr. Beezar, Soul Frankenstein

TRACK #217:

Dr. Beezar, Soul Frankenstein by Captain Dax

Roughly 5 years and 26 days ago we posted a song called Soul Dracula by Hot Blood.

Mostly a funked-out disco instrumental, we filled that track with some fun samples from Blacula and called it a day.

Now, the soul returns with Dr. Beezar, Soul Frankenstein!

True to form, it’s mostly a funked-out disco instrumental, so this time so we shoved in a bunch of samples from Blackenstein.

Unfortunately, Blacula Blackenstein is not.

What could have (and probably should have) been a fun, campy and exploitative horror romp like its predecessor, slowly unfurls into a dull, plodding and joyless affair that isn’t funny, scary or entertaining.

The Dr. Frankenstein character (here called simply Dr. Stein) isn’t even Black! What kinda sense does that make?

Featuring a plot that resembles something more akin to The Island of Dr. Moreau, you’re getting limited horrific goings-ons and even less Blacksploitation from Blackenstein. It’s as if the filmmakers were neither familiar with Mary Shelley’s classic tale or even the concept of Blacksploitation.

But enough about this crummy movie, because Captain Dax will make all of it worthwhile.

One of several aliases used by The Lafayette Afro Band, this track was a big hit in Japan in 1976. So yeah, these guys were quite literally big in Japan. I guess that’s really a thing people can be.

This boogie-down creepster features so much synthy 70’s goodness, it feels right at home among the spooky ranks of Halloween Shindig.

While I typically recommend staying away from things lightly, because most movies are at least good for a single watch, I wholeheartedly advise avoiding Blackenstein at all cost.

I do not recommend, however, avoiding Captain Dax’s funked out, Franked-up, Moogin’ groove Dr. Beezar, Soul Frankenstein!

 

Audio

The Creature from the Black Lagoon

TRACK #215:

The Creature from the Black Lagoon by Dave Edmunds

Because there seems to be a serious shortage of songs specifically about The Creature from the Black Lagoon, we’re gonna spin you a twofer for the old Gillman.

This one comes from Welsh singer/songwriter/producer Dave Edmunds, who had a pretty solid career performing in several different rock acts in the late 60’s and 70’s while also producing a number of different artists.

The story behind this album is a little goofy, because by all accounts, this is an album by the band Rockpile.

You see, after several years of limited success with different bands and a solo album, Dave hooked up with notable singer/songwriter Nick Lowe. Together, with guitarist Ed Bremner and drummer Terry Williams they formed the band Rockpile. However, Lowe was signed to Stiff Records at the time and Dave was signed to Led Zeppelin label Swan Song. This caused a bit of confusion for recording and releasing albums.

What followed was a series of solo releases that actually featured the entire band as background accompaniment. These included Edmund’s 1978 Tracks on Wax 4, Lowe’s Labor of Lust and this album from 1979, Repeat When Necessary.

Offically, the writing credits for this tune belong to Ed Bremner. Now, why Ed decided to write a strange toe tapper about a 25 year old soggy monster, we may never know exactly. Why they all decided to slip it among the rest of the tracks on a fairly standard Pub Rock album, we may also never know.

My guess? Well, it’s a pretty fun tune that’ll quickly worm its way into your head.

This has been in the Shindig Bullpen for years, as it appears on Elvira’s compilation Haunted Hits. The bullpen is a secondary playlist I have filled with songs yet to get officially added or songs that I’m considering for addition. I listen to it throughout the year. I add songs, remove songs, play around with order, see what fits together nicely. That sort of deal.

For years this was a song I kinda hated. Slowly but surely though and against all odds, it finally weaseled its way into my head and I’ve come to enjoy it quite a bit. Perhaps you may find yourself having a similar response. Though, I certainly wouldn’t blame you if this one never comes around for ya like it did for me. I get it.

However, since there is that shortage I mentioned earlier and Lagoony is one of the Big 5, Dave Edmunds and his strange by the numbers rock song about a classic monster get their chance to swim.

 

Audio

(I’m The) Mummy

TRACK #213:

(I’m The) Mummy by Long Tall Ernie and The Shakers

While we may not be entirely sure who the fuck The Wolf Man actually is, we can safely say we know exactly who The Mummy is, and his name is Long Tall Ernie.

Dutch rockers Long Tall Ernie and The Shakers started out life in The Netherlands in 1968 as a band called The Moans, which they later changed to simply Moans.

These guys were all a bunch of jokers I guess, because during live performances The Moans would go offstage halfway through the set and re-emerge as a sort of spoof act called Long Tall Ernie and The Shakers. As The Shakers, The Moans would play traditional Rock ‘N Roll from across the pound…as they probably don’t say over there because that’s a definitely a British phrase.

Whatever they say, these guys never found much success as The Moans, but people seemed to love Long Tall Ernie and his Shakers. No problem for them, they just said “fuck it” and changed the band completely to Long Tall Ernie and The Shakers and started knocking out albums.

One of the last of those albums, from 1979, was Meet The Monsters. While maybe a little late in the game for this brand of Shock Theater styled rocking , being a direct goof on 50’s Rock ‘N Roll sensibilities, it only makes perfects sense that these jokesters might eventually release a full on novelty Monster album.

And god bless ‘em, because they threw on a song about the Mummy, and those aren’t exactly spilling out of the sarcophagi.

The Mummy is a bit underrepresented in the Monster Song game, at least when compared to Bash Brother’s Dracula and Frankenstein. Even the Wolf Man, or at the very least, Werewolves, are getting more at-bats than The Mummy.

And rightfully so. Of the Big 5, you’d have to slot this bozo 4th.

The Wolf Man-Dracula-Frankenstein lineup is a veritable Murderer’s Row when it comes to Monstering and popularity. Them’s just the breaks, kid. These dudes are batting 1000, mercing fools left and right and you’re over there lumbering around all slow, reaching at people, looking for some a lost lover or purloined artifact or some shit.

You don’t think you belong 4th, band-aid breath? Come at me. I’ll take you the fuck out, Rudy style, without even breaking a sweat. Frank’s tossin’ me straight into a river, I got nothing for a walking corpse quilt of those measurements. The Wolf Man’s probably ripping my gentials straight off and God help me if Dracula’s got any of them bimbo’s in tow, cause I’m a goner. You? You’re getting unwrapped up quick.

But enough calling out of probably imaginary Monsters. Let’s get back to Long Tall’s take.

For some reason, The Mummy here sounds like any numbers of novelty Dracula’s or weird Igor fashioned character. Seriously, why does The Mummy sound like this? I understand these guys are Dutch, but surely they realize this is not a voice associated with The Mummy, right?

But maybe that’s the problem. Is any voice really associated with The Mummy? What is he supposed to sound like? Egyptian I’ll wager, at the very least. You do have Karloff just Ardath Bey-ing it up, and maybe that’s what they were going for here, cause you could claim this is a voice approaching Boris.

Either way, this is a fun Novelty Monster song about a guy we don’t get to hear too much about. And in regards to Meet the Monsters, it’s a great Monstrous album that deserves a full listen, if you’re into that sort of thing. An album we certainly haven’t heard the last from around here.

 

Audio

Born On Halloween

TRACK #199:

Born On Halloween by Blue Magic

By far the spookier (and more mellow) track with this title, Blug Magic’s Born On Halloween may take the prize for smoothest song on The Shindig. This a slow jam of the baby making variety. Provided of course you’ve found the right spooky lady.

No one affiliated with Blue Magic appears to have been born on Halloween. That’s okay though, because their song is not about themselves, but rather the spookiest girl in town; the Queen of Witchcraft.

She was born on Halloween, and since I’m 99% sure she’s 100% fictional, that can hardly be cross-referenced. We’re just gonna have to take their word for it.

So grab that witchy woman, dim the orange lights and fire up your favorite horror movie, cause Blue Magic’s about to smooth up your holiday with Born On Halloween.

 

Audio

Born On Halloween

TRACK #198:

Born On Hallowe’en by Russ Ballard

We’re gonna slow things down a bit here, just before our run to Halloween, when things are bound to get all types of hairy.

In my research for an upcoming (and long overdue) addition to The Shindig, I came across not 1, but 2 different songs of the same title. Now you know what we say around here whenever that happens…

Pick ’em up!

From the 1976 album Winning from Russ Ballard comes Born On Hallowe’en.

Now, in case you were incredulous (I know I sure was) Russ Ballard was in fact born on Halloween in 1945, somewhere in Britain, if I recall correctly. Pretty spooky.

Unfortunately, this is the least spooky of the 3 songs featuring that title. Fine by us, as a song needn’t be spooky to find itself on The Shindig. It certainly helps, but it’s not a prerequisite.

While I’m quite sure none of us are terribly familiar with Russ, we’re probably familiar with his generous professional output, as many of his songs have been recorded and turned into big hits.

Originally the lead singer for the rock outfit Argent, who’s hits Hold Your Head Up and God Gave Rock N Roll To You are surely recognizable to anyone with even passing interest in classic rock or has seen Bill and Ted’s Bogus Journey.

He’s also responsible for America’s comeback hit You Can Do Magic, Rainbow’s Since You Been Gone, Santana’s Winning, Peter Criss’ Let Me Rock You and the Ace Frehley solo track New York Groove.

Coming in at #198 to pump the breaks a little, here’s a mellow rocker from Halloween Hero Russ Ballard, who was definitely Born On Hallowe’en.

Audio

Sweet Transvestite

TRACK #194:

Sweet Transvestite by Tim Curry

And since we’re talkin’ about sweet songs and everything, nothing quite says “Halloween” without saying “Halloween” at all, like The Rocky Horror Picture Show.

Poor Tim’s been sitting in the Shindig Bullpen for years now, just waiting for the right opportunity to provide some relief.

And rowing away from Camp Arawak aboard Dr. Frank-N-Furter’s transsexual canoe seems as good a place as any for him to step in at last and provide a nice hanging curve-ball.

So here, at number #194, it’s Tim Curry’s trash-camp classic, Sweet Transvestite.

 

Audio

Laurie’s Theme

TRACK #179:

Laurie’s Theme by John Carpenter

As influential and essential as Alan Howarth may have ultimately been to that “Carpenter” sound, nothing proves John’s singular mastery like his score from 1978’s Halloween.

Everyone knows the iconic theme. Hell, people that haven’t even seen the movie recognize it’s repetitious, modulating sound.

However, John’s score is more than just that simple and oh-so-effective opening number. The entire sonic landscape of Halloween is synthy and unnerving, with buzzes and stabs that have become icons in and of themselves.

So we’d be remiss, particularly since our block of synthetic horror themes has bleed into Halloween, to leave out the man himself and one of his lesser heard arrangements from that classic seasonal favorite.

So, tingling your 31st spine is Shindig All-Star John Carpenter with the haunting and memorable and succinct, Laurie’s Theme.

 

Audio

Phantasm (Intro and Main Theme)

TRACK #177:

Phantasm (Intro and Main Title) by Fred Myrow & Malcolm Seagrave

With so many great horror scores from the 70’s and early 80’s, you might be hard-pressed to pick a favorite. Maybe Carpenter’s Halloween Theme is your choice. Perhaps it’s Michael Oldfield’s Tubular Bells. Would you select Charles Bernstein’s theme from A Nightmare Elm Street? Maybe even Wendy Carlos’ work on The Shining? Or is it something from Goblin?

All great choices, without question.

However, I don’t think any horror fan would fault you if your selection was this opening number, from Don Coscarelli’s 1979 classic Phastasm, performed by Fred Myrow and Malcolm Seagrave.

This entire score is great, fashioned as it is with a veritable dream-list of vintage electronic gear. Frequencies from an ARP Odyssey to a Moog Model D, to a Mellotron and even a Fender Rhodes buzz all over this thing, and it simply oozes a warm, green slime of 70’s electric creepiness.

Spooky, unsettling and perfectly matched for Phantasm’s eerie, fever-dream otherness, it ticks every box you could want for a Horror Theme.

On top of that, it’s Halloweeny as all get out, and I can’t think of a more fitting track to start off this October 31st.

I don’t know if I could ever actually pick a favorite horror theme, but if I was in a pinch and hard-pressed to give a knee-jerk answer, I might very well just pick this one.

 

Audio

Suspiria

TRACK #176:

Suspiria by Goblin

No Goblin block (or indeed even any brief conversation about Goblin) exists without a mention of perhaps their most famous of all arrangements, that from Argento’s Ballerina-Witch-epic, Suspiria.

This spooky, ethereal and very Italian supernatural shocker is classic horror business.

It has captivated and inspired fans and other filmmakers since its release in 1977. Not the least of whom being John Carpenter, who’s own classic horror offering, Halloween, has hallmarks of Argento’s masterpiece all over it.

And not the least of that being John’s score, which takes much inspiration from Goblin’s kinetic and prominent sounds.

Presented here at number 176 and rounding out our Goblin-Fest is the title theme from Suspiria.

Do you know anything about witches!?